Working with a Publishing House Editor

Prior to working with Susan Swinwood, senior editor of Mira Books, my only experience with editors dated back to my college days. A short story called “ The Sand Castle” was picked up for our college literary magazine. The editor said he loved my story, but added that it could use “a spot of editing.” I didn’t really know what editing entailed, but was amazed at how changes he made to my story altered the flavor completely, not wholly to my liking. For example, he replaced a simple sentence like “He slipped out of the apartment” with “The urge in him wound itself around the door knob.” Many such robust edits later, the story still had my byline, but frankly I felt like it had been written by someone else. This unfortunate experience gave me a jaundiced view of an editor’s job, which I believed was to bully writers and mess up good writing (or at least my definition of “good.”) GIVEAWAY: Shona is excited to give away a free copy of her novel to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. (UPDATE: bendwriter won.)
Author:
Publish date:

Prior to working with Susan Swinwood, senior editor of Mira Books, my only experience with editors dated back to my college days. A short story called “ The Sand Castle” was picked up for our college literary magazine. The editor said he loved my story, but added that it could use “a spot of editing.” I didn’t really know what editing entailed, but was amazed at how changes he made to my story altered the flavor completely, not wholly to my liking. For example, he replaced a simple sentence like “He slipped out of the apartment” with “The urge in him wound itself around the door knob.” Many such robust edits later, the story still had my byline, but frankly I felt like it had been written by someone else. This unfortunate experience gave me a jaundiced view of an editor’s job, which I believed was to bully writers and mess up good writing (or at least my definition of “good.”)

GIVEAWAY: Shona is excited to give away a free copy of her novel to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. (UPDATE: bendwriter won.)

teatime-for-the-firefly-book-cover
shona-patel-author-writer

Column by Shona Patel, daughter of an Assam tea planter, drew upon
her personal observations and experiences to create the vivid characters
and setting for Teatime for the Firefly. An honors graduate in English
literature from Calcutta University, Ms. Patel has won several awards
for creative writing and is a trained graphic and architectural designer.
TEATIME FOR THE FIREFLY (September 2013, Harlequin MIRA)
is her debut novel. Find her on Twitter. Shona is represented
by April Eberhardt of April Eberhardt Literary.

(How to collaborate with a freelance editor.)

Several decades later, having just completed the process of working with Susan Swinwood on my first novel, I realize nothing is further from the truth. At its best, the writer-editor relationship is a dynamic collaboration. Compatibility is key, and if you are lucky to work with a good editor, as I was, the process is invigorating. While Susan acted as a sounding board, she did not offer specific solutions. Following a thorough critical assessment of my manuscript, she handed it back to me with the mandate to address the following issues:

  1. I needed to find a creative way to connect the first and second halves of the novel. My editor pointed out that what was missing in the second half were the feelings and emotional responses of my main character. The creative solution I came up with was the addition of more letters, which I had used liberally in the first half, which also lent stylistic consistency to the novel.
  2. She urged me to examine the pacing in specific chapters that was affecting the flow. Some chapters were too long and needed to be cut down, whereas the shorter chapters had to be combined.
  3. She exhorted me to explore ways to reinforce and integrate the themes of fate and superstition more strongly into my plot.
  4. Likewise, she suggested that I extend the roles/stories of some of the more interesting characters in my story.
  5. Susan challenged me to critically assess each chapter ending to ensure it closed on a lyrical, poignant or otherwise compelling note, to entice the reader to keep going.
  6. She highlighted inconsistencies in the timeline which I needed to rectify.
  7. Finally, she challenged me to create a stronger ending for the novel.

(11 ways to assist a friend in promoting their new book.)

Initially these changes seemed like a tall order. However, once I actually got down to the task, I found that some smart tweaking, reshuffling and adding in a couple of new chapters was all it really took. I learned to take it one step at a time and not to lose my head worrying about the deadline.

Susan posed several other suggestions, too, which we discussed and ultimately decided not to pursue. That’s the beauty of a strong editing team: while the editor can and will suggest changes, it is up the writer to “try them on for size” and assess ultimate fit. Above all I found it important to remain objective. Being too attached to one’s work is a recipe for heartbreak and “stuckness.” I ended up hacking off huge sections of my manuscript that had taken me months of research and writing. I learned to be heartless when it comes to revisions—ultimately it’s about the reader, not about the author. Having gone through several rounds of edits with my writers’ group, my beta readers and my agent, I found myself ready to gear up for working with a publishing editor, which was focused and intense. What I learned in the process are things I keep in mind as I write my second novel. Hopefully I can now see the fault lines before the crack.

Nothing is quite so exciting as seeing a novel come to life, enlarged and enriched beyond anything you as the author may have initially seen. In many ways a good editor will show you the real story lurking within the structure of what you created.

GIVEAWAY: Shona is excited to give away a free copy of her novel to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. (UPDATE: bendwriter won.)

Image placeholder title

Hook agents, editors and readers immediately.
Check out Les Edgerton's guide, HOOKED, to
learn about writing fiction to pulls readers in.

Other writing/publishing articles & links for you:

Image placeholder title

Want to build your visibility and sell more books?
Create Your Writer Platform shows you how to
promote yourself and your books through social
media, public speaking, article writing, branding,
and more.
Order the book from WD at a discount.

Too Seen: The Intimacy of Copy Editing

Too Seen: The Intimacy of Copy Editing

Novelist A.E. Osworth discusses their experience working with a copyeditor for their novel We Are Watching Eliza Bright and how the experience made them feel Witnessed.

writer's digest wd presents

WD Presents: From Our Readers Announcement, Upcoming Webinars, and more!

This week, we’re excited to announce a call for From Our Readers submissions, a webinar on crafting expert query letters, and more!

April PAD Challenge

2021 April PAD Challenge: Day 11

Write a poem every day of April with the 2021 April Poem-A-Day Challenge. For today's prompt, write a prime number poem.

Stephanie Dray: On Writing Women's Legacies

Stephanie Dray: On Writing Women's Legacies

Bestselling and award-winning author Stephanie Dray shares how she selects the historical figures that she features in her novels and how she came to see the whole of her character's legacies.

From Script

Taking Note of the Structure of WandaVision and Breaking in Outside of Hollywood (From Script)

In this week’s round-up from ScriptMag.com, learn about the storytelling techniques used in the nine-part Disney+ series "WandaVision," outlining tips for writing a horror script, and breaking in outside of Hollywood as a writer and filmmaker.

April PAD Challenge

2021 April PAD Challenge: Day 10

Write a poem every day of April with the 2021 April Poem-A-Day Challenge. For today's prompt, write a get blank poem.

take two 3 mistakes writers make in act i

Take Two: 3 Mistakes Writers Make in Act I

Without a solid foundation, our stories flounder. Jeanne Veillette Bowerman shares insights into the three mistakes writers make when creating the first act.

David Jackson Ambrose: On Balancing Magic and Practicality

David Jackson Ambrose: On Balancing Magic and Practicality

Novelist David Jackson Ambrose discusses the initial themes he wanted to explore in his latest novel, A Blind Eye, what the editing process was like, and how his books always surprise him in the end.

Writing Mistakes Writers Make: Not Knowing When to Shelve a Project

Writing Mistakes Writers Make: Not Knowing When to Shelve a Project

The Writer's Digest team has witnessed many writing mistakes over the years, so we started this series to help identify them for other writers (along with correction strategies). This week's writing mistake is not knowing when to shelve a project.