25 Tips To Make You a Better Nonfiction Writer

Try these 25 tips out for size and your nonfiction writing will improve almost immediately.
Author:
Publish date:

We writers share one thing in common: We exist for the moment a reader gently sets eyes to our first word, our first sentence. From that instant forward, our fate is in our own hands. Either they keep going or they cast us aside.

*********************************************************************************************************************************

This guest post is by bestselling author and award-winning reporter Mike Sager. He’s been called “the Beat Poet of American journalism.” For more than fifteen years Mike has worked as a Writer-at-Large for Esquire magazine. A former Contributing Editor of Rolling Stone and Writer-at-Large for GQ, Sager has also written for Vibe, Spy, Interview, Playboy, Washingtonian, InStyle, and Regardies. In 2010 he won the American Society of Magazine Editors National Magazine award for profile writing. He has authored and edited 10 books as well as four collections of stories, and a biography. Mike is also the Editor and Publisher of The Sager Group, a consortium of multi-media artists and writers with the intent of empowering those who make art without gatekeepers. For more info, please visit: www.mikesager.com or www.TheSagerGroup.net.

MikeSager headshot (1)
High Tolerance_Re_F

*********************************************************************************************************************************

For me, modest success has been built though a careful approach to craft. Arguably, with all the other wild cards that go into being a writer, it’s the only aspect of my career over which I feel I have total control. Words on the screen. They’re all mine!

For nearly four decades, though vigilant practice, I’ve sought evermore to become the most vivid and commanding writer possible. Being read is a privilege. There’s so much out there to choose to explore. When a reader picks me, I feel thankful. And I feel responsible. In this way writing, to me, is a call to arms. Publication should be a promise to a reader that his or her time (and money) will be well spent. You can’t please everyone, but you can damn sure try.

And if a reader likes you once . . . they might want to check you out again. And so forth.

Success is all about the quality of the service you provide. The rainbow of little thumbs up everyone is so focused upon generating via social media? Well, first and foremost, there needs to be a pot of golden content. Isn’t that what generates the rainbow?

[Learn the 8 Essential Elements of a Nonfiction Book Proposal]

From my first word to my last, I work hard to service and reward my readers. I want to reel them in and take them on a journey. I want to play with their heads a little. I want to dazzle them a little. There’s got to be surprises along the way. And there needs to be a good ending.

book proposal | publish a nonfiction book

After the perspiration and gum shoe work of the reporting and research process, it is time to bring your craft and your magic. No matter if you’re writing a blog post, a newspaper feature, a big-time magazine piece, or a 150,000 word book, originality is the key. The writer’s byline. Isn’t that our brand? You need to make yours stand out.

Over two decades of teaching writing at journalism schools and professional seminars around the country and overseas, I found that certain tidbits of advice I’d written on manuscripts (both electronically and on paper), resurfaced time and again. After a while, I started keeping a list.

[What’s A Nonfiction Writer Supposed to Do During November's National Novel Writing Month? Here's what.]

Try these 25 tips out for size and your writing will improve almost immediately.

1. Get an imagination. If it’s been done before, find a different way to do it. If it’s been said before, find a different way to say it.

2. Do not start stories with the time, season, or weather conditions.

3. Do not start with “It was” or “It’s” or “When.”

4. Do not ever use time stamp sub heads (ie: 12:15 p.m.) to break up a feature story. Write in scenes.

5. If you can’t find the killer declarative sentence to lede with, use an evocative scene-setting description.

6. See like a movie camera—make your writing cinematic. Zoom in. Pan the surroundings. Use your words to make pictures.

7. Build your images in linear fashion. Employ digression to explain.

8. Use all five senses—writing is the only medium that is able.

9. Go through your copy and eliminate as many recurrences of “that” you can find.

10. Employ the elements of the novel: scene, setting, characters, dialogue, drama. (And point of view only where appropriate.)

11. Don’t be so fast to write in first person. Isn’t it enough that somebody’s reading you?

12. Don’t begin your narrative stories with the climax. Begin a couple scenes before the climax, then backtrack, then move forward. Give the reader a reason to keep reading until the end.

