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6 Reasons Why You Need To Have More “Babies”

Brooklyn Ann, author of the dark paranormal romance BITE ME, YOUR GRACE, explains why writers should compose more than one book.

Not human babies, silly. More “word babies” -- a.k.a. books. I cannot believe how many people write only one book and lay all their hopes and dreams on it. I never went that far, but I was guilty of putting my one book on through the submission process and endlessly obsessing over it for a long time before starting a new one.

THIS IS BAD!!!

Why?

1.) Most published authors can tell you that their first few novels were rejected before they made their big break. Stephen King had several novels and countless short stories rejected before he wrote CARRIE and became my hero. The fact is the majority of first novels fail. Most published authors didn’t land a book deal until their second, third, or even fifth manuscript. In my case it was my third. Don’t be disheartened. Your first manuscript provides priceless value in learning your craft. There may even be a few spare parts you can recycle.

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2.) If you’re not occupied with another project and wasting your time stalking your one project, you might just do something stupid and blow your career.

Time spent stalking agents and editors online could be time better used writing your next project. Also, agonizing over rejections and waiting for responses provides unhealthy stress that can make some people snap and ruin their chances at landing a book deal if they publicly complain about rejections or the publishing industry.

Nothing is guaranteed in this industry. The only thing you have control over is yourself and your writing. Use that control to create a new world and new characters.

3.) You’ll never grow as a writer. To become great at anything, you need to do it a lot.

If you don’t write often, then you’re not much of a writer. How many paintings do you think Da Vinci did before the Mona Lisa?

I don’t have the exact number, but I know the answer is: tons. To become proficient at a trade, one needs to constantly practice and strive to make each work better than the last. Remember to keep writing and look to your earlier works to see your improvement.

4.) If all you ever talk about is your one “baby,” people are going to get bored quickly….unless it’s TO KILL A MOCKINGBIRD

We’ve all encountered those people who either have been promoting their one book for over a year, or worse, the ones who have been working on the same project for an eternity and a half. (That was me with my first novel).

This drives everyone crazy. We all despise redundancy and most people only prefer to read a book once. They will go even more insane if they enjoy your writing and you have no more forthcoming.

Even the big hit authors are not exempt. If Margaret Mitchell had other books perhaps her rabid fans would have calmed down a bit about Rhett and Scarlett. Of course, she died shortly after so we’ll never know.

Think of recent current hits. These authors were all anyone could talk about for a long time. Now we are sick of hearing about them because there’s nothing new to say.

5.) If your one “baby” dies, it won’t be so devastating if you have others.

Rejection can be crushing and nothing feels worse when you come to the realization that a novel you’ve worked on for so long needs to be trunked. The devastation was mitigated for me because I had a new novel in the works.

Knowing you have other stories to market gives you unbelievable confidence in this difficult industry.

6.) When you do get a publishing contract, it’ll likely be for more than one book. Nobody likes a one-hit-wonder….again unless it’s TO KILL A MOCKINGBIRD

When I received my first publishing contract it was for three books. However the editor was hesitant because I didn’t have any other books in the subgenre. I believe the fact that I had other books under my belt that swayed her decision in my favor. I have since completed all three books in that series and am working on finding homes for my other projects.

I cannot express how wonderful it feels to have written so many stories that have resonated with so many readers.


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