In this article, author and trained fighter Carla Hoch explains the basics of various types of knives and the implications a knife fight may have on your characters and plot.
In the first of a two-part series, WD editor Moriah Richard explains how magic systems exist on a spectrum and gives you some tips on selecting a system that works for you.
Writer and WD editor Moriah Richard shares her top advice to help you fight world-building overwhelm and organize your story.
Author Evie Green explains why she was surprised to end writing a horror novel and how she learned to trust the editorial process.
Bestselling and award-winning author Simone St. James shares five tips for writing scary stories and horror novels that readers will love to fear.
Novelist Evie Green shares how writing a story for fun without a genre eventually turned into her horror novel, We Hear Voices. This is her experience of writing a horror novel without intending to write horror.
Using examples from William Peter Blatty's iconic horror novel The Exorcist, Dustin Grinnell explains how to craft truly frightening horror fiction by blending the believable and the unsettlingly extraordinary.
For fans of the terrifying and macabre, this article from 1989 features horror, Gothic, and science-fiction author Matthew J. Costello's advice on top-notch horror writing that sells.
In this excerpt from his book Writing in the Dark, author Tim Waggoner discusses the three types of pain all horror writers should consider inflicting upon their characters.
Get in the Halloween spirit by reading these contemporary horror novels recommended by WD editor and horror fan, Moriah Richard.
Using fictional and human examples, Dustin Grinnell takes a deep dive into how and why evil develops in story and in real life and how you can apply these concepts when writing villains.
Award-winning filmmaker and screenwriter Mick Garris shares the writing process for his collection (These Evil Things We Do), what surprising thing happened during the publishing process, how writing a story is different than a script, and more!
Every good story needs a nice (or not so nice) turn or two to keep it interesting. This week, writers get to release monsters in whatever forms they may take.
Author Tim Waggoner explains how to avoid clichés and create an inventive horror plot in this excerpt from his book Writing in the Dark.
Cosmic horror is unlike any other fiction genre, even in terms of horror. Author Scott Kenemore shares 3 tips for writing cosmic horror that goes beyond the norms of writing fiction.
In this author spotlight, Scott Kenemore, author of Zombie Ohio and The Grand Hotel, shares his experience of writing Lake of Darkness, how he uses historical research to write horror in historical fiction, and more.
For this post, we're deconstructing five spooky children's picture books to see how they're put together to find success. Warning: Spoilers are included in these deconstructions.
Jessica Page Morrell gets down to brass tacks on how to successfully achieve fear and believability when crafting horror fiction and stories with monstrous antagonists.
Learn how to write horror that will chill your readers to the bone using these techniques from Phil Athans' all-new Advanced Horror Workshop.
The horror tropes you often see in movies can be fun, but they can also be totally ludicrous. If you're looking to add a comedic edge to your horror fiction, try bending these common tropes.
Horror and humor can create an indelible impression on audiences when they are combined well. Here are three tips for writing horror comedy.
What makes a monster scary? Learn about five qualities that will make your readers' skin crawl when you're crafting monstrous creatures.
Monsters are more than just things that bite. Let’s begin with a few basic assumptions about monsters, with examples from the classic Stephen King novella “The Mist.”
Novelist Ty Drago, author of The Undertakers series of MG horror, shares his seven tips on how to write middle grade horror that will excite and enthrall young readers from the first scare to the last.