Skip to main content

2013 April PAD Challenge: Day 24

The April PAD (Poem-A-Day) Challenge is designed to help poets do one thing and one thing only: Write more poems! The process of revision may go on for weeks, months, and years later, but this challenge is all about getting that first draft. Please poem along with us--either in the comments below or silently at home.

For today's prompt, write an auto poem. Auto could mean automobile, automatic, automaton, or any number of possibilities.

Here's my attempt at an auto poem:

"auto correct"

i meant to type a lowercase i
& i wanted to leave out all my

punctuation marks & use poem
as a verb & pen the words show 'em

without making 'em them & until
should be 'til & please spell check be still

*****

Workshop Your Poetry!

Writing poetry is exciting, but the revision process can be too, especially when you're revising with a group of dedicated poets and an experienced mentor. As luck would have it, that can be accomplished with the Writer's Digest online course, Advanced Poetry Writing.

*****

Follow me on Twitter @robertleebrewer

*****

Quick note on commenting: Please always save a copy on your computer. There have been moments in the past in which comments have disappeared, and I don't want anyone to lose their work. Heck, I've lost some of my work here in the past, and it's not a great feeling. That said, commenting here is a lot of fun, especially in April. If you're completely new to the site, you'll be asked to register (don't worry, it's free), and your comments might not appear initially until I manually accept them. However, after that initial phase, your comments should appear without my help.

Want some more poeming fun? Check out these previous Poetic Asides posts:

Michigan Quarterly Review: Market Spotlight

Michigan Quarterly Review: Market Spotlight

For this week's market spotlight, we look at Michigan Quarterly Review, the flagship literary journal of the University of Michigan.

Desperate vs. Disparate (Grammar Rules)

Desperate vs. Disparate (Grammar Rules)

This post looks at the differences between desperate and disparate with Grammar Rules from the Writer's Digest editors, including a few examples of correct usages.

What Is Pastiche in Literature, and Why Is Sherlock Holmes Perfect for It?

What Is Pastiche in Literature, and Why Is Sherlock Holmes Perfect for It?

What has made Sherlock Holmes so adaptable and changeable throughout the character’s original inception? Author Timothy Miller explains.

How to Write Through Grief and Find Creativity

How to Write Through Grief and Find Creativity

When author Diana Giovinazzo found herself caught in the storm of grief, doing what she loved felt insurmountable. Here, she shares how she worked through her grief to find her creativity again.

writer's digest wd presents

WD Presents: Our Brand-New Digital Guide, 6 WDU Courses, and More!

This week, we’re excited to announce our new “Get Published in 2022” digital guide, six new WDU courses, and more!

5 Tips for Keeping Your Writing Rolling

5 Tips for Keeping Your Writing Rolling

The occasional bump in the writing process is normal, but it can be difficult to work through. Here, author Genevieve Essig shares five ways to keep your writing rolling.

From Script

How to Write from a Place of Truth and Desire and Bending the Rules in Screenwriting (From Script)

In this week’s round up brought to us by Script magazine, exclusive interviews with screenwriter Steven Knight (Spencer), Mike Mills (C'mon C'mon), and David Mitchell (Matrix Resurrection). Plus, how to utilize your vulnerability in your writing and different perspectives on screenwriting structure.

Writing Mistakes Writers Make: Forgetting To Read

Writing Mistakes Writers Make: Forgetting To Read

The Writer's Digest team has witnessed many writing mistakes over the years, so this series helps identify them for other writers (along with correction strategies). This week's mistake is forgetting to read.

Tapping Your Memories for Emotional Truths on the Page

Tapping Your Memories for Emotional Truths on the Page

Sharing even a fraction of our feelings with our characters will help our stories feel more authentic. Here, Kris Spisak explains how to tap into our memories to tell emotional truths on the page.