Publish date:

Robert Scotellaro: Writing Flash Fiction That's Short But Not Slight

Robert Scotellaro, author of five full-length story collections, including his most recent What Are the Chances?, shares his fascination with flash fiction, three critical components to writing success, and more.

Robert Scotellaro has published widely in national and international books, journals and anthologies, including W.W. Norton’s Flash Fiction International, NANO Fiction, Gargoyle, New Flash Fiction Review, Matter Press, The Laurel Review, and many others. His stories were included in Best Small Fictions (2016 and 2017) and Best Microfiction 2020. He is the author of seven literary chapbooks, several books for children, and five full-length story collections: Measuring the Distance, What We Know So Far (winner of The 2015 Blue Light Book Award), Bad Motel, Nothing Is Ever One Thing, and What Are the Chances? 

Robert Scotellaro

Robert Scotellaro

(Jacob M. Appel: Perseverance the Key to Writing Success.)

He was the recipient of Zone 3’s Rainmaker Award in Poetry. He has edited, along with James Thomas, New Micro: Exceptionally Short Fiction published by W.W. Norton & Company. He is one of the founding donors to The Ransom Flash Fiction Collection at the University of Texas, Austin. Robert lives with his wife in San Francisco. Find him online at www.robertscotellaro.com.

In this post, Scotellaro shares his fascination with flash fiction, three critical components to writing success, and more!

*****

short short story

We're looking for short fiction stories! Think you can write a winning story in 1,500 words or less? Enter the 21st Annual Writer's Digest Short Short Story Competition for your chance to win $3,000 in cash, get published in Writer's Digest magazine, and a paid trip to our ever-popular Writer's Digest Conference!

Click to continue.

*****

Name: Robert Scotellaro
Title: What Are the Chances?
Publisher: Press 53
Release date: September 15, 2020
Genre: Flash Fiction
Previous titles: Measuring the Distance (2012); What We Know So Far (2015); Bad Motel (2016); New Micro: Exceptionally Short Fiction (co-ed., 2018); Nothing Is Ever One Thing (2019)

robert_scotellaro_what_are_the_chances_flash_fictions

Indie Bound | Barnes & Noble | Books-A-Million | Amazon

(WD uses affiliate links.)

What prompted you to write this book?

I'm fascinated by the very short story form and (with this collection) intrigued with the notion of how mercurial life can be: good luck/bad luck—timing—as depicted in the title story, What Are the Chances? I selected a group of my stories that in some way fit this concept, in addition to writing new pieces.

How long did it take to go from idea to publication?

Press 53 was at the top of my list when I was ready to shop this collection, for I was taken with their fine catalog of authors. It took about a year and a half from putting it all together to publication.

(It's Never Too Late: On Becoming a Writer at 50.)

The selection process did change over time. Finding the right tones, subjects, and styles that dovetailed, or maybe rubbed against each other in interesting ways was vital, was an evolution.

Were there any surprises in the publishing process for this title?

Yes, I feel there were some editorial suggestions made that were very helpful. Writing is all about learning. Keeping an open mind to small, but impactful changes (adjustments) can be critical to growth for a writer, at any level, in having a piece be as good as it can be.

robert_scotellaro_writing_flash_fiction_thats_short_but_not_slight

Were there any surprises in the writing process for this book?

I feel there always are. I am ever amazed at how pieces find their footing. How they traverse new ground: terra incognita. How collections fit together to form a sum greater than their parts (coalesce). Surprises fuel the writing process. During the creative process for this book, I was surprised to find how “chance” in all its disparate forms, along with its subtle, and not so subtle, ramifications emerged.

What do you hope readers will get out of your book?

I hope they see that flash fiction can be short yet not slight. And, how small telling details, what is said, and not said (that dwell between the lines) can be vital in the very short form fiction. How detail and allusion can form a compact between writer and reader, expanding the breath of a piece exponentially to a deeper understanding of what is at stake. The borders of flash fiction can be flexible way beyond a small word count, and immensely resonant and satisfying.

If you could share one piece of advice with other authors, what would it be?

Here are three I think are critical: Show up, show up, show up. That blank page or screen is not a wall. It is a door, and you have the key. There are limitless possibilities waiting once it is opened. But first, you must show up.

From Our Readers

Which Writer or Work Made You Think About Point of View in a Different Way and Why?: From Our Readers (Comment for a Chance at Publication)

This post announces our latest From Our Readers question: Which writer or work made you think about point of view in a different way and why? Comment for a chance at publication in a future issue of Writer's Digest.

4 Tips on Research for Writing Novels and Stories Beyond Getting the Facts Right

4 Tips on Research for Writing Novels and Stories Beyond Getting the Facts Right

The kind of research you do can make or break your story's authenticity. Author Blake Sanz offers 4 tips on research for your novels and stories beyond getting the facts right.

writer's digest wd presents

WD Presents: Annual Writing Competition Early-Bird Deadline, Seven WDU Courses, and More!

This week, we’re excited to announce the Annual Writing Competition early-bird deadline, seven WDU courses starting this week, and more!

3 Big Tips for Writing a Children’s Picture Book Like a Pro

3 Big Tips for Writing a Children’s Picture Book Like a Pro

Small but mighty, picture books help raise children into lifelong readers. Children's book author Diana Murray offers 3 big tips for writing a picture book like a pro.

5 Things I Learned About Writing From Watching Soap Operas

5 Things I Learned About Writing From Watching Soap Operas

Lessons in writing can come from various forms of art or entertainment. Author Alverne Ball shares 5 things he learned about writing from watching soap operas.

From Script

Writing from an Intimate Point of View and Adding Essential Elements to Solidify Your Screenplay (From Script)

In this week’s round up brought to us by Script magazine, TV writer Kate Sargeant shares a first-hand look on her new digital series that was a life-changing experience. Plus an interview with filmmaker Mia Hansen-Løve, a new installment from ‘Ask the Coach’ and more!

Writing Mistakes Writers Make: Collecting Advice but Never Writing

Writing Mistakes Writers Make: Collecting Advice (but Never Writing)

The Writer's Digest team has witnessed many writing mistakes over the years, so this series helps identify them for other writers (along with correction strategies). This week's mistake is to collect writing advice at the expense of actually writing.

The Benefits of a Book Coach for Writers

The Benefits of Having a Book Coach for Writers

What is a book coach? How could they help authors? Award-winning author and writing instructor Mark Spencer answers these questions and more in this post about the benefits of having a book coach for writers.

Clare Chambers: On Starting Fresh and Switching Gears

Clare Chambers: On Starting Fresh and Switching Gears

Award-winning author Clare Chambers discusses the fear and excitement of switching genre gears in her new historical fiction novel, Small Pleasures.