The Writer's Digest team has witnessed many writing mistakes over the years, so we started this series to help identify them for other writers (along with correction strategies). This week's writing mistake writers make is trying to shock without value.
You should never copy anyone else's work ... right? Trained fighter and author Carla Hoch explains why that's not necessarily the case when writing a fight scene.
World-building can be a complicated and extensive task for a writer, especially when you’re on your second or third draft and your story is fully fleshed out. Here are some quick tricks for keeping yourself organized.
If your character isn't a trained fighter but the scene calls for a fight, how can you make the scene realistic? Author and trained fighter Carla Hoch has the answers for writers here.
In the first of a two-part series, WD editor Moriah Richard explains how magic systems exist on a spectrum and gives you some tips on selecting a system that works for you.
Writer and WD editor Moriah Richard shares her top advice to help you fight world-building overwhelm and organize your story.
Bestselling and award-winning author Simone St. James shares five tips for writing scary stories and horror novels that readers will love to fear.
Novelist Evie Green shares how writing a story for fun without a genre eventually turned into her horror novel, We Hear Voices. This is her experience of writing a horror novel without intending to write horror.
Using examples from William Peter Blatty's iconic horror novel The Exorcist, Dustin Grinnell explains how to craft truly frightening horror fiction by blending the believable and the unsettlingly extraordinary.
In this excerpt from his book Writing in the Dark, author Tim Waggoner discusses the three types of pain all horror writers should consider inflicting upon their characters.
Using fictional and human examples, Dustin Grinnell takes a deep dive into how and why evil develops in story and in real life and how you can apply these concepts when writing villains.
Award-winning filmmaker and screenwriter Mick Garris shares the writing process for his collection (These Evil Things We Do), what surprising thing happened during the publishing process, how writing a story is different than a script, and more!