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Rose Keating: Writing Is a Way To CommunicateRobert Lee Brewer
The Intrigue of Family Curses: How Supernatural Elements Elevate Crime Fiction, by Daco S. Auffenorde
The Intrigue of Family Curses: How Supernatural Elements Elevate Crime FictionDaco S. Auffenorde
Writing the Good and Bad of Childhood in Picture Books, by Sophia Payne
Writing the Good and Bad of Childhood in Picture BooksSophia Payne
Nell Stevens: Everything About This Book Has Felt SurprisingRobert Lee Brewer
Confounding Expectations | Matty Dalrymple
Confounding ExpectationsMatty Dalrymple
Once Upon a Twist: Writing Fresh Takes on Familiar Tales, by Patrick Horne
Once Upon a Twist: Writing Fresh Takes on Familiar TalesPatrick Horne
Gazingly (Lovingly) Into the Abyss: Introducing Horrormance, the New Genre-Blending Sensation, by Lyndall Clipstone
Gazingly (Lovingly) Into the Abyss—Introducing Horrormance, the New Genre-Blending SensationLyndall Clipstone
Antony Johnston: Solving This Crime Is No Cakewalk
Antony Johnston: Solving This Crime Is No CakewalkRobert Lee Brewer
Final Cuts: 10 Self-Editing Tips for Writing Vivid, Visceral Horror Fiction, by Lindy Ryan
Final Cuts: 10 Self-Editing Tips for Writing Vivid, Visceral Horror FictionLindy Ryan
Reclaiming Alternate History: How Speculative Fiction Can Resist Toxic Historical Revisionism, by Vaishnavi Patel
Reclaiming Alternate History: How Speculative Fiction Can Resist Toxic Historical RevisionismVaishnavi Patel
A Conversation With James Comey on Writing Fairly and Making Stories Linger (Killer Writers), by Clay Stafford
A Conversation With James Comey on Writing Fairly and Making Stories Linger (Killer Writers)Clay Stafford
Writing Through Grief in Children's Books, by Tim Cummings
Writing Through Grief in Children’s BooksTim Cummings
Danit Brown: Trust Your InstinctsRobert Lee Brewer
Going Back in Time to Write a Middle-Grade Novel, by Donna Galanti
Going Back in Time to Write a Middle-Grade NovelDonna Galanti
Miranda Smith: Every Book Has Its Own SurprisesRobert Lee Brewer
Setting the Scene: How Travel, Close Quarters, and Only-One-Bed Brought My Characters Together | Chip Pons
Setting the Scene: How Travel, Close Quarters, and Only-One-Bed Brought My Characters TogetherChip Pons
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