Literary Agent Julie Stevenson of Lippincott Massie & McQuilkin (formerly Waxman Leavell) Seeks Queries NOW

She is seeking: While she represents different categories, Julie's call-out right now is for the following: upmarket fiction, literary fiction, adult thriller/suspense, memoir, young adult, middle grade, and picture books.
Author:
Publish date:

Although Julie is not a new literary agent, this post is similar to a New Agent Alert because Julie reached out to me in an effort to get more submissions. That brings us to this call-out. Read on below to see if she is a good fit for your query. Good luck!

julie-stevenson-literary-agent

About Julie: Julie Stevenson is an agent at Lippincott Massie & McQuilkin (formerly with Waxman Leavell Literary). Julie was an agent at Sobel Weber Associates and Waxman Leavell Literary before joining Lippincott Massie McQuilkin. She received her bachelor's degree in English Literature from Washington University in St. Louis and an M.F.A in Creative Writing from Sarah Lawrence College in New York. She also worked in the editorial departments of Tin House and Publishers Weekly. She is drawn to fiction with unforgettable characters, an authorial command of voice, and a strong sense of narrative tension. She loves outsiders, weirdos, and innovators. She looks for work that explores the depths of human experience and the many facets of ethnicity, gender, sexual orientation, social class, and regional backgrounds. Julie loves editing and contemplating craft and storytelling with clients. She takes pride in connecting writers with editors and ultimately with readers. She's agented books that have won the Pulitzer Prize, the MWA Edgar Award, the Center for Fiction First Novel Prize, the Carnegie Medal for Excellence, and the Tim McGinnis Award for Humor. Connect with Julie on Twitter here.

Screen Shot 2016-08-08 at 2.57.50 PM

The biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.

She is seeking: upmarket fiction, narrative nonfiction, YA and children's books.

(Submission Checklist: Double-Check These 16 Things Before Sending Your Book Out.)

Some of Julie's recent books/clients include:

  1. THE SASQUATCH HUNTER’S ALMANAC by Sharma Shields (Holt) – literary fiction
  2. GIRL IN PIECES by Kathleen Glasgow (forthcoming from Delacorte, Fall 2016) – young adult/ crossover
  3. SPEED DREAMING by Nicole Haroutunian (Little A) – literary fiction/story collection
  4. I DO NOT LIKE AL’S HAT by Erin McGill (forthcoming Spring 2017, Greenwillow) – children’s picture book
  5. THE SYMPATHIZER by Viet Thanh Nguyen (Grove) – literary fiction

How to contact: juliesubmit [at] waxmanleavell.com. To submit a project, please send a query letter ONLY. Do not send attachments, though for fiction you may include 5-10 pages of your manuscript in the body of your email. Please do not query more than one agent at this agency simultaneously. Due to the high volume of submissions, agents will reach out to you directly if interested. The typical time range for consideration is 6-8 weeks.

(How to create an effective synopsis for your novel or memoir.)

------------------

Check Out These Great Upcoming Writers' Conferences:

Screen Shot 2014-12-17 at 3.39.23 PM

Your new complete and updated instructional guide
to finding an agent is finally here: The 2015 book
GET A LITERARY AGENT shares advice from more
than 110 literary agents who share advice on querying,
craft, the submission process, researching agents, and
much more. Filled with all the advice you'll ever need to
find an agent, this resource makes a great partner book to
the agent database, Guide to Literary Agents.

Other writing/publishing articles & links for you:

Too Seen: The Intimacy of Copy Editing

Too Seen: The Intimacy of Copy Editing

Novelist A.E. Osworth discusses their experience working with a copyeditor for their novel We Are Watching Eliza Bright and how the experience made them feel Witnessed.

writer's digest wd presents

WD Presents: From Our Readers Announcement, Upcoming Webinars, and more!

This week, we’re excited to announce a call for From Our Readers submissions, a webinar on crafting expert query letters, and more!

April PAD Challenge

2021 April PAD Challenge: Day 11

Write a poem every day of April with the 2021 April Poem-A-Day Challenge. For today's prompt, write a prime number poem.

Stephanie Dray: On Writing Women's Legacies

Stephanie Dray: On Writing Women's Legacies

Bestselling and award-winning author Stephanie Dray shares how she selects the historical figures that she features in her novels and how she came to see the whole of her character's legacies.

From Script

Taking Note of the Structure of WandaVision and Breaking in Outside of Hollywood (From Script)

In this week’s round-up from ScriptMag.com, learn about the storytelling techniques used in the nine-part Disney+ series "WandaVision," outlining tips for writing a horror script, and breaking in outside of Hollywood as a writer and filmmaker.

April PAD Challenge

2021 April PAD Challenge: Day 10

Write a poem every day of April with the 2021 April Poem-A-Day Challenge. For today's prompt, write a get blank poem.

take two 3 mistakes writers make in act i

Take Two: 3 Mistakes Writers Make in Act I

Without a solid foundation, our stories flounder. Jeanne Veillette Bowerman shares insights into the three mistakes writers make when creating the first act.

David Jackson Ambrose: On Balancing Magic and Practicality

David Jackson Ambrose: On Balancing Magic and Practicality

Novelist David Jackson Ambrose discusses the initial themes he wanted to explore in his latest novel, A Blind Eye, what the editing process was like, and how his books always surprise him in the end.

Writing Mistakes Writers Make: Not Knowing When to Shelve a Project

Writing Mistakes Writers Make: Not Knowing When to Shelve a Project

The Writer's Digest team has witnessed many writing mistakes over the years, so we started this series to help identify them for other writers (along with correction strategies). This week's writing mistake is not knowing when to shelve a project.