The Author’s Guide to Business Cards
Since writing is a business, an author needs to be a professional. E.J. Wenstrom shares advice on the do's and don'ts of business cards for authors.
Who Is Your Target Audience? Use This Simple Trick to Figure Out If They Actually Exist
A major conundrum that trips up many new writers is defining your target audience before you have any actual readers. Dana Sitar explains how to identify them.
How to Crowdfund Your Writing With Patreon
Patreon offers creatives a more sustainable model for crowdfunding—ongoing micro-payments from interested benefactors.
The Difference Between an Author-Author and an Author-Entrepreneur and Why You Need to Know
If you want to write a book, for whatever reason, it’s important to know what kind of author you actually want to be so you know what strategy to use to sell books. Vickie Gould explains the difference and why it matters.
indieLAB—a New Event for Entrepreneurial Writers
If you're an author, aspiring novelist, freelance writer or small publisher who wants to expand your readership, improve your business prospects and earn more from your writing, join us this September at indieLAB, an all-new event from Writer's Digest.
What Starting a Business and Launching a Book Have in Common: It’s All About the Investment
When launching a book, your job is to find readers, engage with readers, write good books, and sell the heck out of said book(s). Here are a few rules from the business world that will make the investment of time and energy worth your while.
Risky Business: Taking Big Risks in Your Writing Career—and How They Can Pay Off
Here, we talk with writers who have taken big writing career risks and how those risks paid off—along with what they learned along the way.
The Pros and Cons of Getting Published
Do you ever worry that getting published—that worrying about the business of writing—might sully the purity of your artistic expression and dampen your passion for the craft? Many writers struggle with the concessions required of the publication process, but you needn't fear them; it's all part of the experience.
Get Smart: How to Tell Good Publishing Contracts From Bad
Publishing contracts are as varied as book genres. It’s easy for an author hungry to be published to be blinded by any contract’s lure, to the potential detriment of their career and their hard-fought creative work. Here are three things to look out for.
13 Reasons Why You Shouldn't Sign That Book Contract or Take That Freelance Writing Job
In a competitive industry, it’s easy to feel like publishers hold all the power. But the truth is they need good content—and writers have a right to not be fleeced. Here are some situations when the best option just might be to walk away from that book contract or that freelance writing job.
What Does It Really Mean to Be a Bestselling Author?
Should the title of Bestselling Author be reserved only for those authors who hit the top of one of the “Big Lists” like in the good old days before Amazon led the industry to reconsider what the term actually means?
