Five Simple Things Agents Can Do To Make Writers' Lives Easier (and Three Things Writers Should Do Regardless)

Author:
Publish date:

1. Set up an auto-responder email letting writers know that their query letter was received. By
doing this, agents will cut down on the number of repeat queries they
receive from writers unsure if their e-mail went through correctly. For
those agents whose policy it is to only respond if interested, writers
won’t wonder if their queries were received in the first place or send a
follow-up e-mail just in case.

Image placeholder title

Nancy Parish, runs the blog,

The Sound and Furry.
She is a

contributing editor to the GLA blog

and
runs the Footnotes series.





2. Respond to all partial and full requests.
When a writer receives a request for a full or partial manuscript from an agent, it’s a big deal. It means we’ve gotten over one hurdle—the
dreaded query letter, and now someone is actually going to read our
work. So please respond, especially at this level. Even a form rejection
is better than silence. That way we can move on. Please, I beseech you!

3. Provide periodic status updates on their slushpile reading. If
writers know the agent has read everything they’ve received by a
certain date, and we’ve sent a query during that time, and haven’t heard
from them; then we can skip the status e-mail—and avoid clogging up their inbox and just re-send the query. Status updates can come on a blog, Twitter or in an interview.

4. Be specific in what they are looking to publish. Online and at conferences, agents—as
a species, often give vague descriptions of what is on their wish
lists. Agents may do this so that they don’t miss something wonderful.
The tradeoff is an inbox clogged with queries about books they have no
interest in reading, let alone publishing. But: If agents were to be
more specific and even list examples of published works that they like
and want to see more of, the result might just be a clog-free inbox.

5. List online interviews they’ve given on their agency website.
Part of a writer’s job when trying to land an agent is to research
agents. That research includes learning the tastes of perspective agents
that we might like to query. We are more effective in our research when
agents list recent interview links on the agency websites—or better yet when they tweet them!

Three Simple Things

Writers Must Do Regardless:

1. Target your agent search. Stop sending mass queries to every agent on the planet.

2. Do your research. Don’t just look to find agents who accept
the genre you write. Read interviews the agent’s given, read books
they’ve represented and most of all, look at the agency website for the
most up-to-date information. Start with a book like Guide to Literary
Agents too see the big picture and start the narrow down, and then
continue your research online.

3. Don’t’ respond to agent rejections. Save the "Thank you's"
for when the agent sells your book. Seriously, don’t clog the agent’s
already crowded inbox with thank you notes for nice rejections. It’s
still a rejection. Same thing goes for sending a nasti-gram e-mail when
you receive a rejection. It’s not going to change agent’s mind and
you’ve pretty much assured that they won’t represent you—ever. It’s best to let it go.


Want more on this subject?

  • Learn the three parts of any query letter by reading this. 

  • Enjoy these 10 Query Letter Tips.

  • Want to know more about the protocol of sending attachments to agents? Read on here.

  • Confused about formatting? Check out Formatting & Submitting Your Manuscript.

  • Read about What Agents Hate: Chapter 1 Pet Peeves.

  • Want the most complete database of agents and what genres they're looking for? Buy the 2011 Guide to Literary Agents today!

new_agent_alert_tasneem_motala_the_rights_factory

New Agent Alert: Tasneem Motala of The Rights Factory

New literary agent alerts (with this spotlight featuring Tasneem Motala of The Rights Factory) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.

Miller_1:19

Timothy Miller: The Alluring Puzzle of Fact and Fiction

Screenwriter and novelist Timothy Miller explains how he came to write historical fiction and how research can help him drive his plot.

Batra&DeCandido_1:18

Dr. Munish Batra and Keith R.A. DeCandido: Entertainment and Outrage

Authors Dr. Munish Batra and Keith R.A. DeCandido explain how they came to co-write their novel and why it's important to them that the readers experience outrage while reading.

incite_vs_insight_grammar_rules_robert_lee_brewer

Incite vs. Insight (Grammar Rules)

Learn when to use incite vs. insight with Grammar Rules from the Writer's Digest editors, including a few examples of correct usages.

Cleland_1:17

Jane K. Cleland: On Writing the Successful Long-Running Series

Award-winning mystery author Jane K. Cleland describes what it's like to write a long-running book series and offers expert advice for the genre writer.

writer's digest wd presents

WD Presents: #StartWrite, Virtual Conference, and New Courses

This week, we’re excited to announce free resources to start your writing year off well, our Novel Writing Virtual Conference, and more!

20_most_popular_writing_posts_of_2020_robert_lee_brewer

20 Most Popular Writing Posts of 2020

We share a lot of writing-related posts throughout the year on the Writer's Digest website. In this post, we've collected the 20 most popular writing posts of 2020.

Malden_1:16

Carla Malden: Writing With Optimism and Innocence

Screenwriter and author Carla Malden explains why young adult fiction and the '60s go hand-in-hand and how she connected with her main character's voice.