November/December 2014 Issue
Free Writing Downloads
Workshops Starting October 23rd
- World-building in Science Fiction & Fantasy
- Writing Personal Essays 101
- Fundamentals of Nonfiction
- Essentials of Mystery Writing
- Creative Writing 101
- Breaking into Copywriting
- Query in 14 Days
Workshops Starting November 1st
- World-building in Science Fiction & Fantasy
Writing Editor Blogs
Guide to Literary Agents Blog
by Chuck Sambuchino
GLA Editor Chuck Sambuchino keeps track of all news related to literary agents and writing conferences on his blog. Common features include agent interviews, new agency listings, agency profiles, upcoming conferences of interest, contests and other publishing opportunities, valuable writing resources, submission tips and information, and a blogroll of other agent blogs. Read Chuck’s Blog
There Are No Rules
by the editors of Writer’s Digest
Get on the cutting edge of today’s publishing trends and how authors can succeed in a world of fast-paced technological change, guided by the editors of Writer’s Digest. You’ll get an inside look at the work, play, and passion of the publishing business and find practical tools for success. Read There Are No Rules
Questions & Quandaries
by Brian Klems
Don’t know the difference between “who” and “whom”? Facing an ethical dilemma about accepting gifts from subjects? Let the informative (and humorous) columnist Brian A. Klems answer some of your most pressing grammatical, ethical, business and writing-related questions. Check out his advice and don’t hesitate to ask a question—your writing career will thank you. Read Brian’s Blog
by Robert Brewer
Published poet Robert Lee Brewer blogs on issues affecting poets from the poet’s perspective. As the editor of Writer’s Market, Brewer also shares insights on the publishing industry, especially as it relates to poetry and the poetry markets. He also explains poetic forms, interviews other published poets, and provides the occasional poetry prompt. Read Robert’s Blog
This is a recurring column I’m calling “7 Things I’ve Learned So Far,” where writers (this installment written by Lee Thompson, author of A BEAUTIFUL MADNESS) at any stage of their career can talk about writing advice and instruction as well as how they possibly got their book agent — by sharing seven things they’ve learned along their writing journey that they wish they knew at the beginning.
GIVEAWAY: Lee is excited to give away a free copy of his novel to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. (UPDATE: DanielR won.) Read more
“Your First Ten Pages” Agent One-on-One Boot Camp Starts August 22. Get an Agent Critique of Your Novel Beginning
As many writers know, agents and editors won’t give your work more than ten pages or so to make an impact. If you haven’t got them hooked by then, it’s a safe bet you won’t be asked for more material. Make sure you’ve got the kind of opening they’re looking for! In this invaluable weekend event, you’ll get to work with an agent online to review and refine the first ten pages of your novel. You’ll learn what keeps an agent reading, what are the most common mistakes that make them stop, and the steps you need to take to correct them. The best part is that you’ll be working directly with an agent, who will provide feedback specific to your work.
It’s all part of the recurring popular Agent One-on-One Boot Camp called “Your First 10 Pages.” Sign up by the end of the day, August 22, 2014. It’s taught by the agents at Talcott Notch Literary. Read more
As promised, here are the last minute agent updates (both additions and cancellations) to the 2014 WD Conference, Aug. 1-3, 2014, in NYC.
1. Jordy Albert (Albert Booker Literary) has cancelled.
2. Alex Slater (Trident Media) has cancelled.
3. Kathleen Zakhar (Harold Ober Associates) has cancelled.
Click through to the full page to see the additions. Read more
Generating good, usable ideas can be difficult for any writer, new or established. While John Steinbeck may have been exempt (he famously compared ideas to rabbits, saying “You get a couple and … Read more
Earlier this week, I hinted it was coming, and here it is: the next WD Poetic Form Challenge. Of course, we’ll be writing the madrigal, specifically the English madrigal, for this challenge. … Read more
Earlier this month, Daniel Roessler shared a three-part series on nature and poetry. I’m hoping to continue sharing both guest posts on various topics on Thursdays (missed last week because of illness … Read more
The only way to be a writer is to write, right? This is the advice we give at WD, online and in the magazine. If you want to write, you must write. … Read more
There are only a few constants in my life: One of them is that I know I’ll share a prompt and poem on Wednesdays. I hope everyone is ready to let loose … Read more
The madrigal originated as an Italian form, actually as a pastoral song. The Italian madrigal is written in lines of either seven or 11 syllables and is comprised of two or three … Read more
“How I Got My Agent” is a recurring feature on the Guide to Literary Agents Blog, with this installment featuring Cassandra Dunn, author of the novel, THE ART OF ADAPTING. These columns are great ways for you to learn how to find a literary agent. Some tales are of long roads and many setbacks, while others are of good luck and quick signings.
GIVEAWAY: Cassandra is excited to give away a free copy of her novel to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. (UPDATE: TheWritePlace won.) Read more
Thank you for all the golden shovels this summer! With more than 700 comments, I felt like I had to “dig out” of a pile of golden shovel amazing-ness. This form seemed … Read more
WD Has Awesome Writers’ Conferences in both NYC and LA in August 2014. The NYC Event Has a 50-Agent Pitch Slam!
