I just got word that associate agent Michelle Andelman of the Andrea Brown Literary Agency is leaving to be a literary scout with Franklin & Siegel.
Michelle was one of many agents at ABLA who focuses on children's material. We've met at a few conferences over the years.
Update: Michelle has e-mailed me to say that she is not taking any submissions right now.
The Writer's Digest team has witnessed many writing mistakes over the years, so this series helps identify them for other writers (along with correction strategies). This week's writing mistake is writing a characterless character.
Fiction editor and author Kris Spisak ties together her seven processes for self-editing novels, including editorial road-mapping, character differentiation analysis, reverse editing, and more.
Poetic Form Fridays are made to share various poetic forms. This week, we look at the englyn unold crwca, a Welsh quatrain form.
A spy thriller requires more than a compelling story and clever plot twists—the characters need to feel real. Author Stephanie Marie Thornton offers 5 tips for constructing believable spy characters.
Every good story needs a nice (or not so nice) turn or two to keep it interesting. This week, it's time for a little unexpected team work.
New York Times bestselling author Taylor Anderson discusses the process of writing his new science fiction novel, Purgatory's Shore.
Whether you're looking for something cozy or a little spooky, these books are perfect for the fall season.
When it comes to a 30 day writing challenge like NaNoWriMo, do you need to prep beforehand to achieve success? Well, that might depend on what kind of writer you are.
Copywriter and author Sarah Echavarre Smith discusses the process of writing her new romance novel, On Location.
