How to Write and Plan a Book Series

It’s said that J.K. Rowling had the whole of the Harry Potter series in her head before she started. If you’re in the JKR camp, read no more. You’re way ahead of me. On the other hand, if you’re not a long-range planner, my experience may be of use. Like most writers, I have antennae that alert me to the Good Idea that might make a Good Story... GIVEAWAY: Frances is excited to give away a free copy of her novel to a random commenter. Comment within 2 weeks; winners can live anywhere in the world. You can win a blog contest even if you’ve won before. (Update: PMDrummond won.)
Author:
Publish date:

It’s said that J.K. Rowling had the whole of the Harry Potter series in her head before she started. If you’re in the JKR camp, read no more. You’re way ahead of me. On the other hand, if you’re not a long-range planner, my experience may be of use.

Like most writers, I have antennae that alert me to the Good Idea that might make a Good Story. My first image for the mystery series that starts with Dying in the Wool was of a man, a father, unable to return home. Someone needed to find out who and where he was. Step forward Kate Shackleton, sleuth extraordinaire. I then knew I wanted to go on writing about Kate, and so I had an eye towards her longevity. That’s as much planning as I did. For me, starting a series was like any other writing, a combination of characters, setting and plot.

GIVEAWAY: Frances is excited to give away a free copy of her novel to a random commenter. Comment within 2 weeks; winners can live anywhere in the world. You can win a blog contest even if you’ve won before. (Update: PMDrummond won.)

Image placeholder title
Image placeholder title

Guest column by Frances Brody, who lives in the north of England,
where she was born and grew up. Frances started her writing life in
radio, with many plays and short stories broadcast by the BBC.
She has also written for television and theatre. Before turning to
crime, she wrote sagas, winning the HarperCollins Elizabeth Elgin
Award for most regionally evocative debut saga of the millennium.
Four books in the Kate Shackleton Mystery series:
Dying in the Wool,
A Medal for Murder, Murder in the Afternoon and A Woman Unknown.
A Medal for Murder will be available from Minotaur in February 2013.
Visit Frances online at www.frances-brody.com. She is also happy
to be contacted through Facebook, on Twitter.

There were certain givens. Kate would need to be at home in different social circles, and to be independent so that she could take off at a moment’s notice. An investigator needs the right sort of people around her. Kate is adopted. Her adoptive father is a police superintendent; her mother an aristocrat who married for love. In book three, Kate meets her birth sister who is from a very different background. This creates a wide social spectrum for possible stories. It’s the 1920s. Although much has changed for women, there are still many restrictions and difficulties. Kate would struggle without her sidekick, Jim Sykes, who can go to places that would be closed to women.

(How many agents should you contact at one time?)

A sense of place is particularly important in a mystery novel. Readers have to believe that these events are happening in this particular spot, at this time. Early on, I visited locations and went house-hunting for Kate. Places and road layouts have changed a lot since the early part of the last century. Old maps became essential. I have a collection of maps. (The ones I don’t have, I find in the library). Whether Kate is walking, driving her 1913 Jowett motor, or riding the tramcar, I can trace her journeys. Time spent working out her route, and how long it takes to reach her destination, is additional thinking time for me, as if I’m tagging along with her. This also helped as I planned and wrote the subsequent books. Kate has her patch: Yorkshire, the largest county in England.

Recently I came across the advice that you should read around the genre you plan to write. Find out what’s on publishers’ lists; analyse the market. It didn’t occur to me to do this; although I do read widely, including crime fiction. I had a brilliant idea and wanted to get on with it right away, not spend time analyzing where my story might slot in, or to even think about genre. If I had read around my sub-genre (horrible term!) perhaps a stylistic trick or two might have lodged in my subconscious and a reader would say, Oh, she’s a bit like Author X. So I’m glad I jumped straight in and pressed on.

This approach has a disadvantage. When I showed Dying in the Wool to my agent, she liked it but was a little impatient. ‘It’s a crime novel. You have to have a body by page one hundred.’

