For many writers, when can't get their first novel published, they put it in a drawer and write a second one. Here, Gayle Abrams discusses the decision to put that first novel in the drawer and move on to book two, or to persevere with the first.
Despite long-standing aspirations of writing a book, initial successes with short stories and essays, and a healthy career in publishing, Andrea Jarrell published her first book at age 55. But of course, she got through it. Here, she shares her experiences and offers principles for achieving your writing goals.
Procrastination can be a writer's worst enemy. But here, Jenna Blum rethinks her approach to self-distraction and shares seven creative ways writers can productively procrastinate.
Script's Editor Jeanne Veillette Bowerman shares why screenwriters should take on the NaNoWriMo challenge by adapting backwards, screenplay to novel.
How does a writer create a character unlike themselves and give it a living, breathing personality? I’ll walk through these six steps that worked for me--and perhaps they’ll work for you.
Writing a story that has all the enticing elements of a screenplay in novel form can be a challenge, but if done right it can lead to a cinematic manuscript that's bound to catch the eye of agents and readers. Here are seven ways to take your eye for big screen...
Here are some reasons why cruising is a great way to spend a vacation that can lead to some excellent writing results.
Here's how to explore the functions of dialogue and narration in a scene, so that you can find the mix that’s right for your novel.
Here are 10 tips to keep your spirits up when writing about deeply emotional content.
The following is a brief rundown of the three most common POVs and the advantages and disadvantages of each.
The year I turned 20 I sat down and made out my bucket list, jotting down the decade birthdays—30th, 40th, 50th, and so on—and beneath each entry what I hoped to have accomplished by that date. Longevity not being a strong family trait, I figured I had maybe five decades to...
As a debut novelist who’s also a full-time nonfiction editor, I’ve tried hard to keep my editor and author hats separate. However, I’ve found that the two roles have intertwined more than I expected, and in ways that are surprisingly beneficial.
Writing the historical novel brings several unique challenges. Tailoring these techniques to your historical novel will help you capture and hold your readers’ attention.
Persuasive characters keep a good story aloft and your readers involved. So where do you find these characters? How do you make them breathe? Here are specific tips to help you create characters that will win over readers.
Here are seven excellent pieces of advice for fiction writers from bestselling author Margaret Atwood.
Knowing a few important details about your character can go a long way into giving him or her credibility and life.
Recognizing the subtle differences in writing emotion and writing feeling can help render both more powerfully on the page.
In New York Times bestselling author Peter James’s latest Detective Roy Grace novel, much of the narrative is from the point of view of antagonist Jodie Bentley, a psychopathic Black Widow systematically marrying rich men and killing them in the most sinister of ways. Here, Peter James lists his top five...
Dimensional characters are born from drama—not description. Here’s why (and how) to delve into your characterizations one defining scene at a time.
Here are a few things I learned along the way to writing a novel between stints as a copywriter.
Outlines based on set pieces and dramatic scenes, for instance, can cause your book to feel like a hopscotch of mandatory moments. But an outline of antagonism could help even pantsers.
For every way our first drafts fail, they get us farther down the road to success. Here's what you can learn from your first draft.
A battle scene in a novel can be a very powerful. Here is some novel writing advice about writing battle scenes.
While the list of persuasive elements is long, here are three small but crucial moves, things that narrators do when they most successfully convince us.
Every fiction writer has to write across gender lines. I should know. I’m a fantasy / science fiction writer, and though my stories are populated with vampires, robots, and space squids, there tend to be more than a few humans in the mix. Many of those humans end up being women....