13. What you don’t describe is just as important as what you do describe–omission invites the reader to fill in some of the details themselves. In reality, reading was the first interactive game. Take note: Your reader is making their own pictures from your words. And take advantage of that! It gives the reader an unconscious stake.

14. Ask yourself: Why am I using this detail?

15. When in doubt, cut it out.

[Freelance Writing: 10 Ways to Satisfy Editors & Land More Assignments]

16. If someone reads this twenty years from now, will they understand the reference?

17. Don’t work so hard with every sentence. Think of the meaning of “diamond in the rough.”

18. Let your choice of details work subtly to invoke the attitude you wish to convey. (Instead of slamming the reader over the head with it.)

19. When using dialog, stick with using “said” or “says.” Avoid fancy attributions—recalls, retorts, replies, unless it is done sparingly for effect.

20. Be careful of too much effect. It becomes affect.

21. Rely on nouns and verbs more than adjectives and adverbs.

22. Show, don’t tell.

23. Pick out a good voice and read out loud to yourself as you write. And also as you edit. Hear the rhythm of the syllables, the words. Good prose is like a song.

24. Read writing by great writers. You can start with Next Wave: America’s New Generation of Great Literary Journalists, which I edited with Walt Harrington, the awarding winning author, former Washington Post staffer, and professor of journalism at the University of Illinois, Urbana-Champaign. For more info, please see www.TheSagerGroup.Net.

25. To read dozens more tips on reporting and writing, please see www.MikeSager.com.

Thanks for visiting The Writer's Dig blog. For more great writing advice, click here.

*********************************************************************************************************************************

brian-klems-2013

Brian A. Klems is the online editor of Writer's Digest and author of the popular gift bookOh Boy, You're Having a Girl: A Dad's Survival Guide to Raising Daughters.

Follow Brian on Twitter: @BrianKlems
Sign up for Brian's free Writer's Digest eNewsletter: WD Newsletter

Poetic Forms

Mistress Bradstreet Stanza: Poetic Forms

Poetic Form Fridays are made to share various poetic forms. This week, we look at the Mistress Bradstreet stanza, an invented form of John Berryman.

capital_vs_capitol_grammar_rules_robert_lee_brewer

Capital vs. Capitol (Grammar Rules)

Learn when to use capital vs. capitol with Grammar Rules from the Writer's Digest editors, including a few examples of correct usages.

Dulan_1:14

On Writing to Give Grief Meaning and Write Out of Challenging Situations

Author Lily Dulan explains why writers have to be willing to go to difficult places inside themselves for their writing to make a positive impact on ourselves, others, and the world.

Brandt_1:14

Gerald Brandt: Toeing the Line Between Sci-Fi and Fantasy

Science fiction author Gerald Brandt explains how this new series explores the genre boundary and how he came to find his newest book's focus.

plot_twist_story_prompts_moment_of_doubt_robert_lee_brewer

Plot Twist Story Prompts: Moment of Doubt

Every good story needs a nice (or not so nice) turn or two to keep it interesting. This week, have a character experience a moment of doubt.

dr_caitlin_oconnell_finding_connection_and_community_in_animal_rituals_author_spotlights

Caitlin O'Connell: Finding Connection and Community in Animal Rituals

In this post, Dr. Caitlin O'Connell shares what prompted her to write a book about finding connection and community in animal rituals, what surprised her in the writing process, and much more!

new_agent_alert_zeynep_sen_of_wordlink_literary_agency

New Agent Alert: Zeynep Sen of WordLink Literary Agency

New literary agent alerts (with this spotlight featuring Zeynep Sen of WordLink Literary Agency) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.

Henick_1:13

Mark Henick: On Memory, Healing, and Languishing Projects

Author Mark Henick shares how he was able to turn a successful TEDx talk into a memoir, even when the project didn't come as quickly as he expected.

Poetry Prompt

Wednesday Poetry Prompts: 553

Every Wednesday, Robert Lee Brewer shares a prompt and an example poem to get things started on the Poetic Asides blog. This week, write a do-over poem.