I went to a library event to hear Robert Barnard, an author with a list of crime novels as long as your arm. When it came to questions, I asked, ‘Did anyone ever tell you that you should have a body by page one hundred?’ ‘No,’ he said, ‘but I always have a body by page sixty.’

(Literary agents share helpful advice for new writers.)

In my second novel, A Medal for Murder, Kate finds the body by page thirty. And in Murder in the Afternoon … but you get the idea.

Sometimes, practical tips are best. Here are mine. When starting work on a novel, I buy two A4 spiral-bound notebooks, for research, characters and story. I take a camera when I visit locations. Reading for background research is useful, but it doesn’t beat meeting the experts, and they are usually willing to help. I am never happy with my first drafts but save them. To avoid the confusion of a bleary-eyed start on the wrong draft, I highlight abandoned versions and give them a colour. At the end of each day I email work to myself, so if the house burns down while we’re out, or a burglar strikes, my manuscript lives on in cyberspace. Not very high tech, but this works for me.

Good luck!

GIVEAWAY: Frances is excited to give away a free copy of her novel to a random commenter. Comment within 2 weeks; winners can live anywhere in the world. You can win a blog contest even if you’ve won before. (Update: PMDrummond won.)

Image placeholder title

Don't let your submission be rejected for
improper formatting. The third edition of
Formatting & Submitting Your Manuscript
has more than 100 examples of queries,
synopses, proposals, book text, and more.
Buy it online here at a discount.

Other writing/publishing articles & links for you:

Image placeholder title

Want to build your visibility and sell more books?
Create Your Writer Platform shows you how to
promote yourself and your books through social
media, public speaking, article writing, branding,
and more.
Order the book from WD at a discount.

April PAD Challenge

2021 April PAD Challenge: Day 11

Write a poem every day of April with the 2021 April Poem-A-Day Challenge. For today's prompt, write a prime number poem.

Stephanie Dray: On Writing Women's Legacies

Stephanie Dray: On Writing Women's Legacies

Bestselling and award-winning author Stephanie Dray shares how she selects the historical figures that she features in her novels and how she came to see the whole of her character's legacies.

From Script

Taking Note of the Structure of WandaVision and Breaking in Outside of Hollywood (From Script)

In this week’s round-up from ScriptMag.com, learn about the storytelling techniques used in the nine-part Disney+ series "WandaVision," outlining tips for writing a horror script, and breaking in outside of Hollywood as a writer and filmmaker.

April PAD Challenge

2021 April PAD Challenge: Day 10

Write a poem every day of April with the 2021 April Poem-A-Day Challenge. For today's prompt, write a get blank poem.

take two 3 mistakes writers make in act i

Take Two: 3 Mistakes Writers Make in Act I

Without a solid foundation, our stories flounder. Jeanne Veillette Bowerman shares insights into the three mistakes writers make when creating the first act.

David Jackson Ambrose: On Balancing Magic and Practicality

David Jackson Ambrose: On Balancing Magic and Practicality

Novelist David Jackson Ambrose discusses the initial themes he wanted to explore in his latest novel, A Blind Eye, what the editing process was like, and how his books always surprise him in the end.

Writing Mistakes Writers Make: Not Knowing When to Shelve a Project

Writing Mistakes Writers Make: Not Knowing When to Shelve a Project

The Writer's Digest team has witnessed many writing mistakes over the years, so we started this series to help identify them for other writers (along with correction strategies). This week's writing mistake is not knowing when to shelve a project.

April PAD Challenge

2021 April PAD Challenge: Day 9

Write a poem every day of April with the 2021 April Poem-A-Day Challenge. For today's prompt, write a persona poem (for an inanimate object).

4 Tips for Writing Engaging Frenemies

4 Tips for Writing Engaging Frenemies

No matter what genre you write, if you're planning to write characters as frenemies, you'll need to know how to do it well. Bestselling romance author Lorraine Heath shares her top tips.