Part 2 of this April 1981 WD article by Roy Sorrels and Megan Daniel about writing and selling popular fiction picks up where part 1 left off.
Debut novelist Karin Abarbanel shares four writing tips for contemporary novelists she discovered from studying the plays of the Bard for 365+ nights.
Novelist Wendelin Van Draanen offers advice on how to choose the best story structure for your novels and provides compelling examples from her award-winning books.
Don't "create" characters; get to know them instead. John Jamison has used the power of story in various roles—from pastor to brand development consultant—and he has some unique methods for getting to know his characters.
Playwright Frank Strausser shares the benefits of working with actors to figure out why your scenes are not working.
Melanie Benjamin—author of six historical novels about real people and events—offers four lessons she's learned about writing fiction from fact, and when to deviate from the truth.
WD editors were impressed to hear that Next Girl to Die author Dea Poirier was working on four manuscripts simultaneously, all after completing her debut novel. We asked Poirier to share a few tips with you on how she manages multiple manuscripts at once.
How does meditation help overcome writers' block? A writer and meditation teacher explores the science behind it all.
It is easy to get lost in the flurry of feedback you get after sharing your writing for critique. Lorraine Devon Wilke shares how not to lose track of your own voice in the process.
Call Me Evie author J.P. Pomare shares how his research trips to the town where his suspense novel takes place influenced his writing.
From fast-paced action to intimate drama, third-person limited POV can be adapted to any scene or situation.
Novel readers love it when a protagonist dramatically transforms from Page One to The End. Jerry B. Jenkins shares the fundamentals of developing a strong character arc.