In this interview, Kareem Abdul-Jabbar discusses his new bestseller, Becoming Kareem, a heartfelt memoir for young adult readers, as well as his writing process, the importance of reading and civil rights.
Writing a memoir means searching for what one has forgotten. It is easy enough to remember the larger outline of a time that has passed, but it is regrettably impossible to recall the minutiae that capture the very essence of that former experience. Here's what you can do to call...
Static author websites are great, and you’d be crazy not to have one. But starting an author blog is a different (and often tragic) story. In fact, your author blog might even kill your writing. There are hundreds of authors who started blogs, churned out posts for a year, and let...
This extensive interview with author and journalist Tom Wolfe, who passed away on May 14, 2018, appeared in Writer's Digest in 1974, shortly before the publication of Wolfe's iconic book The Right Stuff.
In this second in a series about the impact of the #MeToo movement on how and what women write, Leigh Anne Jasheway focuses on women who write and publish comedy and satire.
Writing from multiple POVs allows you to zip around to new settings, cut away from scenes, leave cliffhangers unresolved for longer in ways that don’t work as well if you’re following one character’s perspective through the whole thing. Here are a few tips for getting started.
In this episode of the Writer’s Digest Podcast, author and comedian Laurie Kilmartin discusses writing comedy and jokes that keep your audience laughing, balancing the specific tug-of-war between writing for your job and writing for yourself, and combining humor and death in a way that’s both funny and poignant.
David Barclay Moore is an award-winning author whose novel, The Stars Beneath Our Feet, has been optioned for film, set to be brought to the screen by actor/director Michael B. Jordan and Endeavor Content. Here we talk to David Barclay Moore about writing, publishing, and the film adaptation of the novel.
In this exclusive extended interview with short-form master George Saunders, the globally acclaimed author dishes on inventive structure, reveals why he’s wary of outlines and talks novel-length success with Lincoln in the Bardo.
The latest issue of Writer’s Digest features four veteran comedians who shared their thoughts on what writers of every genre can glean from stand-up. To explore just a few of their comedy writing tips and see their joke-telling acumen in action, we’ve included some of their advice here, plus a video clip...
Writer’s Digest would like to congratulate the winners of the 18th Annual Short Short Story Competition. Each year, writers submit their very best short stories of 1,500 words or fewer.
Writer’s Digest would like to congratulate the winners of the 18th Annual Short Short Fiction Competition. Each year, writers submit their very best short stories of 1,500 words or fewer. This year, “Beneath the Cracks” by Nicole Disney bested more than 3,000 entries. Read a Q&A with her here.
Writer’s Digest would like to congratulate the winners of the 18th Annual Short Short Story Competition. Each year, writers submit their very best short stories of 1,500 words or fewer. This year, “Beneath the Cracks” by Nicole Disney bested more than 3,000 entries. Read the story here.
Scott Dikkers, founder of the satirical news publication The Onion, is the master of writing satire. Here, he discusses the role of in today's challenging sociopolitical atmosphere.
Politics can be a contentious topic to address in any scenario these days—but that doesn't mean you should avoid including politics in fiction if the story warrants it. Here, Aimee Agresti offers her best tips for writing about politics in a novel.
Not only has Alex Segura's book Blackout earned attention from the crime fiction community far and wide, but his Pete Fernandez Miami Mystery novels—which include Silent City, Down the Darkest Street and Dangerous Ends—have recently been optioned for TV.
No matter how varied we try to make a career, how much we try to think outside the box, the marketplace will seek to pigeonhole us. Here, Tim Wendel offers tips for publishing outside your usual genre.
There has been an impressive build-up in Young Adult literature to present-day concerns. Camilla chance discusses in light of her own work.
Sloane Crosley can coax humor from the unlikeliest of depths, whether it’s a good line from your locksmith or avenging a childhood slight during a pride parade.
Learning magic taught Michael Kardos several important lessons about performance and technique that have served him well when writing suspense.
Selling a screenplay is no easy task. Ray Morton shares advice on how to increase your screenplay's commercial potential to help you choose the best stories to put on the page.
If you feel strongly about a topic, should you incorporate politics in fiction writing? The choice is deeply personal, but here, Nina Sadowsky makes a case for taking a stand in your work.
In a competitive industry, it’s easy to feel like publishers hold all the power. But the truth is they need good content—and writers have a right to not be fleeced. Here are some situations when the best option just might be to walk away from that book contract or that freelance...
Blending fact and fiction isn’t a new idea in business books and management literature, but here Chris McGoff offers a multifaceted approach to story-telling, graphic illustration, and practical advice.
Making time to read and write with your kids can not only encourage your young writers to flex their creative muscles—it can also help you find time to work on your own passion projects.