In this exclusive extended interview with short-form master George Saunders, the globally acclaimed author dishes on inventive structure, reveals why he’s wary of outlines and talks novel-length success with Lincoln in the Bardo.
Publishing contracts are as varied as book genres. It’s easy for an author hungry to be published to be blinded by any contract’s lure, to the potential detriment of their career and their hard-fought creative work. Here are three things to look out for.
Not only has Alex Segura's book Blackout earned attention from the crime fiction community far and wide, but his Pete Fernandez Miami Mystery novels—which include Silent City, Down the Darkest Street and Dangerous Ends—have recently been optioned for TV.
Many writers are paralyzed at the prospect of pitching their stories, but Script's editor, Jeanne Veillette Bowerman, wants to push you past those fears with concrete tips on how to successfully pitch agents at pitching events.
No matter how varied we try to make a career, how much we try to think outside the box, the marketplace will seek to pigeonhole us. Here, Tim Wendel offers tips for publishing outside your usual genre.
Adult and YA literary agent Heather Flaherty is accepting submissions. Learn what she's interested in and how you can submit.
There has been an impressive build-up in Young Adult literature to present-day concerns. Camilla chance discusses in light of her own work.
In a competitive industry, it’s easy to feel like publishers hold all the power. But the truth is they need good content—and writers have a right to not be fleeced. Here are some situations when the best option just might be to walk away from that book contract or that freelance...
For writers—particularly those who write memoirs—memory can be the medium and ultimately also the message when a story, event or feeling emerges from the darkness into the light of conscious knowing. But what happens when a memoirist can't remember?
Blending fact and fiction isn’t a new idea in business books and management literature, but here Chris McGoff offers a multifaceted approach to story-telling, graphic illustration, and practical advice.
Writers House Literary Agent Lindsay Auld is looking for picture book, middle-grade, and young adult manuscripts. She particularly loves mystery, fantasy, adventure, historical fiction, nonfiction from a fresh perspective, and stories with humor—light or dark or both.
New Literary Agent Alert: After 15 years of working together selling rights for the Perseus Book imprints, Jennifer Thompson and Isabelle Bleecker decided to set up their own agency—Nordlyset Literary Agency—with partner Nathan Vogt.
Here are five habits that debut author Tina Lecount Myers cultivated along the way to go from NaNoWriMo to published author.
Mark Gottlieb grew up surrounded by literary genius. He is now a top selling literary agent who is actively building his client list at Trident Media Group. Here Mark offers publishing insight and advice to aspiring authors.
Hand over the glitter, the construction paper and the creative half of your brain, and let’s talk about seven common query letter strategies that are terrible, no good, very bad ideas, so you can learn from those who’ve made these mistakes.
The #MeToo movement has profoundly influenced women’s writing. Learn how, from the voices of authors who have felt this change—and share your stories.
Having trouble writing action scenes that work? Check out these tips fron Diana Gill to learn how to write action scenes that are better, faster and stronger.
Knowing how to present your writing well in public readings only helps people get to embrace you and your writing on page. And so here are ten essential tips on how to bring the performance to the next level.
Jeff Somers takes a moment to contemplate the utility (or lack thereof) of using word count as a progress bar in a book. He discusses the fact that his first published novel was far from oft-cited word counts for viable novels, and the fact that forcing yourself to write words you’re just...
Ashley Woodfolk is the debut author of the new book The Beauty That Remains. Here, she talks about what inspired the book, what's selling in today's book market, writing about grief, and crafting strong beginnings.
6 Breaking In authors discuss the makings of their author platforms—or lack thereof—and how they best connect with readers.
Feel the thunderous reverberations of authors and industry pros working to broaden our perspectives—as writers and readers alike. Plus, learn how underrepresented voices are rising in the writing world.
We asked publishing insiders to share book recommendations that they hoped more people would read, period. Here is a selection of their recommendations, beyond those of the authors profiled in print in our May/June 2018 “Roar” roundup.
With Twitter-based pitch events such as #PitchWars and #PitMad so immensely popular, it’s only fitting that #DVpit has now joined their ranks. Created in 2016 by agent Beth Phelan, the hashtag aims to “showcase pitches from marginalized voices that have been historically underrepresented in publishing.”
Penny Moore’s brainchild is the new online directory Literary Agents of Color — which includes bios and submission guidelines for around 50 such agents, and growing.