Publish date:

The Truth About Self-Publishing

It’s time to get real. Here is Writer's Digest's take on self-publishing as we know it. by Jane Friedman, Writer's Digest Editorial Director and Publisher  

Self-publishing is not new. It’s been around at least since the days of John Milton and Areopagitica, and defenders of self-publishing often point to such historical works in celebration of the practice.

Businesses that offer publishing services have been advertising in Writer’s Digest since its inception. A 1930s back-page ad suggested that a self-published chapbook of poems would make the perfect Christmas gift for friends and family, but also warned, “no fame or riches.”

The advent of print-on-demand and digital printing technology in the 1990s has made self-publishing more affordable than ever before, and subsequently, the number of books published every year has skyrocketed. (See Book Publishing Stats.)

Every day at the Writer’s Digest offices, and on our travels to writing conferences, we field the same big questions about self-publishing, from new and established authors alike.

1. WHAT SHOULD I CONSIDER BEFORE DECIDING TO SELF-PUBLISH?
There are three critical factors if you’re hoping to see your self-published work widely read and/or favorably received by editors and agents:

Editorial quality. Never publish a book that has not been professionally edited. A self-publishing service rarely reviews your work to assess the quality of its content (or, more important, its market viability), and no service will undertake the revision and editing process unless you pay for it. Only you can ensure that your work has the best content, structure and organization, and it’s up to you to pay for copyediting, proofreading, indexing or any other polishing your work may require. Unfortunately, many self-published books have not undergone any meaningful editing, which can give the whole lot a bad rap.

Distribution and sales. The thing to remember about self-publishing services is that, almost without exception, they make their money on the upfront fees that you pay before even a single copy is sold. Compare their situation to that of a traditional publishing house, which must invest a significant sum of money upfront, then recoup the investment through book sales. A traditional publisher has a sales force or a distributor who pitches books to the national chains and independent stores; the same cannot be said of self-publishing services. Plus, in a self-publishing scenario, there’s rarely a supply of books to distribute and stock on store shelves because most authors use print-on-demand technology to keep costs low, printing one book at a time to fill customer orders.

Bottom line? Self-published authors need to have a way to reach their readership directly and let everyone know a book is available for purchase. Without marketing and promotion, very few sales will occur. (Of course, the same is true of traditionally published books, but with distribution in place, it’s easier for people to stumble across books on the shelf and make impulse buys.)

Cover, design and packaging. The cover (as well as the title) can be the No. 1 marketing tool for any book. The same can be said of the size, trim, price and interior features. All these factors contribute to having the right packaging to make the right sale to the right audience. Traditional publishers often have considerable in-house expertise on what kind of packaging will sell to a particular consumer, and they spend numerous hours on title, design and packaging refinement. Many self-publishing services require you take a template approach (one size fits all) for convenience and economic efficiency, which can make it difficult to compete. (Click here to learn more about how to create a successful cover package.)

Of course, if you’re just looking into self-publishing for your own gratification, perhaps to have some copies for your friends and family members, these considerations don’t apply—and you have more affordable options now than ever before. See question No. 3.

2. WILL I KILL MY CHANCES WITH A TRADITIONAL PUBLISHER IF I SELF-PUBLISH?
Of course not. Even if you publish what in hindsight is a terrible book, or you’re embarrassed by the results, no agent or editor would turn down your subsequent work if it looked like a surefire winner in the marketplace. But, you may ask, have you ruined your chances of traditionally publishing that same work?

It depends. If your self-published book sells well and looks like it could take off with traditional distribution (and you’ve probably read success stories like this, such as the one on Page 50), then agents and editors will gladly take a piece of that success. This is a huge exception to the rule, though, and no one should self-publish solely to win attention from traditional publishing houses. It’s a rare occurrence, and one that usually only happens after the author has created a quality work and dedicated countless hours to self-promotion.

