Skip to main content

Erika Robuck: On Writing Historical Women

Bestselling author Erika Robuck explains what it takes to write historical fiction and how she feels a connection with the character in her latest novel, The Invisible Woman.

Erika Robuck is the national bestselling author of Receive Me Falling, Hemingway’s Girl, Call Me Zelda, Fallen Beauty, and The House of Hawthorne. She is a contributor to the anthology Grand Central: Original Stories of Postwar Love and Reunion and to the Writer’s Digest essay collection, Author in Progress. In 2014, Robuck was named Annapolis’ Author of the Year, and she resides there with her husband and three sons.

Erika Robuck

Erika Robuck

In this post, Robuck explains what it takes to write historical fiction, how she feels a connection with the character in her latest novel, The Invisible Woman, and more!


how to catch an agent first pages

This course is designed for writers who are ready to roll up their sleeves and take their opening pages to the next level. Weekly exercises will strengthen skills such as writing strong first lines and experimenting with voice, while weekly lectures will cover topics such as successful market examples and case studies, effective dialogue, and common ‘do’s and don’ts’ of first pages.

Click to continue.

Name: Erika Robuck
Literary agent: Kevan Lyon
Title: The Invisible Woman
Publisher: Berkley/Penguin Random House
Release date: February 9, 2021
Genre: Historical Fiction
Elevator pitch for the book: The Invisible Woman is the true story of WWII Secret Agent Virginia Hall, an American woman with a prosthetic leg, whose clandestine work with the French Resistance undermines the Nazi regime, creates escape lines out of Occupied France, and helps hundreds of Free French guerrilla fighters liberate a secluded mountain region whose courageous inhabitants harbor secret residents at their peril.
Previous titles:

  • Receive Me Falling (Elysian Fields Press/Self-Published, 2009)
  • Hemingway’s Girl (New American Library/Penguin, 2012)
  • Call Me Zelda (New American Library/Penguin, 2013)
  • Falling Beauty (New American Library/Penguin, 2014)
  • Grand Central: Original Stories of Postwar Love and Reunion, Short Story, “I’ll Be Around” (Berkley/Penguin, 2014)
  • The House of Hawthorne (New American Library/Penguin, 2015)
  • Author in Progress: A No-Holds-Barred Guide to What it Really Takes to Get Published, Essay, “Put a Ring on It” (Writers Digest Books, 2016)
  • #HOCKEYSTRONG (Elysian Fields Press/Self-Published, 2017)
The Invisible Woman

IndieBound | Bookshop | Amazon
[WD uses affiliate links.]

What prompted you to write this book?

On the creative side, I'm always looking for extraordinary people from the past who come from places familiar to me or to whom I feel a personal connection. On the business side, when I was working on another “wife-of-famous-male-writer” book, an editor said, “Why not write about a woman who is special in her own right?” That stopped me in my tracks.

Around that time, Virginia Hall entered my radar in a way I can’t pinpoint, and she’s been haunting me ever since. Virginia is not only a remarkable woman from history who grew up in my home state of Maryland, but she is so extraordinary—in her own right—she could launch a subgenre of “husband-of-famous-woman” books.

(5 Considerations for Writing About Historical Figures in Fiction)

How long did it take to go from idea to publication? 

It took two and a half years from Virginia's appearance on my radar, and four iterations of the novel, to reach its completion. I started writing it as a dual period novel including a female Iraq War veteran. That wasn't working, so I started a new version as a dual protagonist novel with another SOE agent, but Virginia insisted this was all about her. I started the novel again, set during Hall's first WWII mission to France, but it became clear that was all backstory. Finally, I wrote the novel as it is, set during Hall's second WWII mission to France.

Were there any surprises or learning moments in the publishing process for this title? 

I learned that, even in death, the movement of covert operatives is very difficult to trace.

(Stretching the Facts in Historical Fiction)

Were there any surprises in the writing process for this book? 

Throughout the writing of the book, I found that—in spite of not have a prosthesis—I felt a deep connection to and understanding of how Virginia's injury shaped her life. In talking with two women who had prosthetics from amputations, I realized that the ongoing pain and issues related to their injuries were similar to those my late mother experienced as a result of her severe scoliosis. I had felt my mother very close to me in the research and drafting of this book, and I didn't understand why until I spoke to the women who were amputees.

What do you hope readers will get out of your book?

The world is always in need of stories of hope, inspiration, and redemption, and that is true now more than ever. I pray readers find such inspiration through Virginia Hall's extraordinary life.

Erika Robuck: On Writing Historical Women

If you could share one piece of advice with other authors, what would it be?

Nothing beats the old "butt in chair" advice. Four out of five writing days for me are a slog, but on the fifth, I lose all track of time and come out of my office blinking, disoriented, and with ten pages of work that barely needs editing. The four days before the fifth are necessary to reach the mountaintop. 

Elizabeth Shick: On Research Through Immersion

Elizabeth Shick: On Research Through Immersion

Award-winning novelist Elizabeth Shick discusses the complete rewrite she devoted to her debut novel, The Golden Land.

6 Habits Writers Can Learn From Athletes

6 Habits Writers Can Learn From Athletes

Author and athlete Henriette Lazaridis shares six tips and habits that writers can learn from athletes.

writer's digest wd presents

WD Presents: Last Chance to Nominate Your Favorite Writing Websites, Our Historical Fiction Virtual Conference, and More!

This week, we're excited to announce the deadline to nominate your favorite writing websites, our Historical Fiction Virtual Conference, and more!

4 Tips for Writing a Modern Retelling

4 Tips for Writing a Modern Retelling

From having reverence for the original to making it your own, author Nikki Payne shares four tips for writing a modern retelling.

Faint vs. Feint (Grammar Rules)

Faint vs. Feint (Grammar Rules)

Learn when to use faint vs. feint in your writing with Grammar Rules from the Writer's Digest editors, including a few examples. Plus, we answer whether it's "faint of heart" or "feint of heart."

6 Books to Cozy Up With This Winter | Book Recommendations

6 Books to Cozy Up With This Winter

Here are 6 book recommendation perfect for winter reading.

12 Things to Consider When Writing Fight Scenes in Fiction (FightWrite™)

12 Things to Consider When Writing Fight Scenes in Fiction (FightWrite™)

Trained fighter and author Carla Hoch shares 12 things all writers should consider when attempting to write effective fight scenes in fiction.

Plot Twist Story Prompts: Unreal Character

Plot Twist Story Prompts: Unreal Character

Every good story needs a nice (or not so nice) turn or two to keep it interesting. This week, have a character turn out to be less than they seem.

November PAD Chapbook Challenge

2022 November PAD Chapbook Challenge: Next Steps

Here are the final steps for the 15th annual November PAD Chapbook Challenge! Use December and the beginning of January to revise and collect your poems into a chapbook manuscript. Here are some tips and guidelines.