Rejection

Every writer knows the feeling of rejection: the email with the subject line: “Re: Your submission to XXX Review..” I always brace myself before opening it, expecting the worst: sort…

Every writer knows the feeling of rejection: the email with the subject line: “Re: Your submission to XXX Review..”

I always brace myself before opening it, expecting the worst: sort of the way I get when I get an email that says: “XXX tagged you in a picture on Facebook,” when my first thought is usually: how God-awful do I look in this picture, and how many people have already viewed it before I’ve had a chance to un-tag myself?

And usually, there is reason to be pessimistic. We all know about the massive slush piles editors face, the 1% acceptance rate, the fact that writers get rejected so many times that there is actually a magazine, The Rejected Quarterly, that only takes submissions with at least five rejection letters attached to it.

The rejections are nearly always form letters; short, polite, and unspecified. I’ve learned to read them, delete them, mark them on my submission spread sheet, and move on. But have you ever gotten a really nice rejection letter? Last year, I submitted to a fairly prestigious magazine, and though I was rejected, the editor sent me a personal email telling me that she loved the story, listing the reasons why, and ensured me that this was not a standard rejection.

I didn’t know how to feel—happy? Everyone loves to hear praise from a source they respect. But ultimately, I was still rejected. It was sort of like one of those rare really nice break-up conversations. The editor told me that the story just didn’t fit with the style of the stories they usually published, and she was rejecting it on those grounds. But she encouraged me to resubmit in the future.

I did, and I never heard back.

So my question this week is, how do you feel about rejection, and how do you deal with it? What is the most memorable rejection letter you’ve ever gotten?

Jane Friedman is a full-time entrepreneur (since 2014) and has 20 years of experience in the publishing industry. She is the co-founder of The Hot Sheet, the essential publishing industry newsletter for authors, and is the former publisher of Writer’s Digest. In addition to being a columnist with Publishers Weekly and a professor with The Great Courses, Jane maintains an award-winning blog for writers at JaneFriedman.com. Jane’s newest book is The Business of Being a Writer (University of Chicago Press, 2018).