My Book is on Submission with Publishers. Now What?

What do you do once you're done submitting a book to potential publishers? Here are four productive activities you can use while you await responses.
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What do you do once you're done submitting a book to potential publishers? Here are four productive activities you can use while you await responses.

by Connor Eck and Lucinda Blumenfeld

You’ve been back and forth with your agent for months creating the perfect book proposal—making sure every argument is unassailable, that every indent, line break, and page break is perfectly positioned, and that every t is crossed and i dotted. Your interactions are so frequent that when your phone alerts you to a new voicemail or email, it’s more likely to be your agent than anyone else.

Or perhaps you haven’t been working with an agent, but you’ve been toiling away on a novel, and after months (or years) of developing it, you’ve decided to try your chances with publishers directly. You’ve sent your baby out into the world.

The waiting is HARD. For some, the hardest stage. Below are some useful activities that will help you, and/or your agent, as you await the verdict.

Productive Activity #1: Focus energies on your online presence.

If a publishing house is considering acquiring your book, there are multiple people involved in that decision, and feedback from Sales, Marketing, and Publicity will all be weighed. The very first thing someone considering your book will do after reading your proposal is look you up online. What you want them to find is that substantial information about you exists—whether showcasing your writing, your personal story or brand, or your line of work. They’ll also want to see an active social media presence, one that shows engagement with a number of people. (For nonfiction authors, the barrier for a social media following is higher than ever. One publisher recently quoted me that 40k fans on Facebook and an email list of 15k is what they now consider a threshold for acquisitions.) Even if you’re not near this number, the single best thing you can do is continue to build your online credibility while your book is on submission.

  • Journalist?—Establish a Wikipedia page.
  • Blogger?—Encourage your fan base to show their support on social media at this critical time.
  • Novelist?—Build even a simple personal website that exhibits your writing clips and offers a sense of who you are as a person.
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Productive Activity #2: Read comparable titles as research or inspiration for the book you plan to publish.

The writers we work with who succeed in getting book deals share something major in common: conviction in their ideas. For these writers, where there’s a will there’s a way, and even if a given publisher doesn’t share their view, they’re going to write the book regardless, because the research is just that fascinating, or the process just that rewarding. Once your proposal or manuscript is with your agent or with publishers and out of your hands, why not begin collecting notes, or reading those comparable titles if you haven’t already to serve as research or inspiration in crafting your own book. Treat this waiting time as an opportune moment to further educate yourself in the marketplace and more critically understand the gap your book can fill.

Productive Activity #3: Be patient and fill your time actively.

It’s understandable that the silence can be deafening—especially since up until this moment, you may have been in constant dialogue with someone about your proposal. But silence isn’t always a bad thing. Given the number of people at a publishing house who need to weigh in before an offer can be made, even a very interested editor could be getting second reads or speaking with all decision-makers involved. And many agents won’t, with good reason, reveal everything they’re hearing until there’s a final verdict. Also know that submissions sometimes happen in rounds. Not receiving an offer on the first round doesn’t mean that you won’t receive one on the second.

While waiting, engage in activities that will help your book’s success—possibly this is going on a local radio or television show, penning a post for a widely read journal or blog, or securing a blurb for your future book.

Productive Activity #4: Constructively follow up, at the right time.

After several weeks, it’s completely reasonable to follow up with your agent for a pulse-check on what he or she is hearing. When you do follow up, ask if there’s anything helpful you could be doing. You are not bothering or doubting your representative’s abilities by checking in—you’re simply acting like a business partner, which you are.

If you’re not working with an agent and are submitting a book directly to publishers, several weeks is not a reasonable amount of time to follow up, as publishers give priority to solicited projects from agents. 4-6 weeks may be more appropriate to follow up (for nonfiction, and double that for fiction), but when you do, it should be with an update of interest, i.e. I’ve just been featured on x media outlet; my blog post on y has gone viral and received z number of shares; a well-known author has offered the following blurb, etc. In absence of having those updates to share, you could go for something very personal and heartfelt: “as you’re the editor of [x comparable title], a novel that significantly influenced my own writing, any reactions you’ve had thus far would be especially meaningful to me…” continuing to say that your utmost wish would be a home with this particular publisher.

You shouldn’t write this love letter to everyone; only to those for whom it really applies.

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Connor Eck and Lucinda Blumenfeld

Lucinda Literary, founded by Lucinda Blumenfeld in 2011, is one of very few hybrid literary, lecture, and marketing agencies. With over a decade of experience in corporate and agency publishing—at HarperCollins, Scholastic, and Fletcher & Co—Lucinda​​ lives on both sides of the literary and business worlds. Lucinda Literary specializes in business and practical nonfiction, health/lifestyle and popular science titles, and has a growing interest in narrative nonfiction as well as upmarket fiction. Connor Eck, an associate agent at Lucinda Literary, represents middle grade, young adult, and adult fiction, along with narrative nonfiction, business books, memoir, and sports titles. He is currently open to submissions. For more information, visit our website at or follow us on Facebook or Twitter.

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