Got an e-mail yesterday from agent Jenny Rappaport with the sad news that her agency is closing. I believe Jenny used to be part of L. Perkins Associates before moving out on her own a few years back. We never did get the opportunity to cross paths and meet.
Take note if she was on your query list.
Author Tim Waggoner explains how to avoid clichés and create an inventive horror plot in this excerpt from his book Writing in the Dark.
Every Wednesday, Robert Lee Brewer shares a prompt and an example poem to get things started on the Poetic Asides blog. This week, write an At Blank poem.
Author Heidi McCrary digs into when a memoir is a novel (or at least, when it should be a novel) and examines the thin line between fabricated fact and real fiction by looking at her own novel, Chasing North Star.
Dubbed the "Godfather behind creative nonfiction" by Vanity Fair Magazine, Lee Gutkind shares his first experience with memoir, what makes it different than his previous books, what writers can't take back, and more!
In honor of WD's 100th-anniversary year, this week's writing prompt will be a blast from the past.
Learn when you're writing or reading a homonym vs. homophone vs. homograph with Grammar Rules from the Writer's Digest editors, including a few examples of each.
Emily Gray Tedrowe shares how a perspective shift improved her latest novel (The Talented Miss Farwell), what she hopes is not a one-time thing, and more!
Kurt Vonnegut once said he wanted his novels to "catch people before they become generals and Senators and Presidents," to "poison their minds with humanity. Encourage them to make a better world." Here are seven ways he lived up to those aspirations.
Award-winning and bestselling novelist Clare Mackintosh shares why it took three novels to write her most recent (After the End), what she learned about writing thrillers, and more!
