Like most unpublished writers, I believed that there were only two paths to getting my words and thoughts before the world’s readers. I could go the traditional route of sending out query letters, and hope my brilliant writing would be plucked from the slush pile on a discerning agent’s desk. She would then successfully pitch it to an editor, and a lucrative contract would follow.
Column by John Keyse-Walker, author of SUN, SAND MURDER
(Sept. 2016, Minotaur Books). John practiced law for thirty years
before retiring and commencing his writing career. He is an avid
salt- and freshwater angler, tennis player, kayaker, and an
accomplished cook. He has travelled extensively both inside and
outside the US. He and his wife, Irene, live part of the year in Ohio
and part in Florida. SUN, SAND MURDER, his first novel, is the
winner of the 2015 Minotaur Books/Mystery Writers of America
First Crime Novel Award. Connect with him on Facebook.
Or I could do it all myself—cut agent, editor, and publisher out of the process, cast my words on the electronic wind, and hope that my own editing and marketing efforts would cause readers to pick my work from the Amazon river of self-published authors.
Neither course seemed particularly attractive, and I didn’t feel like one was more likely to succeed than the other. But then I learned of another method available to land that publishing contract with one of the big traditional New York publishers—entering a writing contest. In the genre of mystery and crime fiction, the area I am most familiar with, it was the path to publication taken by authors Stefanie Pintoff, C. B. McKenzie, Les Roberts, Doug Corleone, Linda Rodriguez, Donna Andrews, Eleanor Kuhns, Mary Miley Theobald, Christine Barber, and Tricia Fields, to name a few.
It was also my route to publication. After a try using the time-honored agent-query-send-some-pages-not-for-me method, I entered the Mystery Writers of America/Minotaur Books First Crime Novel Competition and won the 2015 award. The prize was a $10,000 advance and a publishing contract with Minotaur Books, the U.S. mystery/crime imprint of international publishing giant Macmillan—my first book, SUN, SAND MURDER, released on September 13. The contest win opened a number of doors; I now have an agent, a second book written, and a third in process.
The MWA contest I won is not the only one available to the unpublished writer. Even considering only the mystery/crime fiction field, there are a fair number of contests that offer publication to the winner, including the Tony Hillerman Prize, Malice Domestic, and Private Eye Writers of America. There are also contests for romance, children’s, and literary fiction writers. Dig a little and you will probably find contests in your specific genre that have a publishing contract as the prize.
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I’ve heard some writers say contests are a waste of effort because the odds of success are too long, with thousands of entries in each. That is not the actual case. There are surprisingly modest numbers of entries in most contests. The MWA First Crime Novel contest usually receives just shy of four hundred entries. The Hillerman Prize usually sees around two hundred. Those odds are certainly no worse than the ones faced in most literary agent’s slush piles, and may be better. Also, keep in mind that contests are not about who can write the best query letter, the factor on which most opportunities with literary agents hinge. In contests, the judges, usually writers and editors, actually read your work, or at least some of it. If query letters are not your strong suit, a contest may be the way to go.
Perhaps the best kept secret about contests is that you don’t need to win in order to receive a publishing contract. While most contests have only a single formal winner, and many do not name who the finalists are, those who make the final cut are read by editors/judges in the sponsoring publishing houses, and are sometimes offered contracts even if they don’t win. I personally know of one author who followed this route to a first contract and who has gone on to multiple contracts since that time. And even if you don’t get a contract the first time around, those who read your work may like what they see, and remember you the next time your name or your work is in front of them.
So if you are trying to find your way through the crowds of writers to a publishing contract with a traditional publisher, consider taking the third path—enter a contest. The result may change your writing life.
Check Out These Great Upcoming Writers’ Conferences:
- Sept. 9, 2016: Sacramento Writers Conference (Sacramento, CA)
- Sept. 10, 2016: Writing Workshop of San Francisco (San Francisco, CA)
- Sept. 10, 2016: Chesapeake Writing Workshop (Washington, DC)
- Oct. 28-30, 2016: Writer’s Digest Novel Writing Conference (Los Angeles, CA)
- Nov. 5-6, 2016: ShowMe Writers Masterclass (Columbia, MO)
- Nov. 19, 2016: Las Vegas Writing Workshop (Las Vegas, NV)
- Feb. 26 – March 3, 2017: Writers Winter Escape Cruise (conference/cruise departing Miami)
Your new complete and updated instructional guide
to finding an agent is finally here: The 2015 book
GET A LITERARY AGENT shares advice from more
than 110 literary agents who share advice on querying,
craft, the submission process, researching agents, and
much more. Filled with all the advice you’ll ever need to
find an agent, this resource makes a great partner book to
the agent database, Guide to Literary Agents.
Other writing/publishing articles & links for you:
- 6 Rules For Writing A Medical Thriller.
- Agent Spotlight: Holly Lorincz (MacGregor Literary Agency) seeks Historical Romance, Westerns and Fiction.
- How I Got My Literary Agent: Maria Mutch (Memoir).
- How I Sold My Supernatural Thriller By Matt Manochio.
- Follow Chuck Sambuchino on Twitter or find him on Facebook. Learn all about his writing guides on how to get published, how to find a literary agent, and writing a query letter.