Former WD staffer Jess Zafarris crossed paths with Jerry Seinfeld, who shared his comedy writing process. His tips are not only useful for aspiring standup comedians, but also have broader applications for writers looking to add comedic elements to their own work.
This supplement to the 2019 edition of our 101 Best Websites provides a guide to writing subreddits—destinations across Reddit where writers can find useful information, community, and resources.
Playwright and author Stephen Evans explains how to write funny dialogue with these five key tips informed by neurology, rhythm, and theater.
The horror tropes you often see in movies can be fun, but they can also be totally ludicrous. If you're looking to add a comedic edge to your horror fiction, try bending these common tropes.
We're not all comedy writers, but many of us want to write a funny story or incorporate funny scenes into a novel. In this excerpt from The Byline Bible, Susan Shapiro offers 18 quick and easy ways to improve at eliciting laughs from your readers.
In this second in a series about the impact of the #MeToo movement on how and what women write, Leigh Anne Jasheway focuses on women who write and publish comedy and satire.
In this episode of the Writer’s Digest Podcast, author and comedian Laurie Kilmartin discusses writing comedy and jokes that keep your audience laughing, balancing the specific tug-of-war between writing for your job and writing for yourself, and combining humor and death in a way that’s both funny and poignant.
The latest issue of Writer’s Digest features four veteran comedians who shared their thoughts on what writers of every genre can glean from stand-up. To explore just a few of their comedy writing tips and see their joke-telling acumen in action, we’ve included some of their advice here, plus a video clip of each comedian in action.
Scott Dikkers, founder of the satirical news publication The Onion, is the master of writing satire. Here, he discusses the role of in today's challenging sociopolitical atmosphere.
Screenwriters Michael Weber and Scott Neustadter describe their creative process and the decisions that went into writing their Oscar-nominated comedy, The Disaster Artist.
Screenwriters Michael Weber and Scott Neustadter dig into details about the development and writing behind their Oscar-nominated comedy, The Disaster Artist.
Purely comic fiction may not sell well, but many novels that tackle serious topics with flashes of humor (like The Fault in Our Stars, Me and Earl and the Dying Girl, and more) do spectacularly, for good reason.
You can doom your debut novel from the start with these 7 (tongue-in-cheek) strategies for flailing, and failing—or, you can do just the opposite.
Let’s step once again into the role of the unconvinced, perhaps even curmudgeonly or fool-hearted editor: What harsh rejection letters might the authors of some of our favorite hit books have had to endure? This contribution comes from Chris Gay of Manchester, Conn., who found Charles Dickens’ classic A Christmas Carol to be as tedious as a bowl of plum pudding.