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Approaching Comedy from a Personal Perspective and Tapping into Your Unique Writer’s Voice (From Script)

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A Change in Entertainment Business Currency and Disrupting Storytelling with Historical Significance (From Script)

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Writing and Rewriting History in Film & TV (From Script)

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Navigating Screenplay Competition Scores and Meeting the New Gossip Girl (From Script)

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Exclusive Interviews with Tribeca Film Festival Filmmakers and a Deep Dive into Character and Story Exploration (From Script)

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Finding Your Voice as a Writer and Documentary Films Making Waves at Tribeca Film Festival (From Script)

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A Fond Farewell to Netflix’s Lucifer, Writing Video Games, and Do Experts Stand in the Way of Your Writing Goals?: From Script

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Adding Your Personal Connection to Your Stories and Building Your Brand As a Writer (From Script)

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A Peek Behind the Curtain of Award-Winning TV Shows, Understanding Structure, and Pushing Forward with Your Ideas: From Script

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Movies and TV Shows with a Big Message (From Script)

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Interviews with Independent Filmmakers and Advice on How to Find an Idea Person for Your Story (From Script)

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New Original Podcasts, Videos, and Understanding Data as a Screenwriter (From Script)

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Supporting AAPI Storytellers and Tapping into Mythical World Building (From Script)

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Creating Dynamic Characters and Writing Sci-Fi for Broadcast (From Script)

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Tips Before Entering Script Competitions and Navigating a Screenwriter Career Outside of Hollywood (From Script)

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Movie Theatres Return While Indie Cinema and TV Turns to Horror and Beyond (From Script)

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Taking Note of the Structure of WandaVision and Breaking in Outside of Hollywood (From Script)

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Screenplay Structure is Important and Adapting a Novel for the Big Screen (From Script)

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Adapting the Marvel Cinematic Universe and Video Game IPs for TV and Navigating Networking on Social Media for Writers (From Script)

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Navigating Screenwriting and the Business of Hollywood (From Script)

Selling a screenplay is no easy task. Ray Morton shares advice on how to increase your screenplay's commercial appeal to help you choose the best stories to put on the page.
Screenwriting (Film)

How to Increase Your Screenplay's Commercial Appeal

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Screenwriting (Film)

Making Time to Write: Time Management For Screenwriters

While working the front desk at Miramax, Dave Pullano created the fictional exec to field overly persistent screenwriters wanting to sell a pitch. Ironically enough, through a series of adventures, Pullano found himself in Hong Kong, sitting on an old mattress ... and pitching his own script to Jackie Chan.
Writing Articles

Script Classics: Life In The Movie Industry - How To Sell A Pitch In Only 10 Years

Author, playwright and screenwriter Wendy Whitbeck delves into the unique underwater characters of the box-office hit Finding Nemo to explore how combining this particular mix of characters melded to create a totally memorable movie with strong character development.
Screenwriting (Film)

Script Classics: Everything I Needed to Know About Character Development I Learned From a Fish

Some writers struggle in transitioning from one type of writing to another, but Nicholas Meyer has conquered many forms. Learn Meyer’s cross-format storytelling processes and what encouraged him to write his recent memoir, The View From the Bridge: Memories of Star Trek and a Life in Hollywood.
Screenwriting (Film)

Script Classics: Nicholas Meyer—The View from the Scribe

Christian Bale stars as Batman in Warner Bros. Pictures’ action-adventure Batman Begins, written by Bob Kane (characters), David S. Goyer (story, screenplay) and Christopher Nolan (screenplay). PHOTOS: David James ©2005 Warner Bros. Entertainment Inc.
Writing Articles

Writers on Writing: Revitalizing the Batman Franchise with Batman Begins

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Screenwriting (Film)

Script Classics: Adapting to the Adaptation Process

Director Douglas McGrath at the premiere of the film "Nicholas Nickleby" - Photo by Lawrence Lucier/Getty Images
Writing Articles

Script Classics: Writer and Director Douglas McGrath on Adaptation of Dickens' Nicholas Nickleby

Gary Cooper as Marshal Will Kane in the United Artists’ 1952 classic High Noon, written by John W. Cunningham (story) and Carl Foreman.
Writing Articles

Script Classics: Writing a Great Third Act