Originally from Portland, Oregon, Heather Carr received her B.A. in English from Lawrence University in Appleton, WI, and ended her eastbound journey by settling in Brooklyn, NY with her 18-year-old cat. She spent her first few years in publishing at Trident Media Group before joining The Friedrich Agency in March 2018.
I'm on the hunt for voice-driven narrative nonfiction that teaches me something new, especially from what I like to call "kooky experts." Think Caitlin Doughty's From Here to Eternity, Sy Montgomery's The Soul of an Octopus, or Kate Cole-Adams' Anesthesia. I'm also interested in long-form journalism, especially as it relates to gender and sexuality.
In fiction, I love literary novels about dysfunctional families and friendships, high-concept commercial fiction with elements of suspense, and anything with a singular voice a la Weike Wang's Chemistry or Jen Beagin's Pretend I'm Dead.
I'm exclusively looking for fiction and nonfiction for adults, so no YA, MG, or picture books, please!
How to Submit:
Please send a one-page query letter in the body of an email to firstname.lastname@example.org.
Writing strong first pages requires a great hook, a strong voice, and a clear premise. The first sentence should immediately catch the reader’s attention, while the subsequent text should leave the reader wanting to dive further into the pages of the manuscript. But making the first pages of your story absolutely un-putdownable takes practice, patience, revision, and an eye for detail. Which is why we’re here: to discuss what to do (and not to do) to make your opening pages stand-out.