Good movie.
It's a documentary that follows around four highschoolers during their entire senior year. It's essentially a real-life Breakfast Club, with a "princess," an "artsy musician girl," a "jock," and a "band nerd."
I've been thinking about the movie all weekend. Some of it fell flat, but Hannah's storyline in particular (the girl on the left in the poster) was captivating.
Learn when to use anyone vs. anybody vs. someone vs. somebody with Grammar Rules from the Writer's Digest editors, including examples of each.
For this week's market spotlight, we look at Kenyon Review, a literary magazine looking for various lengths of fiction, poetry, plays, and nonfiction. Submission period open through October 1, 2020.
Robert Scotellaro, author of five full-length story collections, including his most recent What Are the Chances?, shares his fascination with flash fiction, three critical components to writing success, and more.
In this post, Dustin Grinnell explores the tactics that author Michael Crichton used to craft realistic science fiction within one of his most popular novels, 'Sphere.'
Editor Jennifer Haupt delivers the top tools for creating a cohesive and engaging anthology that writers will be excited to be a part of and readers will fall in love with.
YA author Annie Sullivan shares how she had to raise the stakes for everyone in her sequel to A Touch of Gold, why the writing process changed because of selling it on proposal, and more!
Poetic Form Fridays are made to share various poetic forms. This week, we look at the masnavi (or mathnawi), an old poetic form with Arabic, Persian, Turkish, and Urdu variants.
Hanna C. Howard shares that her path to success involved starting a new project (her YA fantasy novel, Ignite the Sun), how long it took to get a book contract after acceptance, her best advice for other writers, and more!
Every good story needs a nice (or not so nice) turn or two to keep it interesting. This week, reveal a new power.