As we do each year, Writer’s Digest is putting on some awesome (and HUGE) writers conferences on both coasts of the country. These conferences bring together writers from all over the country, and lead to all kinds of good things, like signing with agents, meeting your writer friends for life, keeping your finger on the pulse of the industry, and/or simply recharging your writing bat. Read on for more info. We hope to see you there. (The NYC event is from Aug. 1-3, 2014, while the LA event is from Aug 15-17, 2014.) Read more
After years of crisscrossing the country by car, plane, train, bus, and even on foot for stretches, one of my favorite modes of transportation remains the railroad. Yes, it can be a … Read more
BY SHENNANDOAH DIAZ Backstory is crucial to the novel writing process. It gives your character substance and drive while adding depth, history and realism to your fiction. It takes a great deal … Read more
She is seeking: She is excited about representing all genres of young adult and new adult fiction, as well as adult romance. While she is looking for all sub-genres of romance, she is especially interested in romantic suspense and urban fantasy. She is also on the lookout for fun picture books. She’s a fan of dual POVs, loves both print and ebooks, and has a soft spot for marketing-savvy writers. Read more
Fight scenes are dangerous territory for writers. On the surface, they seem as if they’re guaranteed to keep the reader glued to the action in the same way as they often do at the movies. In reality, though, readers tend to skip over fight scenes – skimming the long, tedious, blow-by-blow descriptions in favour of getting back to the dialogue and character-driven drama that truly engages them in the story.
My novel, Traitor’s Blade, is a swashbuckling fantasy in which fight scenes are a crucial part of the storytelling. This means having to ensure that every piece of action is vital and engaging; it means that every duel must draw the reader in and not let them go until the end. So how do you keep the pacing, flow, and more importantly, the drama moving forward with so many fights?
GIVEAWAY: Sebastien is excited to give away a free copy of his novel to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. (UPDATE: Mutineer won.) Read more
In each issue of Writer’s Digest magazine, we ask one reader to step into the role of the unconvinced, perhaps even curmudgeonly or fool-hearted editor. What harsh rejection letters might the authors of … Read more
I was ready. I had an edited manuscript. I had a tiered list of agents. I had a spreadsheet. I’d read every scrap of information about getting an agent, and I was prepared, at last, to submit my novel. The process could take months, maybe years, I’d heard. I was in for the long haul, baby. The good news is it didn’t take years to get an offer of representation. The even better news: That offer came in the form of four magic words, words I’d been told to wait for by all the experts: I love your book.
Not just a Facebook-worthy thumbs up, not a “I think I can sell this.” Love. The reason you wait for true love in publishing is because publishing requires it, and not just from the author. Remember the feverish crush that helped fuel your first draft? Your agent needs that same big-eyed reverence for your book to take it out to editors, hoping for another love connection. So how do you snag one of these lovey-doveys for yourself?
GIVEAWAY: Lori is excited to give away a free copy of her novel to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. (UPDATE: Christa4F won.) Read more
I’m a little under the weather today, but that won’t stop me from poeming. In fact, I’ll use it as inspiration for this week’s prompt. For this week’s prompt, write a tough … Read more
Today marks the 115th anniversary of Ernest Hemingway’s birth. In his lifetime, Papa had quite a lot to say about writing. Here are 18 of our favorite quotes, in no particular order. … Read more
She is seeking: Siobhan is actively seeking voice driven narratives whether Fiction, Memoir, or Non-Fiction. She holds a strong interest in Literary and Gothic Fiction, Horror, Paranormal, Adult Dystopian, Mystery/Crime, Thrillers (bonus points if they’re psychological), Historical, daring Young Adult, and narratives with philosophical undertones. For Memoir and Nonfiction titles, she seeks Investigative, True Crime, and dark/bizarre History. Siobhan enjoys the dark, macabre aspects of life where paranormal fiction and horror are viewed an under appreciated art forms deeply rooted in psychology, and looks for authors unafraid to delve into these inner workings of the human psyche. Read more
What All Agents Want in a Great Young Adult Novel — July 29 Webinar (With Critique) by Agent Carlie Webber
Teens are discriminating readers with a lot of demands on their time, so what can you do to ensure that your novel is the one they’ll all be dying to read? And does your book stand a chance at getting you an agent if it doesn’t have wizards, vampires, or a dystopian setting?
Literary agent Carlie Webber will share her ideas on what all agents want in a great YA novel, regardless of subject matter. The live webinar on July 29 will open with a presentation on what it means to write authentic YA voices, and will explain why crafting a YA voice is a different challenge from creating one for a tween or adult protagonist. After showing examples of strong voice, Carlie will show how setting, pacing, and tension all work with the voice to create a memorable novel. She’ll also talk about the elements that separate middle grade novels from YA, and YA from adult. Carlie will also address the art of writing controversial content, and the perennial question of how writers should – or shouldn’t – tackle YA literature trends.
This webinar will treat YA as an age range, not a genre, and it will include examples from contemporary and historical fiction, plus science fiction and fantasy written for ages 12-18. It all happens at 1 p.m., EST, Thursday, Tuesday, July 29, 2014, and lasts 90 minutes. Read more
3. Come in through the side door. If you are too on the nose, you lose your reader. Coming in through the front door means your piece is about exactly what it says it is about. But our pleasure in reading is figuring things out. Set up the writing so your reader gets to be smart; trust that she truly wants to figure things out. Write so that the words point to your point but don’t spell it out directly. Readers are brilliant. And powerful writing creates an envelop for the reader to slip into. When writing about despair and meaninglessness, start with a bug. When writing about transcendent love, start with something as unexpectedly to the side as a sandwich.
GIVEAWAY: Heather is excited to give away a free copy of her book, CHAPTER BY CHAPTER, to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. (UPDATE: Turtle8 won.) Read more
This is the final installment of a three-part series on nature and poetry by guest Daniel Roessler. If you’d like the opportunity to be a guest on this blog, send your ideas … Read more
Before we get to the prompt this week, a few things: first, don’t forget to write a golden shovel (or three) for the latest WD Poetic Form Challenge (click here for guidelines); … Read more