Doctors don’t want you to know this secret to melt sagging plotlines and eliminate one-sided characters. Luckily, Ren Koppel Torres is here to share!
There's nothing worse for a reader than a stale, predictable character. Here, award-winning author S. K. Ali shares her top 3 tips for ensuring an engaging cast.
Why is engaging the reader's emotions so important? YA author and award-winning journalist Robin Farmer lays out the answer in this article.
Founder of FoxPrint Editorial and bestselling author Tiffany Yates Martin explains the pros and cons of increasing tension and showing character arcs.
The Writer's Digest team has witnessed many writing mistakes over the years, so we're starting this series to help identify them for other writers (along with strategies for avoiding the mistake). This week's writing mistake writers make is choosing slap-dash character names.
Novelist Wendy Holden explains how you can best tackle characterizing the British Royal Family.
Dr. Craig Wynne shares strategies for writing single characters in fiction who are strong, healthy, and fulfilled. He includes 4 clichés and tropes to avoid when writing single characters, 4 alternative strategies, and why writers should even care.
Evoking emotion on the page begins with the man or woman at the keyboard. Dustin Grinnell serves up seven straightforward tactics for writing tear-jerking stories that make your readers empathize with your characters.
WD editor and fantasy writer Moriah Richard shares five unique ways in which writers can use World of Warcraft to better build their worlds—without playing the game.
Romance author Michelle Major explains her three go-to tips for ensuring your characters have believable chemistry.
Using fictional and human examples, Dustin Grinnell takes a deep dive into how and why evil develops in story and in real life and how you can apply these concepts when writing villains.
Heather Griffin shares her tips on how to create supporting roles in fiction that come off as more than just a flavorless side dish. Rather, supporting roles can sometimes steal the show.
According to literary agent Donald Maass, a protagonist is defined as the subject of a story, whereas a hero is someone with extraordinary qualities. Here, Dustin Grinnell offers examples of such extraordinary heroes from Sir Arthur Conan Doyle's The Lost World and dissects what it takes to write them.
Bestselling author and creative writing instructor Chris Mooney shares his five rules for writing successful stories that they don't often teach in MFA programs.
Here is the post you've been looking for: A complete guide of ways how to write characters better, whether you're looking to create protagonists, antagonists, or minor characters from a range of award-winning and bestselling authors.