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Submission Guidelines



4665 Malsbary Road, Blue Ash, Ohio 45242

Our Mission

Writer’s Digest, the No. 1 magazine for writers, celebrates the writing life and what it means to be a writer in today’s publishing environment. Through the voices of bestselling authors, buzz-worthy newcomers, and seasoned editors, we offer everything writers need to stay inspired, to improve their craft, to understand the unique challenges of publishing today, and to get their work noticed. Our pages are filled with advice and real-life experiences that go beyond the ordinary and delve deeply into what’s important to writers today. Whether they write fiction or nonfiction, poetry or essays, articles or scripts, our readers will walk away from every issue inspired and ready to write, satisfied in the knowledge that we get it, that we all share this passion for writing, and we’re all part of a grand literary tradition. And that’s worth celebrating.

General Focus

Founded in 1920, such classic literary icons as Joan Didion, Ray Bradbury, Jack Kerouac, Truman Capote, H.G. Wells, Margaret Atwood, Maya Angelou, and more have shared their thoughts on different aspects of the writing life through the pages of Writer's Digest. We’re an instructive magazine that seeks to keep readers abreast of industry trends, of the latest writers who found success and what they did to achieve it, and of innovative ways to improve and empower the inner raconteur of our readers.

Our style is confident and authoritative, yet conversational. Our voice is that of an insider—your trusted friend in the business. Keeping informed on industry trends is essential to our readers’ success, so it’s essential for our editorial to address timely issues in publishing, and look forward to the future of writing in its myriad forms. Our goal is to provide readers with the inspiration, how-to instruction and culturally relevant information they need to fulfill their writing goals and be a part of the larger community of writers.

Our Readership

Writer’s Digest is published six times per year, and has a paid circulation of 60,000 subscribers, while has 20 million pageviews/year. Our readers include men and women of all ages and varying levels of writing skill and success. We have a worldwide readership, but the majority of our readers live in the U.S. and Canada.

To obtain sample issues of Writer's Digest, you can purchase copies via the newsstand or An index of each year's contents is available at

How to Submit to Writer's Digest Magazine

We consider completed manuscripts on spec, as well as original pitches. A query should include a thorough outline that introduces your article proposal and highlights each of the points you intend to make. Your query should discuss how the article will benefit our readers, why the topic is timely and why you’re the appropriate writer to discuss the topic.

Although we welcome the work of new writers, we believe the established writer can better instruct our reader. Please include your publishing credentials related to your topic with your submission, along with a brief bio.

Send email queries to our Acquisitions Editor at Please do not send attachments—instead, paste your submission directly into the body of the email, below your query. If you have clips available online, please include links. Accepted freelance articles must be submitted in electronic form, in text-only or Microsoft Word. We expect writers to thoroughly check all facts in their stories and to submit documentation to support the information included in their stories.

Because we receive hundreds of queries a month, please allow 2–4 months for a response. Each submission must include your name, address, daytime telephone number and email address.

Here are a few pointers to keep in mind:

  • We don't accept or respond to queries via snail mail, phone or fax.
  • We don't buy newspaper clippings.
  • We don't buy reprints of articles previously published in other writing magazines.
  • WD Interviews (our signature cover Q&A series) are almost always written in house. If you’d like to pitch an interview with a well-known author, we request that you get approval from the subject prior to your pitch.
  • In today’s media environment, an article doesn’t just appear in print, but can become an interview on our podcast, a YouTube video, an extended blog post or a prompt for Facebook discussion. While it’s not required, writers who can cite supplemental ways in which their article might take shape in digital form will be given special consideration.

How to Submit to

Contributed articles and guest posts for online publication may be submitted to for review. Please include a brief summary of your proposed article or guest post, or attach a Word document containing a completed article, along with a headshot, bio and any applicable book cover images.

Payment and General Terms

For manuscripts, we pay 30–50 cents per word, on acceptance, for first world rights for one-time print use and perpetual electronic use. Should we want to reprint anything we've purchased from you in anything other than electronic format, we'll pay you 25% of the original purchase price per use. Contributor copies are sent to writers and artists whose work appears in that issue.

We do not offer payment for unsolicited online articles and guest posts, except in rare cases when the content is highly focused or unique. In such cases, writers may be paid $50-$100 depending on the depth and length of the work. If payment is not offered, we may agree to include links to the author's website, social media accounts, and book outlets.

What to Pitch

This upfront section of the magazine is the best place for new writers to break in. Each Inkwell features an 800-900–word lead story that kicks off the magazine. The article ranges in style and tone every issue, but often takes the form of an opinion-based piece, weaving a narrative and drawing out tips for readers. It can be a great place to discuss theoretical or timely concepts. Inkwell also features short pieces of 300–600 words (trends, humor, insight on news that will still be relevant when our next issue hits stores, weird and intriguing tidbits about the writing world), as well as 1,000-word features. Please note that all product and book reviews are handled in house—as are columns like Breaking In, Poetic Asides, and Worth a Thousand Words. Include “Inkwell:” and the name of your piece in the subject line of your query.

5-Minute Memoir
This recurring column features 600-word essay reflections on the writing life. While 5-Minute Memoir is a diverse spot in which we want a writer’s individual style and voice to come through, the essays we love most are those with a strong narrative element, relaying an experience and its subsequent wisdoms and takeaways for writers. Those with a narrow focus tend to stand out more than those that span an entire lifetime of writing. Please include “5-Minute Memoir" in the subject line of your submission and paste the essay in the body of your email.

