Skip to main content

New Literary Agent Alert: Marisa Cleveland of The Seymour Agency

She is seeking: Marisa is accepting queries for middle grade fiction. Need more details? She is searching for a middle school novel she can’t put down until the last page and can’t stop discussing. Voice is definitely key for her. If she's going to sign (and sell) someone or recommend someone, then the writer’s voice has to speak to her. She has to be able to listen (vocally and on the page) to that writer through revisions and edits and book after book. She wants to find characters she'd want as her best friends and partners in crime long after the story ends, whether it’s in this world or an alternate universe… and middle grade means the content where issues are age-appropriate and not based solely on lexile levels.

Fall 2013 update: Marisa reached out to me and explained that her role
in the agency has changed, and she is only working with existing clients,
and not seeking new clients. Do not query her.

----------------

Reminder: New literary agents are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list. This spotlight is with agent Marisa Cleveland of The Seymour Agency.

Image placeholder title

About Marisa: Marisa Cleveland interned with The Seymour Agency for a year before transitioning into associate agent. Her goals have always included writing her romance novels and representing career-driven authors. She loves to laugh, hates to cry, and does both often (when reading an amazing book). She's been called admissions counselor, assistant director, teacher, coach, analyst, friend, and wife. As a writer and an agent, she reads and writes. Every day. She is a member of SCBWI, YA-RWA and RWA. Find her on Twitter.

(Should You Sign With a New Literary Agent? Know the Pros and Cons.)

She is seeking: Marisa is accepting queries for middle grade fiction. Need more details? She is searching for a middle school novel she can’t put down until the last page and can’t stop discussing. Voice is definitely key for her. If she's going to sign (and sell) someone or recommend someone, then the writer’s voice has to speak to her. She has to be able to listen (vocally and on the page) to that writer through revisions and edits and book after book. She wants to find characters she'd want as her best friends and partners in crime long after the story ends, whether it’s in this world or an alternate universe… and middle grade means the content where issues are age-appropriate and not based solely on lexile levels.

(Find more middle grade literary agents.)

How to submit: [As of fall 2013, Marisa is no longer seeking new clients. Do not query her.]

------------------

Check Out These Great Upcoming Writers Conferences:

Screen Shot 2016-08-08 at 2.57.50 PM

The biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.

Other writing/publishing articles & links for you:

Image placeholder title

Want to build your visibility and sell more books?
Create Your Writer Platform shows you how to
promote yourself and your books through social
media, public speaking, article writing, branding,
and more. 
Order the book from WD at a discount.

Michigan Quarterly Review: Market Spotlight

Michigan Quarterly Review: Market Spotlight

For this week's market spotlight, we look at Michigan Quarterly Review, the flagship literary journal of the University of Michigan.

Desperate vs. Disparate (Grammar Rules)

Desperate vs. Disparate (Grammar Rules)

This post looks at the differences between desperate and disparate with Grammar Rules from the Writer's Digest editors, including a few examples of correct usages.

What Is Pastiche in Literature, and Why Is Sherlock Holmes Perfect for It?

What Is Pastiche in Literature, and Why Is Sherlock Holmes Perfect for It?

What has made Sherlock Holmes so adaptable and changeable throughout the character’s original inception? Author Timothy Miller explains.

How to Write Through Grief and Find Creativity

How to Write Through Grief and Find Creativity

When author Diana Giovinazzo found herself caught in the storm of grief, doing what she loved felt insurmountable. Here, she shares how she worked through her grief to find her creativity again.

writer's digest wd presents

WD Presents: Our Brand-New Digital Guide, 6 WDU Courses, and More!

This week, we’re excited to announce our new “Get Published in 2022” digital guide, six new WDU courses, and more!

5 Tips for Keeping Your Writing Rolling

5 Tips for Keeping Your Writing Rolling

The occasional bump in the writing process is normal, but it can be difficult to work through. Here, author Genevieve Essig shares five ways to keep your writing rolling.

From Script

How to Write from a Place of Truth and Desire and Bending the Rules in Screenwriting (From Script)

In this week’s round up brought to us by Script magazine, exclusive interviews with screenwriter Steven Knight (Spencer), Mike Mills (C'mon C'mon), and David Mitchell (Matrix Resurrection). Plus, how to utilize your vulnerability in your writing and different perspectives on screenwriting structure.

Writing Mistakes Writers Make: Forgetting To Read

Writing Mistakes Writers Make: Forgetting To Read

The Writer's Digest team has witnessed many writing mistakes over the years, so this series helps identify them for other writers (along with correction strategies). This week's mistake is forgetting to read.

Tapping Your Memories for Emotional Truths on the Page

Tapping Your Memories for Emotional Truths on the Page

Sharing even a fraction of our feelings with our characters will help our stories feel more authentic. Here, Kris Spisak explains how to tap into our memories to tell emotional truths on the page.