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Character

The Character Next Door: How to Tap Into Relationships and Communities to Create Realistic Characters | Eric Rickstad
The Character Next Door: How to Tap Into Relationships and Communities to Create Realistic CharactersEric Rickstad
The Heart of the Story: Using Small Town Settings to Deepen Character Connections, by RaeAnne Thayne
The Heart of the Story: Using Small-Town Settings to Deepen Character ConnectionsRaeAnne Thayne
A Conversation With David Handler on How the Character Comes First (Killer Writers), by Clay Stafford
A Conversation With David Handler on How the Character Comes First (Killer Writers)Clay Stafford
On the Unknowability of Our Characters, by Sophie Madeline Dess
On the Unknowability of Our CharactersSophie Madeline Dess
Yes, Frank Spells His Name With a PH: How to Capture Characters Quickly, by Diane Wald
Yes, Frank Spells His Name With a PH: How to Capture Characters QuicklyDiane Wald
Heart First, Brain Later: Why Your Character's Emotional Arc Matters More Than Your Perfect Plot, by Finnian Burnett
Heart First, Brain Later: Why Your Character’s Emotional Arc Matters More Than Your Perfect PlotFinnian Burnett
5 Tips for Giving Your Character (Possibly Super) Powers, by Jenny Morris
5 Tips for Giving Your Character (Possibly Super) PowersJenny Morris
The Specificity of Details: Creating a Fully Realized Character in a Work of Historical Fiction, by Danielle Teller
The Specificity of Details: Creating a Fully Realized Character in a Work of Historical FictionDanielle Teller
Secrets We Keep From Each Other - Building Tension in Fictional Marriages, by Paul Vidich
Secrets We Keep From Each Other: Building Tension in Fictional MarriagesPaul Vidich
A Conversation With Eric LaRocca on Writing Dark, Troubled Protagonists (Killer Writers), by Clay Stafford
A Conversation With Eric LaRocca on Writing Dark, Troubled Protagonists (Killer Writers)Clay Stafford
How One Nonsense Word Helps Me Craft Better Character-Based Suspense, by Nat Cassidy
How One Nonsense Word Helps Me Craft Better Character-Based SuspenseNat Cassidy
Letting Your Characters Take the Lead, by CL Montblanc
Letting Your Characters Take the Lead in FictionCL Montblanc
10 Things I've Learned About Writing From a Stand-Up Comic and in the Writer's Room of Emmy Award-Winning TV Shows, by Matt Goldman
10 Things I’ve Learned About Writing From Being a Stand-Up Comic and in the Writer’s Room of Emmy Award-Winning TV ShowsMatt Goldman
Exploring Identity in FictionNanda Reddy
3 Reasons Why Frenemies Are So Fun to Write in RomanceJulie Tieu
The Art of Writing Deceptive and Unreliable Narrators in ThrillersCarter Wilson

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