Editor's note: I am declaring November 2010 to be "Agent Guest Column Month," and therefore, every weekday, I will be posting a guest column by a literary agent. Day 17: Today's guest agent is Mary Kole of Andrea Brown Literary.
There are so many different iterations of this advice that I don’t quite know which genius began it all. I’ve heard it personally from Scott Westerfeld and Barry Lyga and Ally Carter and, hell, pretty much everyone. But the brunt of it is this: In order to get published or anywhere near publishable, you’ve got to write about a million bad words.
That’s right. A million of ‘em. Only after you write a whole bargeload of BS will you: a) start to recognize what’s good, and b) start getting a handle on the craft. Yes. Start. Don’t open a Word doc, type until the word count reaches 1,000,000 and expect words 1,000,001+ to magically be Nobel-Prize-worthy prose. After a million bad words, Young Grasshopper, you will truly be ready to begin.
Hey, no grumbling! No “but I’m special and the exception to the rule” allowed! If you’re not published yet, you’ve still got work to do, my friend. If getting a novel published by a major house was an easy task, nobody would be pining away in offices or waiting tables. They’d all be sitting around in coffee shops, bent over their laptops. Getting published is not for everyone, not everyone will attain that goal, and it really has to be earned.
Ally Carter has a great analogy: a garden hose that hasn’t been used in a while. Think about your own backyard. If you’ve got a pretty old hose there that’s been sitting through the fall and the winter, you’ve got to flush out all the leaves and gunk and spider webs first. When you turn on the water, it’ll be full of dirt. You have to get all of that out before the water can run clear.
That’s just what you’re doing when you begin your writing practice. By writing a million bad words, by turning on that garden hose and waiting for the pristine water, you’re getting all the bad story ideas, the flat characters, the predictable plot arcs, the cliches, the boring descriptions, the bad jokes, the overblown hyperbole, the bombastic scenery, basically, the crap, out of your writing system.
Once you’ve drained it all away, you’re left with a more agile and intelligent writing brain that can get cracking on the good stuff. Writing is a thing to be practiced, just like everything else. Write every day. Do it diligently and without ego until those million bad words are behind you. Then write every day, diligently and without ego some more. And, you know, if you’re feeling sympathetic to the Plight of the Slush, please don’t send me a sampling from that first million. I’m much more interested in words 1,000,001+.
Not sure you're using the right vocabulary
for your audience? Check out the second
edition of the Children's Writer's Word Book.