New Literary Agent: Rachel Hecht of Foundry Literary + Media

She is seeking: As a domestic agent, Rachel seeks children’s projects of all stripes, from picture books through to young adult fiction, as well as select fiction and nonfiction projects for adults that are wonderfully written and completely absorbing. "In terms of adult fiction, the strength of the voice and quality of the writing is what is most important to me. I am seeking literary as well as upmarket/commercial projects, and would love to see projects with crossover potential as well as those that blur the boundaries between genres – especially in the thriller, fantasy, and historical categories (but a polite no thank you to straight genre writing)..."
Author:
Publish date:

As of 2013, Rachel has left Foundry and moved to
Mary Anne Thompson Associates, which lacks a
major website and seems to be a scouting firm for
other agencies. Do not query Rachel until unless this
post is updated in the future.

---------------

Reminder: New literary agents are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list. This spotlight features agent Rachel Hecht of Foundry Literary + Media.

Image placeholder title

About Rachel: Rachel Hecht serves as Foundry’s Foreign Rights Director for Children’s Books, and also develops her own list of authors. Before joining Foundry in 2011, Rachel served as the children’s book scout for Mary Anne Thompson Associates, where she provided exclusive insight into the US publishing world for a diverse roster of foreign publishers. A graduate of Kenyon College with a degree in English, she began her career in New York at Condé Nast before moving into book publishing.

(How can writers compose an exciting Chapter 1?)

She is seeking: As a domestic agent, Rachel seeks children’s projects of all stripes, from picture books through to young adult fiction, as well as select fiction and nonfiction projects for adults that are wonderfully written and completely absorbing.

"In terms of adult fiction, the strength of the voice and quality of the writing is what is most important to me. I am seeking literary as well as upmarket/commercial projects, and would love to see projects with crossover potential as well as those that blur the boundaries between genres – especially in the thriller, fantasy, and historical categories (but a polite no thank you to straight genre writing)." [Editor's note: I believe this means she does not accept fantasy or thrillers. She's saying that she looks for mainstream works that perhaps have some elements of fantasy or thrillers in them.]  "For nonfiction, I’m interested in memoirs, pop culture, and narrative nonfiction projects with a great hook – stories that I am unable to put down about topics I had no idea I was interested in."

(How long should a synopsis be? Is shorter or longer better?)

How to contact: [Rachel has left Foundry. Do not query her.]

------------------

Check Out These Great Upcoming Writers' Conferences:

Screen Shot 2016-08-08 at 2.57.50 PM

The biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.

Other writing/publishing articles & links for you:

Image placeholder title

Want to build your visibility and sell more books?
Create Your Writer Platform shows you how to
promote yourself and your books through social
media, public speaking, article writing, branding,
and more. 
Order the book from WD at a discount.

Too Seen: The Intimacy of Copy Editing

Too Seen: The Intimacy of Copy Editing

Novelist A.E. Osworth discusses their experience working with a copyeditor for their novel We Are Watching Eliza Bright and how the experience made them feel Witnessed.

writer's digest wd presents

WD Presents: From Our Readers Announcement, Upcoming Webinars, and more!

This week, we’re excited to announce a call for From Our Readers submissions, a webinar on crafting expert query letters, and more!

April PAD Challenge

2021 April PAD Challenge: Day 11

Write a poem every day of April with the 2021 April Poem-A-Day Challenge. For today's prompt, write a prime number poem.

Stephanie Dray: On Writing Women's Legacies

Stephanie Dray: On Writing Women's Legacies

Bestselling and award-winning author Stephanie Dray shares how she selects the historical figures that she features in her novels and how she came to see the whole of her character's legacies.

From Script

Taking Note of the Structure of WandaVision and Breaking in Outside of Hollywood (From Script)

In this week’s round-up from ScriptMag.com, learn about the storytelling techniques used in the nine-part Disney+ series "WandaVision," outlining tips for writing a horror script, and breaking in outside of Hollywood as a writer and filmmaker.

April PAD Challenge

2021 April PAD Challenge: Day 10

Write a poem every day of April with the 2021 April Poem-A-Day Challenge. For today's prompt, write a get blank poem.

take two 3 mistakes writers make in act i

Take Two: 3 Mistakes Writers Make in Act I

Without a solid foundation, our stories flounder. Jeanne Veillette Bowerman shares insights into the three mistakes writers make when creating the first act.

David Jackson Ambrose: On Balancing Magic and Practicality

David Jackson Ambrose: On Balancing Magic and Practicality

Novelist David Jackson Ambrose discusses the initial themes he wanted to explore in his latest novel, A Blind Eye, what the editing process was like, and how his books always surprise him in the end.

Writing Mistakes Writers Make: Not Knowing When to Shelve a Project

Writing Mistakes Writers Make: Not Knowing When to Shelve a Project

The Writer's Digest team has witnessed many writing mistakes over the years, so we started this series to help identify them for other writers (along with correction strategies). This week's writing mistake is not knowing when to shelve a project.