Skip to main content

Erasure and Blackout Poems: Poetic Forms

Learn the difference between erasure and blackout poems and how to write them. Or maybe more appropriately, learn how to sculpt them.

One form I've been meaning to get to for a while is the blackout poem and also the erasure poem. Both are sort of similar with the major difference being in presentation, I suppose.

Or it's kind of like rectangles and squares. You see, all squares are rectangles, but not all rectangles are squares.

The same could be said of erasure and blackout poems. After all, all blackout poems are erasure poems, but not all erasure poems are blackout poems.

What is a blackout poem?

A blackout poem is when a poet takes a marker (usually black marker) to already established text—like in a newspaper—and starts redacting words until a poem is formed. The key thing with a blackout poem is that the text AND redacted text form a sort of visual poem.

I tried creating my own and pasting it onto the blog, but I'm having technical difficulties—so instead, click here to check out a blackout poem from one of the masters of the form, Austin Kleon.

*****

The Complete Guide of Poetic Forms

Poetic Forms by Robert Lee Brewer

Play with poetic forms!

Poetic forms are fun poetic games, and this digital guide collects more than 100 poetic forms, including more established poetic forms (like sestinas and sonnets) and newer invented forms (like golden shovels and fibs).

Click to continue.

*****

What is an erasure poem?

An erasure poem is any poem that sculpts itself out of another larger text. The blackout poem is an erasure poem, but so is a poem like this:

From Ed, by Robert Lee Brewer

We're approaching the annual
trip of six young winners!

The deadline for poets is NOW!

Open Antioch
Cincinnati
and Paris first.

Start journeys of great things.

How moral characters use
cash and horror for information.

*****

Some erasure poems work with or against the original text; some erasure poems look for completely new and unrelated meanings than the original text; and some erasure poems are just complete nonsense. In the example above, I used one of my recent WritersMarket.com newsletters.

Quick note on ethics: There is a line to be drawn between erasure/blackout poems and plagiarism. If you're not erasing more than 50% of the text, then I'd argue you're not making enough critical decisions to create a new piece of art. Further, it's always good form to credit the original source for your erasures.

The Siren Song of Memory: Avoiding Sentimentality in Fiction When Using Material From Our Past, by Lucian Childs

The Siren Song of Memory: Avoiding Sentimentality in Fiction When Using Material From Our Past

Award-winning author Lucian Childs discusses the tricky act of mining our memories for fiction while also avoiding sentimentality, including five strategies for making it work.

Writing Mistakes Writers Make: Writing Like a Publisher

Writing Mistakes Writers Make: Writing Like a Publisher

The Writer's Digest team has witnessed many writing mistakes over the years, so we started this series to help identify them for other writers (along with correction strategies). This week's writing mistake is writing like a publisher.

Subtext and the Art of Dramatic Tension in Fiction, by Zeeva Bukai

How to Use Subtext and the Art of Dramatic Tension in Fiction

Award-winning author Zeeva Bukai shares five storytelling elements that have helped her add subtext and dramatic tension to her writing, including examples of adding subtext in fiction.

Megan Collins: On the Complexity of Heartbreak

Megan Collins: On the Complexity of Heartbreak

In this interview, author Megan Collins discusses the surprising amount of fun she’s had promoting her new thriller, Cross My Heart.

Finding Strength in Rejection: Turning Setbacks Into Success as a Writer, by Deanna Martinez-Bey

Finding Strength in Rejection: Turning Setbacks Into Success as a Writer

Author Deanna Martinez-Bey shares how to find strength in rejection by turning setbacks into success as a writer.

Why Writers Shouldn't Fear Distraction but Embrace It, by Liza Monroy

Why Writers Shouldn’t Fear Distraction But Embrace It

Author Liza Monroy discusses why writers shouldn't fear being distracted. Rather, they should embrace it.

Symbolic Drive: Using Allegory in Fiction, by Erika Swyler

Symbolic Drive: Using Allegory in Fiction

Bestselling author Erika Swyler discusses how allegory is "a vital form for political critique, an elegant genre in its own right, and a reliable engine for the novel."

Edward Underhill: Spite Keeps Me Going

Edward Underhill: Spite Keeps Me Going

In this interview, author Edward Underhill discusses how wanting to go back in time inspired his new LGBTQ+ magical realism novel, The In-Between Bookstore.

Wishful Thinking: Exploring the Concept of Regret and Redemption in Literature, by Jennifer Moorman

Wishful Thinking: Exploring the Concept of Regret and Redemption in Literature

Bestselling author Jennifer Moorman explores the concept of regret and redemption in literature.