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Horror

Leigh Radford: The Book Is About Trying To Outmaneuver DeathRobert Lee Brewer
What Defines Literary Horror in Today's Evolving Landscape | Jarret Keene
What Defines Literary Horror in Today’s Evolving Landscape?Jarret Keene
Rose Keating: Writing Is a Way To CommunicateRobert Lee Brewer
Gazingly (Lovingly) Into the Abyss: Introducing Horrormance, the New Genre-Blending Sensation, by Lyndall Clipstone
Gazingly (Lovingly) Into the Abyss—Introducing Horrormance, the New Genre-Blending SensationLyndall Clipstone
Final Cuts: 10 Self-Editing Tips for Writing Vivid, Visceral Horror Fiction, by Lindy Ryan
Final Cuts: 10 Self-Editing Tips for Writing Vivid, Visceral Horror FictionLindy Ryan
Miranda Smith: Every Book Has Its Own SurprisesRobert Lee Brewer
Ivy Pochoda: On Reimagining Greek Tragedy as a Feminist HorrorRobert Lee Brewer
Linwood Barclay: On the Horror of Inanimate ObjectsRobert Lee Brewer
Marcella Pixley: Writing Is More Like ChannelingRobert Lee Brewer
Ling Ling Huang: Don’t Edit Yourself Before You Even BeginRobert Lee Brewer
Collin Armstrong: I’ve Been a Fan of Horror Since I Can RememberRobert Lee Brewer
A Conversation With Eric LaRocca on Writing Dark, Troubled Protagonists (Killer Writers), by Clay Stafford
A Conversation With Eric LaRocca on Writing Dark, Troubled Protagonists (Killer Writers)Clay Stafford
A collage-style graphic titled "BOOKS TO LOOK FORWARD TO IN 2025." It features several book covers arranged around the central text. Clockwise from the top left: The cover of "Well, Actually" by Mazey Eddings, showing a stylized illustration of a blonde woman and a man sitting at a table. The cover of "Witchcraft for Wayward Girls" by Grady Hendrix with a dark, mystical design featuring hands and celestial elements. The cover of "Root Rot" by Saskia Nislow with an anatomical illustration of a plant and possibly human-like veins. The cover of "No Ordinary Love" by Myah Ariel, featuring a close-up portrait of a Black man and a Black woman. The bright yellow cover of "The Maid's Secret" by Nita Prose, with an illustration of a maid's uniform holding a blue book. Part of the cover of "Love, Loss and Everything In Between" by Nicole Loher, showing a close-up image of pink and white peonies. The Writer's Digest logo (WD) is visible in the bottom right corner. The overall impression is a preview of diverse book releases expected in 2025.
Books to Look Forward to in 2025Moriah Richard
How One Nonsense Word Helps Me Craft Better Character-Based Suspense, by Nat Cassidy
How One Nonsense Word Helps Me Craft Better Character-Based SuspenseNat Cassidy
Author photo of Saskia Nislow with quote
Playing With Perception in Horror FictionSaskia Nislow
Virginia Feito: On Balancing Historical Accuracy With FictionRobert Lee Brewer

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