Freelance Success -- Ruth Morris

Living the dream in Bogota.
Publish date:

Ask Ruth Morris, 34, about her dangerous freelancing career in the violence-prone South American country of Colombia, and her response may come as a surprise. "I feel extremely privileged to be doing this work," she says.

"For one thing," she continues, "international journalists have access to remote parts of Colombia where most Colombians can't travel without risking a kidnapping. We have pretty good access to sources, including commanders of armed outlaw groups, and they generally let us get on with our job."

It's the word "generally" that might give pause to most writers who consider freelancing in far-off places like Bogota. But Morris, whose work regularly appears in such publications as The Los Angeles Times and Time magazine, quickly adds that she doesn't seek out risky situations; on the contrary, she tries "to minimize risks as much as I can. I call ahead to local officials to ask about the security situation. If possible, I let the armed guards know I'm coming, or travel with people who know the region. I let friends know when I expect to be back. We all do this."

Still, she acknowledges that there are other difficulties.

"There's the risk you might put a source in danger by quoting them. Sometimes I'm amazed people talk to us at all."

Morris, who was born in Birmingham, England, moved to the United States when she was young. She started her journalism career covering more business news than bombings. She interned as a Washington correspondent for the Mexico City News as part of a master's in journalism program at Chicago's Northwestern University.

Freelance FAQ

I knew I made it when: My family started coming across my articles by accident, as opposed to me telling them: "You have to watch out for my piece on such and such! You have to clip it! Don't forget!" About the money: My salary vacillates wildly, but so far I've never had a problem covering costs. You might go a whole week without a formal project, but then a breaking news story can pay your rent in a day, plus sushi dinner. Thankfully, I earn in dollars and U.S. currency is strong against the peso right now, so sushi is pretty cheap. I guess I make about half a U.S. salary, with three times as many vacation days. Best advice I ever received:[My father] told me not to worry about money and to dedicate myself to the things that really turn me on.

After she graduated, she returned to Washington to work as a research assistant for Reuters and the news service soon offered her a financial reporting job in New York. In 1998, Dow Jones Newswires offered to make her the bureau chief of the Bogota office. "I was lucky to land in such a newsy country, but it was more than I could bear to watch all these extraordinary events unfold--peace talks, rebel offensives, hijackings--while I was tapping away at stock comments. I lasted about a year at Dow Jones, and then [in 1999] went freelance."

Even then, Morris was ready to take some risks. "I was a little worried about giving up my salary," she admits. "But friends immediately threw work my way. I remember my housemate, also a freelancer, saying he would feed me if I had a hard time getting started."

Most of Morris' freelancing assignments came from word of mouth. From the beginning she did spot news for The Los Angeles Times. Currently, she works mostly for Time magazine, and she fills in at The Los Angeles Times when the paper's bureau chief is traveling. She also dabbles in radio and occasionally works for the BBC and Voice of America. "Sometimes when a story breaks, I have to gather myself for a minute and think, 'OK. Who am I working for right now?'"

Not surprisingly, Morris finds her life and career full of excitement. "Like anyone, I get a rush from a good interview," she says. "I once spent a couple days with a coca farmer (coca is the raw material used to make cocaine), who was very poor and pretty much uneducated, but really bright and articulate. He told me that when the U.S. spray planes dump deadly herbicides on his drug crops, 'It's like demons coming down from the sky.'"

Morris does acknowledge that all the negative news can get her down: "I usually call up a friend when that happens and invite myself over for a coffee and a long whining session."

And, of course, freelancing also has its own frustrations. "Sometimes a newspaper will send in a 'parachuter' who doesn't speak Spanish and hasn't read up on Colombia, instead of contracting a freelancer who really knows the region."

Jan Jaben-Eilon is an Atlanta-based writer and editor.

This article appeared in the September 2002 issue of Writer's Digest.

Stephanie Dray: On Writing Women's Legacies

Stephanie Dray: On Writing Women's Legacies

Bestselling and award-winning author Stephanie Dray shares how she selects the historical figures that she features in her novels and how she came to see the whole of her character's legacies.

From Script

Taking Note of the Structure of WandaVision and Breaking in Outside of Hollywood (From Script)

In this week’s round-up from, learn about the storytelling techniques used in the nine-part Disney+ series "WandaVision," outlining tips for writing a horror script, and breaking in outside of Hollywood as a writer and filmmaker.

April PAD Challenge

2021 April PAD Challenge: Day 10

Write a poem every day of April with the 2021 April Poem-A-Day Challenge. For today's prompt, write a get blank poem.

take two 3 mistakes writers make in act i

Take Two: 3 Mistakes Writers Make in Act I

Without a solid foundation, our stories flounder. Jeanne Veillette Bowerman shares insights into the three mistakes writers make when creating the first act.

David Jackson Ambrose: On Balancing Magic and Practicality

David Jackson Ambrose: On Balancing Magic and Practicality

Novelist David Jackson Ambrose discusses the initial themes he wanted to explore in his latest novel, A Blind Eye, what the editing process was like, and how his books always surprise him in the end.

Writing Mistakes Writers Make: Not Knowing When to Shelve a Project

Writing Mistakes Writers Make: Not Knowing When to Shelve a Project

The Writer's Digest team has witnessed many writing mistakes over the years, so we started this series to help identify them for other writers (along with correction strategies). This week's writing mistake is not knowing when to shelve a project.

April PAD Challenge

2021 April PAD Challenge: Day 9

Write a poem every day of April with the 2021 April Poem-A-Day Challenge. For today's prompt, write a persona poem (for an inanimate object).

4 Tips for Writing Engaging Frenemies

4 Tips for Writing Engaging Frenemies

No matter what genre you write, if you're planning to write characters as frenemies, you'll need to know how to do it well. Bestselling romance author Lorraine Heath shares her top tips.

Plot Twist Story Prompts: Placing Blame

Plot Twist Story Prompts: Placing Blame

Every good story needs a nice (or not so nice) turn or two to keep it interesting. This week, make a character place blame on someone.