You can run, but you can’t hide: Talk of Fail Whales, talk of Ashton vs. CNN, talk of how you found out your sibling is engaged through a revelatory 140-character missive, and so on—anything and everything, all the time.
What do you think of Twitter?
While it can be a force of evil—think unnecessary info dump overload—I think it can indeed be a positive tool in your writing arsenal if you devote time and a benefit-oriented approach to your posts. (In our May/June 2009 issue we ran a guide to social networking that offers tips on how writers can max out their use of Twitter, Facebook and LinkedIn. Click here to check it out for free.)
Or, if you’re like me and not directly on Twitter, there can be a lot to gain from other people’s Tweets. Our publisher and editorial director, Jane Friedman, runs a great (and I’m not just on the hunt for a raise) roundup series on the Best Tweets for Writers, downsizing for us the massive task of sifting the gold out of Fail Whales, "watching Nick@Nite" updates and Ashton Kutcher wars.
Speaking of bad Tweets … what form might the absolute worst take, and how might it spread like a virus?
PROMPT: Worst Tweet Ever?
In 500 words or fewer, funny, sad or stirring, feel free to post your story in the Comments section of the blog:
Write a scene about the fallout from one of the worst Tweets ever. Or, simply draft a few of the worst Tweets ever.
Also, the October issue of WD is now on newsstands. Check out our community issue here, featuring writing forums, online collectives, bestsellers riffing on writers’ organizations, and even the keys to making the most of a nightmare conference. What’s worth your time these days?