7 Things I've Learned So Far, by Noelle Sterne

1. After all the time, send-outs, get-backs, and hard work, the ecstasy of acceptance is fabulous and tear-filled. Let yourself scream, cry, feel the nervous soaring rise in your chest. If you can share it with someone, all the better. GIVEAWAY: Noelle is excited to give away a free copy of her book to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. (Update: leeannniazi won.)
Author:
Publish date:

This is a recurring column I’m calling “7 Things I’ve Learned So Far,”where writers (this installment written by nonfiction writer Noelle Sterne) at any stage of their career can talk about writing advice and instruction as well as how they possibly got their book agent -- by sharing seven things they’ve learned along their writing journey that they wish they knew at the beginning.

GIVEAWAY: Noelle is excited to give away a free copy of her book to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. (Update: leeannniazi won.)

Image placeholder title
Image placeholder title

Author, editor, ghostwriter, writing coach, and spiritual counselor,
Noelle Sterne publishes fiction and nonfiction in print and online venues.
Her current column in Coffeehouse for Writers is titled “Bloom Where
You’re Writing.” With a Ph.D. from Columbia University, Noelle for over
28 years has assisted doctoral candidates to complete their dissertations.
Her book, Trust Your Life: Forgive Yourself and Go After Your Dreams (Unity
Books), uses examples from her practice, writing, and other aspects of life
to help readers let go of regrets, relabel their past, and reach their lifelong
yearnings. She is completing a practical -psychological-spiritual handbook
to support doctoral candidates: Grad U: Complete Your Dissertation—Finally—
and Ease the Trip for Yourself and Everyone Who Has to Live With You.
Visit Noelle at www.trustyourlifenow.com.

1. After all the time, send-outs, get-backs, and hard work, the ecstasy of acceptance is fabulous and tear-filled. Let yourself scream, cry, feel the nervous soaring rise in your chest. If you can share it with someone, all the better.

2. The ecstasy lasts 12½ minutes. Then the work begins.

(How to create an effective synopsis for your novel or memoir.)

3. As much as (you think) you’ve revised and refined the manuscript, it’s in our writer’s genes never to be satisfied. And maybe we shouldn’t be. When you review the manuscript yet again, make notes (I use the Word tracked-change tool) of what you want to change, add, delete.

4. Give all editorial suggestions your close attention and ample, undisturbed stretches (remember your dominant revising gene). If you really can’t stand what an editor has recommended or dictated or you see something you’ve just got to fix, have the courage to communicate your own revisions. Even on a text or galley that looks “final.” The editor may groan from afar but will admire you for the time, effort, and attention you’ve taken to make the book better. Remember, the publisher benefits too.

And when they say “final,” don’t be scared. This term can change like cloud formations on a windy day. After my book was supposed to have gone to the printer (“final”), I found a terrible typo. I rushed an all-cap email to the editor. She quickly responded and said one of the copyeditors had also found a late-stage error and both would be corrected before the final really became final.

5. Nevertheless, at some point, you’ve got to let it go. We’ve all had the experience of reading a “finished” work and having to admit to ourselves it’s great. Then when we return to it, days or weeks later, we cringe. And want to dive in and tear it apart. As I extracted article material from my book, I saw with horror what I thought were awkward phrasings, overcuteness, obscureness, inconsistencies, gaps in transitions, no reasons at all for some of the text. I was ready to burn the pdf. But then I remembered that this was just my insecurity and the ol’ revising gene acting up. So, swallowing hard, I did what I advise you now: Let it go.

(A WD editor's best piece of writing advice -- period.)

6. Once the manuscript really is done, much of your writing time may be (should be) taken up with developing your publicity and platform-building (you know—blogs, websites, ads, reviews, press releases, social media, articles, interviews, book tours). For most of us introverts who never have enough time just to write, the prospect of all this may sound uncomfortable, distasteful, or migraine-prompting. But accept the steps and give them your best. Your book’s success depends on them. You’ll stretch yourself, conquer a few fears, and maybe surprise yourself by almost getting to like the promotion process (it is writing too).

7. Despite this pep talk, keep filling the well, as Julia Cameron says. At least twice a week, give yourself uninterrupted time to write. Let it be something connected or unrelated to your present book. I’ve done drafts of spinoff essays, the opening of my sequel, a quirky short story that blossomed in the parking lot, a poem, and even a list of things I learned from publishing my first book...

GIVEAWAY: Noelle is excited to give away a free copy of her book to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. (Update: leeannniazi won.)

Image placeholder title

Hook agents, editors and readers immediately.
Check out Les Edgerton's guide, HOOKED, to
learn about how your fiction can pull readers in.

Other writing/publishing articles & links for you:

Image placeholder title

Want to build your visibility and sell more books?
Create Your Writer Platform shows you how to
promote yourself and your books through social
media, public speaking, article writing, branding,
and more.
Order the book from WD at a discount.

Batra&DeCandido_1:18

Dr. Munish Batra and Keith R.A. DeCandido: Entertainment and Outrage

Authors Dr. Munish Batra and Keith R.A. DeCandido explain how they came to co-write their novel and why it's important to them that the readers experience outrage while reading.

incite_vs_insight_grammar_rules_robert_lee_brewer

Incite vs. Insight (Grammar Rules)

Learn when to use incite vs. insight with Grammar Rules from the Writer's Digest editors, including a few examples of correct usages.

Cleland_1:17

Jane K. Cleland: On Writing the Successful Long-Running Series

Award-winning mystery author Jane K. Cleland describes what it's like to write a long-running book series and offers expert advice for the genre writer.

writer's digest wd presents

WD Presents: #StartWrite, Virtual Conference, and New Courses

This week, we’re excited to announce free resources to start your writing year off well, our Novel Writing Virtual Conference, and more!

20_most_popular_writing_posts_of_2020_robert_lee_brewer

20 Most Popular Writing Posts of 2020

We share a lot of writing-related posts throughout the year on the Writer's Digest website. In this post, we've collected the 20 most popular writing posts of 2020.

Malden_1:16

Carla Malden: Writing With Optimism and Innocence

Screenwriter and author Carla Malden explains why young adult fiction and the '60s go hand-in-hand and how she connected with her main character's voice.

writing_mistakes_writers_make_talking_about_the_work_in_progress_robert_lee_brewer

Writing Mistakes Writers Make: Talking About the Work-in-Progress

The Writer's Digest team has witnessed many writing mistakes over the years, so we started this series to help identify them for other writers (along with correction strategies). This week's writing mistake writers make is talking about the work-in-progress.

Kelly_1:15

Greta K. Kelly: Publishing Is a Marathon

Debut author Greta K. Kelly reveals how the idea for her novel sparked and the biggest surprise of her publication journey.

Poetic Forms

Mistress Bradstreet Stanza: Poetic Forms

Poetic Form Fridays are made to share various poetic forms. This week, we look at the Mistress Bradstreet stanza, an invented form of John Berryman.