Author Archives: Chuck Sambuchino

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Agents Barbara Poelle and Holly Root Cover It All With Their “How to Write a Successful Novel: The Craft, Techniques, and Strategies” Webinar on March 28

If you don't know who Barbara Poelle and Holly Root are, I'll tell you. They are both awesome literary agents who both sell a lot of books and also are extremely good at teaching writers how to improve their work. Basically, they're super-cool and super-smart. And now, somehow, the planets have aligned and they...

I-need-my-own-country-book

Picture Books Are Not Just for Children: 10 Reasons Why

2. Picture book language is often more sophisticated than the first chapter books that children read, and therefore an excellent way for children to learn language. It is here that children, and others, can learn vocabulary, imagery, rhythm, shape, structure, conciseness, emotional power. 3. The picture book is the most flexible of all literary formats....

the-typewriter-girl-novel

Story Problems? Maybe You Need a Good Piece of Device

Find your device early in your planning or drafting process. Laura Whitcomb included devices in a book about first drafts for a reason. In The Anatomy of Story, John Truby puts the device fourth in a twenty-two step process. He uses the term “designing principle,” and while we can debate whether he means a...

brooks-sherman-literary-agent

Agent Advice: Brooks Sherman of FinePrint Literary Management

This installment features Brooks Sherman of FinePrint Literary Management. After a two-year stint with the Peace Corps in bucolic West Africa and a one-year stint in the savage jungles of Hollywood, he is thrilled to be living once more in Brooklyn. As befitting his chosen career in publishing, he subsists on a diet of...

Goldenland-Past-Dark

7 Things I’ve Learned So Far, by Chandler Klang Smith

This is a recurring column I’m calling “7 Things I’ve Learned So Far,” where writers (this installment written by Chandler Klang Smith, author of GOLDENLAND PAST DARK) at any stage of their career can talk about writing advice and instruction as well as how they possibly got their book agent -- by sharing seven...

calling-me-home-novel

How I Got My Agent: Julie Kibler

“How I Got My Agent” is a recurring feature on the Guide to Literary Agents Blog, with this installment featuring Julie Kibler, author of the literary fiction debut novel, CALLING ME HOME (2013). These columns are great ways for you to learn how to find a literary agent. Some tales are of long roads...

kaylee-davis-literary-agent

New Literary Agent Alert: Kaylee Davis of Dee Mura Literary

Kaylee is seeking: Kaylee is actively seeking to build her client list in the genres of sci-fi, fantasy, speculative fiction, and young adult; bonus points if there are elements of steampunk, coming-of-age, urban fantasy, espionage, social commentary, or counter culture. Kaylee is drawn to exciting, thought-provoking stories with a fresh perspective that explores what...

donnybrook-donny-brook-novel

Debut Author Interview: Frank Bill, Author of DONNYBROOK

I love interviewing debut authors on my blog. It's because the path of debut authors is a great roadmap for others who are trying to get their books published and/or find a literary agent. That said, today we meet novelist Frank Bill. Frank Bill's March 2012 debut novel, DONNYBROOK, is about "The Donnybrook, a three-day...

The-Colony-novel

7 Things I’ve Learned So Far, by A.J. Colucci

1. High Concept is easier to sell. Within three years of writing fiction, I had a couple of books, a few partials and had a lot of story ideas in my head, but agents kept telling me that The Colony was my best shot at getting published. They said the premise was high...

the-dead-shall-not-res-novel

How I Got My Agent: Tessa Harris

“How I Got My Agent” is a recurring feature on the Guide to Literary Agents Blog, with this installment featuring Tessa Harris, author of THE DEAD SHALL NOT REST, whose literary agent is Melissa Jeglinski of The Knight Agency. These columns are great ways for you to learn how to find a literary agent....

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New Literary Agent Alert: Jen Karsbaek of Foreword Literary

She is seeking: "Jen is aggressively looking to build her list with women’s fiction, upmarket commercial fiction, historical fiction, and literary fiction. She looks for books with particularly well-developed characters and strong authorial voice. In historical in particular she is interested in books that bring the setting to life and maintain balance between historical...

the-promise-of-stardust-book

9 Things That Will Help Get Your Novel Published

1: The Elevator Pitch. As I write this post, my first novel, The Promise of Stardust, is about to find its way into the world. It’s about a woman who suffers a devastating brain injury, and just as they are about to take her off life-support, they realize she’s pregnant. Oh yes, there’s more....

laura-dail-literary-agent

Literary Agent Interview: Laura Dail of Laura Dail Literary Agency

This interview features Laura Dail of Laura Dail Literary Agency. The Duke University graduate received her Master’s degree in Spanish from Middlebury College. She has served on the board of the Association of Authors Representatives (AAR) and currently chairs the AAR Royalties Committee. She also Tweets. She is seeking: Laura’s now especially interested in historical...

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Get Your First 500 Words Critiqued by Agent Roseanne Wells: March 14 Webinar on “The Essentials of Characters, Plot & Setting”

A lot of WD's webinars are focused on a particular element or genre. Sometimes they're on writing something specific like a picture book, while other times they're intensives on query letters or synopses. But this week it's time to get back to basics. It's time to talk about the crucial and essential story elements...

a-white-wind-blew

How I Got My Agent: James Markert

“How I Got My Agent” is a recurring feature on the Guide to Literary Agents Blog, with this installment featuring James Markert, author of the novel A WHITE WIND BLEW (Feb. 2013, Sourcebooks Landmark). These columns are great ways for you to learn how to find a literary agent. Some tales are of long...

a-violet-season-novel

5 Tips on Writing First Drafts

Set a deadline. A Violet Season was written over four summers—each summer, another draft. This was a crazy schedule, I know, but in some ways it was perfect. There was a clear end to the summers (sadly), and to my drafts. If you don’t have a deadline, you run the risk of one draft...