Editor tips: How to Write a 5-Minute Memoir

WD 101

Beginning with March/April 2021, this new column plays on the 101 years of Writer’s Digest and the concept of 101 helpful advice. The guest written, 1200-word piece will aim to offer writing business basics for those who need a refresher or for those just beginning. Topics may include tips for selling poems/articles/novels, etc., contract negotiations, freelancing basics, different types of rights sales, types of editors, etc. Please include WD 101 in the subject line of your submission and paste the essay or pitch in the body of your email.

MFA Workbook

Beginning with March/April 2021, the Writer's Workbook column will change to be the MFA Workbook. Rather than sharing excerpts from WD books as done previously, this column will be written by a different MFA student/teacher each issue. These articles will serve two purposes: 1) to provide an opportunity for MFA candidates to get bylines in a national publication in service of their degree. 2) Offer MFA-type instruction/tips to writers who are not in MFA programs. Generally craft-focused with an emphasis on writing exercises, this column may occasionally include a business-based column if it’s connected to what’s learned in an MFA program (for example, successful networking). Please include MFA Workbook in the subject line of your submission and paste the essay or pitch in the body of your email. These articles should be about 1600 words.

Author Profiles
These are profiles of prominent, specialized or lesser-known authors that are placed in Inkwell, and can include both debut and veteran writers. They generally run at 800–1,200 words and must have a strong, unique angle of interest to writers. Please don’t pitch profiles on authors who’ve been recently featured in our magazine or other writing magazines.

Writing Technique Articles
These features highlight a writing method and detail how to use it successfully. Examples include how to write an effective lede, how to use dialogue to establish character, how to write a modern-day romance heroine, etc. They typically run at 1,000–2,400 words.

Articles may cover fiction, nonfiction, freelance, poetry or scriptwriting techniques. Writers must have published successfully in the area they’re writing about. Every piece will need to:

  • Define the technique and its importance.
  • Break the technique down into distinct parts and deal with each part individually. When appropriate, use step-by-step explanation.
  • Give relevant examples of its usage. Using examples is a vital part of technique articles. Illustrate points with examples—either from your own writing or from well-known works (preferably both). Avoid relying on movie plots for examples.

Market Reports
These are market reports highlighting publishing trends in a particular market. Genre reports detail what's changing or hot in a particular segment of the industry: fantasy, mystery or romance, for example.

There are several essential elements in market reports. Anecdotes, specific examples and quotes are important here, too. Interview and quote relevant sources. Describe the market including its target readership. Explain how to find ideas for the market. Point out how writers can generate salable ideas and provide tips on matching ideas to publications.

Also detail how to write for the market and describe the process of turning ideas into salable stories. What are the special requirements of writing for this market? Point out common pitfalls and how to avoid them.

Other Features
Please see our editorial calendar for upcoming topics. Query only if you feel you are the best person to write on each topic, and be sure to explain why.

A Few Tips for Writing Personal Essays

A Few Tips for Writing Personal Essays

Here are a few tips for writing personal essays from the Publishing Insights column of the March/April 2021 issue of Writer's Digest.

Dispel vs. Expel (Grammar Rules)

Dispel vs. Expel (Grammar Rules)

Let's look at the differences between dispel and expel with Grammar Rules from the Writer's Digest editors, including a few examples of correct usages.

Laura Davis: On the Story That Begged To Be Told

Laura Davis: On the Story That Begged To Be Told

Author and writing instructor Laura Davis discusses the process of starting, stopping, and starting again with her new memoir, The Burning Light of Two Stars.

From Our Readers

Which Writer or Work Made You Think About Point of View in a Different Way and Why?: From Our Readers (Comment for a Chance at Publication)

This post announces our latest From Our Readers question: Which writer or work made you think about point of view in a different way and why? Comment for a chance at publication in a future issue of Writer's Digest.

4 Tips on Research for Writing Novels and Stories Beyond Getting the Facts Right

4 Tips on Research for Writing Novels and Stories Beyond Getting the Facts Right

The kind of research you do can make or break your story's authenticity. Author Blake Sanz offers 4 tips on research for your novels and stories beyond getting the facts right.

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WD Presents: Annual Writing Competition Early-Bird Deadline, Seven WDU Courses, and More!

This week, we’re excited to announce the Annual Writing Competition early-bird deadline, seven WDU courses starting this week, and more!

3 Big Tips for Writing a Children’s Picture Book Like a Pro

3 Big Tips for Writing a Children’s Picture Book Like a Pro

Small but mighty, picture books help raise children into lifelong readers. Children's book author Diana Murray offers 3 big tips for writing a picture book like a pro.

5 Things I Learned About Writing From Watching Soap Operas

5 Things I Learned About Writing From Watching Soap Operas

Lessons in writing can come from various forms of art or entertainment. Author Alverne Ball shares 5 things he learned about writing from watching soap operas.

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Writing from an Intimate Point of View and Adding Essential Elements to Solidify Your Screenplay (From Script)

In this week’s round up brought to us by Script magazine, TV writer Kate Sargeant shares a first-hand look on her new digital series that was a life-changing experience. Plus an interview with filmmaker Mia Hansen-Løve, a new installment from ‘Ask the Coach’ and more!