Skip to main content

My Submission Process

Today, I received a nice rejection on some poems I submitted to Thieves Jargon. I also sent out a group of poems to Burnside Review. Since I went through the process of marking a submission and rejection on the same day, I got to thinking about how I submit poems, including how I keep everything organized. It's extremely lo-tech.

*****

This is how I organize my poems: I copy them by hand into those black & white marble composition notebooks. I number each page to help with referencing where each poem is.

I reserve around 10 pages of room at the end of each notebook to make submission notes for the entire book. Basically, I make four columns: Date of submission; where the submission went (for instance, Burnside Review today); which poems (I include poem titles and page number in the composition notebook); and the result (whether poems were accepted or rejected and the date of response).

*****

When I make a submission of poems, I mark the columns with the appropriate information in the back. But to ensure that I don't accidentally send the same poem out to several publications, I also create columns beside each poem that I cross-reference with the information in the back: Name of publication; date of submission; date of acceptance; and date of rejection.

If a poem has no response or has been accepted, then I know not to submit it elsewhere. If a poem's current status is rejected, then I know it's available to submit. If it's been rejected several times, I know there's a possibility it should be revised or abandoned.

*****

So, that's how I do it. Submitting multiple poems to multiple publications can be confusing. However, with this system, I've had no problems keeping on top of where my poems are.

Why I Write: From Sartre to Recovery and Back Again, by Henriette Ivanans

Why I Write: From Sartre to Recovery and Back Again

Author Henriette Ivanans gets existential, practical, and inspirational while sharing why she writes, why she really writes.

5 Tips for Exploring Mental Health in Your Fiction, by Lisa Williamson Rosenberg

5 Tips for Exploring Mental Health in Your Fiction

Author Lisa Williamson Rosenberg shares her top five tips for exploring mental health in your fiction and how that connects to emotion.

Chelsea Iversen: Follow Your Instincts

Chelsea Iversen: Follow Your Instincts

In this interview, author Chelsea Iversen discusses the question she asks herself when writing a character-driven story, and her new historical fantasy novel, The Peculiar Garden of Harriet Hunt.

Your Story #134

Your Story #134

Write a short story of 650 words or fewer based on the photo prompt. You can be poignant, funny, witty, etc.; it is, after all, your story.

NovDec24_Breaking In

Breaking In: November/December 2024

Debut authors: How they did it, what they learned, and why you can do it, too.

Rosa Kwon Easton: On Fiction Helping Tell a True Family Story

Rosa Kwon Easton: On Fiction Helping Tell a True Family Story

In this interview, author Rosa Kwon Easton discusses the surprises she faced in tackling fiction for the first time with her new historical novel, White Mulberry.

Poetry Prompt

Wednesday Poetry Prompts: 720

Every Wednesday, Robert Lee Brewer shares a prompt and an example poem to get things started for poets. This week, write an undiscovered poem.

How to Portray Time and Memory in Stories, by Anita Felicelli

How to Portray Time and Memory in Stories

Author Anita Felicelli explains her process for portraying time and memory in stories, including examples from other authors.

online prompt 12:3

Listening In

Every writer needs a little inspiration once in a while. For today's prompt, start your story with someone listening in on someone else's conversation.