Intentional Callbacks in Comedy (From Script)
In this week’s weekly round up from Script magazine, “The Fall and Rise of Reggie Dinkins” co-creators and showrunners discuss intentional callbacks and humor, and more.
In this week’s weekly round up brought to us by Script magazine, "The Fall and Rise of Reggie Dinkins" co-creators and showrunners Robert Carlock and Sam Means discuss intentional callbacks and humor, actor Rob Corddry shares insights on crafting his character from "The Audacity" alongside show creator Jonathan Glatzer, catch up on film reviews, and more.
I Swear Review
A Story of Tics, Triumph, and Tender Resilience
From the Pasadena Playhouse to Warner Brothers, Paramount, and Disney: The Screenwriting Journey of Catherine Turney
Dr. Rosanne Welch celebrates the female screenwriters who came before us with this month’s spotlight on trailblazing screenwriter, playwright and television writer, Catherine Turney.
Make it Make Sense: Derek Kolstad Talks Normal
Derek Kolstad discusses building the creative team around his screenplay, writing treatments, tackling a Neo-Western, mixing comedy and action, and his writing process.
Intentional Callbacks in Comedy: A Conversation with "The Fall and Rise of Reggie Dinkins" Co-Creators and Showrunners Robert Carlock and Sam Means
Robert Carlock and Sam Means discuss the creation and development of their new comedy series, the mockumentary format, the importance of making characters multifaceted, intentional callbacks and humor, and more!
A Leap of Faith & Wonder
Sci-fi screenwriter Jenna Avery on letting go and leveling up with screenwriting.
The Comedy to Drama Stretch with "The Audacity" Co-Star Rob Corddry
Rob Corddry discusses his career and finding his comedic voice, he highlights the importance of good collaborators, and shares insights on crafting his character alongside Jonathan Glatzer for "The Audacity".
Developing & Pitching Your TV Series
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SELLING YOUR SCREENPLAY: Ep.543 – Writing Animation for Disney with Brandon Violette
Brandon Violette talks about how he feels AI might change the animation industry in the future and the difference between writing a show for preschool vs elementary school aged kids.
