The National Book Award finalist answers 10 questions about her debut memoir The Yellow House.

Author of the middle-grade historical fantasy novel The Story That Cannot Be Told  J. Kasper Kramer tells what lessons she learned from writing about the Romanian revolution, and the truths that the histories of other countries can teach us about our own present.

Debut author Sarah J. Sover talks about finding the perfect home for her comedic fantasy novel Double-Crossing the Bridge with the indie publisher The Parliament House.

Debut author of The Ash Family Molly Dektar talks about picking one project to focus on at a time, the importance of taking research trips, and how she landed her dream agent in this unabridged Breaking In interview.

Hollow Kingdom author Kira Jane Buxton shares the writing journey that led her let go of expectations while writing.

Happy pub day to Keah Brown! Her debut memoir, The Pretty One, released today from Atria Books. To celebrate, we're publishing the unabridged version of Keah's interview featured in the Breaking In column of the September 2019 issue of Writer's Digest. You can catch Keah on the debut authors panel at the Writer's Digest Annual Conference.

Debut author Sarah Sover shares how embracing her weird side led to the publication of her first book.

WD editors were impressed to hear that Next Girl to Die author Dea Poirier was working on four manuscripts simultaneously, all after completing her debut novel. We asked Poirier to share a few tips with you on how she manages multiple manuscripts at once.

Debut author Joanne Ramos talks about letting herself get lost in the world of her book, when she knew to let others in and when to let The Farm out into the world.

Some writers have all the luck, but most writers take more than a few tries to unlock the secrets of how to find a literary agent. Martine Fournier Watson shares the story of her journey through 108 rejections over the course of 18 months.

In this interview, author Jacob Tobia discusses making the leap from writing personal essays and op-eds to a full memoir as well as the importance of building a platform to promote your work.

In our Breaking In column in Writer’s Digest magazine, we talk with debut authors—such as Anissa Gray (anissagray.com), author of The Care and Feeding of Ravenously Hungry Girls—about how they did it, what they learned and why you can do it, too. Here, Gray discusses how she got started, the importance of creating your writing workspace, and more.

In our Breaking In column in Writer’s Digest magazine, we talk with debut authors—such as Lyra Selene, author of Amber & Dusk—about how they did it, what they learned and why you can do it, too. Here, Selene discusses the importance of perseverance when the going gets tough.

Film adaptations aren’t typically in the plotline for debut novels, but two new thriller/suspense authors, Kathleen Barber and Rea Frey, have capped their debut dreams with film contracts for books seemingly written for the screen.

After a lifetime of dreaming, it’s finally here. My novel, Almost Missed You, is out and available in bookstores today! And I have you to thank.

You can write that novel. It is possible to get published. I'm going to help. Here are 12 lessons I learned as I navigated the path to publication.

Writing and publishing your debut novel can take three months or 30 years. In this roundtable discussion, five very different breakout authors share what they’ve learned about how to position yourself for success.