3. IF I SELF-PUBLISH, WHICH SERVICE SHOULD I USE?
We can’t possibly recommend a service that works for everyone because every writer has a unique situation, a unique book, a unique set of resources and unique goals. It’s up to each writer to research the options carefully and make an informed decision. But what we can do is help you get started, so we’ve created an exclusive online directory of 60 self-publishers and the services they offer. Simply visit writersdigest.com, where more information about each one is just a click away.

4. I’VE ALREADY SELF-PUBLISHED. NOW WHAT?
If you’re wondering if you’ve made the wrong decision, it’s time to stop worrying and start focusing on either marketing the book you now have, or moving on to writing your next book.

5. SO WHERE DOES WD STAND ON SELF-PUBLISHING?
I can’t tell you how many heated discussions the Writer’s Digest staff has had about self-publishing—its advantages or disadvantages, its past and future, its advertising presence in this very magazine. As publisher and editorial director of Writer’s Digest, I can tell you this is where we stand: Our main goal is to inform and educate, so you make the right decision for your work. Self-publishing can be easy, affordable and satisfying—but marketing, selling and promoting can be difficult. Many authors enter into it without a full understanding of the challenges and of what self-publishing services can and can’t provide. We want to help you have realistic expectations and give you the tools to succeed, no matter what road you take.

This article appeared in the March/April issue of Writer's Digest. Click here to order your copy in print. If you prefer a digital download of the issue, click here.

The Full Package on Self-Publishing:

Tags
terms:
November PAD Chapbook Challenge

2021 November PAD Chapbook Challenge: Guidelines

Prepare for the 14th annual November PAD Chapbook Challenge! Visit WritersDigest.com each day of November to get a prompt and write a poem. Then, use December and the beginning of January to revise and collect your poems into a chapbook manuscript.

How I Broke Into the Traditional Publishing World as an Indie Author

How I Broke Into the Traditional Publishing World as an Indie Author

Learn the process indie author Amanda Aksel went through in getting her novel Delia Suits Up traditionally published, including questions she asked herself and weighing one strategy against the other.

writer's digest wd presents

WD Presents: 6 New WDU Courses, An Upcoming Webinar, a Competition Deadline, and More!

This week, we’re excited to announce 6 new WDU Courses, an upcoming webinar, a competition deadline, and more!

Working With a Nonfiction Book Publisher Throughout the Process

Working With a Nonfiction Book Publisher Throughout the Process

A publisher accepting your manuscript is just the beginning, not the end. Author Rick Lauber discusses how to work with a nonfiction book publisher from query letter to release date and beyond.

From Script

Writing Empowered Superheroes in CWs Supergirl and Understanding Animation From the Trenches (From Script)

In this week’s round-up brought to us by Script Magazine, story editor Katiedid “Did” Langrock speaks with Reckless Creatives podcast. Plus, one-on-one interview with CWs Supergirl actress turned scribe Azie Tesfai about her groundbreaking episode and more!

Writing Mistakes Writers Make: The Characterless Character

Writing Mistakes Writers Make: The Characterless Character

The Writer's Digest team has witnessed many writing mistakes over the years, so this series helps identify them for other writers (along with correction strategies). This week's writing mistake is writing a characterless character.

When Is My Novel Ready to Read: 7 Self-Editing Processes for Writers

When Is My Novel Ready to Read: 7 Self-Editing Processes for Writers

Fiction editor and author Kris Spisak ties together her seven processes for self-editing novels, including editorial road-mapping, character differentiation analysis, reverse editing, and more.

Poetic Forms

Englyn Unold Crwca: Poetic Forms

Poetic Form Fridays are made to share various poetic forms. This week, we look at the englyn unold crwca, a Welsh quatrain form.

5 Things for Writers to Keep in Mind When Writing About Spies

5 Things for Writers to Keep in Mind When Writing About Spies

A spy thriller requires more than a compelling story and clever plot twists—the characters need to feel real. Author Stephanie Marie Thornton offers 5 tips for constructing believable spy characters.