WD editor Moriah Richard reflects on the 2021 February Flash Fiction Challenge and shares what the experience taught her.
Author and editor Gina Barreca gives her top 6 tips for writing striking flash fiction and short short nonfiction.
Join us in February for our first ever February Flash Fiction Challenge! Write a new short short story each day in February with daily writing prompts from editor Moriah Richard.
WD editor Moriah Richard outlines the short short form and answers the question, “What is flash fiction?”
Author Les Edgerton explains the differences in structure between a short story and a novel, and he provides writers tips for how to expand their short stories into something more substantial.
In this article, award-winning author Nancy Stohlman breaks down the difference between flash fiction, prose poetry, and short stories and explains what keeps readers on the hook.
Author Nancy Stohlman discusses why flash fiction is changing the way we tell stories and the shifting landscape of creativity in 2020.
Jacob M. Appel, the author or editor of 19 books, including his most recent short fiction collection, Winter Honeymoon: Stories, shares how perseverance leads to writing success, what he believes all writers unconsciously try to do with their writing, and more.
John McNally, the author or editor of 18 books, including his most recent short story collection, The Fear of Everything, discusses what renewed his interest in the short story, what his goals in writing are, and more.
In this 1941 Writer's Digest article, one writer talks about knowing the ins and outs of the genre in which you're writing, and the one thing they all have in common: writing a good story.
In this 1938 Writer's Digest article, Leon Byrne emphasizes the importance of learning and getting back to the fundamentals of craft, particularly when writing short stories (though we find his advice applicable to novels as well).
Even if you’re focused on writing a novel, writing short stories can be a wonderful creativity tool to help you strengthen elements of your fiction, experiment with characters and simply stay loose.
You’ve probably been taught that short stories follow the time-revered rule: Limit your story to a specific time, place, event, interaction, or character’s evolution. I say, do the opposite. Here's how.
Bite-sized fiction has moved mainstream, and today’s readers are more eager than ever to “read short.” Here’s why writing little stories is paying off in a big way from author Anne R. Allen.