In his 13 years as a lawyer, Raffi Yessayan, a Boston native, has worked as a prosecutor for the district attorney and served as chief of the Gang Unit. But no challenge has been quite as exhilarating for this debut author as writing his first thriller, Eight in the Box, about a serial killer...
Ken McBeath's "The Fish Ivory Man" took first place in the Mystery/Crime category of the 2008 Writer's Digest Popular Fiction Awards. To read the grand-prize winning entry and other first-place finishers, click here.
Richard Mazziotti's "Brother's Keeper" took first place in the Suspense/Thriller category of the 2008 Writer's Digest Popular Fiction Awards. To read the grand-prize winning entry and other first-place finishers, click here.
Each year International Thriller Writers lines up some of the biggest names in publishing for four days of learning, networking and pitching in New York City. ThrillerFest 2008 actually consists of three events. At ThrillerFest, avid thriller readers and writers can mingle with their favorite New York Times-bestselling authors, including James Patterson, Sandra Brown,...
With Jessica Page Morrell's Bullies, Bastards & Bitches, you'll be able to tap into your story’s dark side by creating realistic and memorable anti-heroes, villains, antagonists, and difficult protagonists.
Anti-heros are the bastards of fiction—those bad guys readers love to hate and hate to love. Find out whats makes a memorable anti-hero tick in this excerpt from Bullies, Bastards & Bitches by Jessica Page Morrell.
If you want to write a good sentence, don’t pay any attention to your grammar. I don’t mean “a sentence this like OK is.” I mean don’t automatically think you’ve written a good sentence just because it’s grammatically correct. Lots of bad sentences are grammatically correct....
In this excerpt from Writing Life Stories, Bill Roorbach teaches you how to pay attention to and translate your memories and how to overcome your resistance to remembered places and events.
Who says publishing is a young person’s game? Here are an agent’s tips for writing and publishing well into your golden years.
By Scott Hoffman
What’s hot in Mystery/ Crime, Romance, Horror, Thriller/ Suspense and Science Fiction/ Fantasy? Find out in this comprehensive genre-by-genre market report.
PLUS: A breakdown of fiction sub-genres and their definitions.
5 Tips To Polish Your Fiction
"I was afraid he was going to want to write, and he was terrified I was going to make him write."
What is Suspense?
Alexander McCall Smith's wildly popular novels prove that you can channel your imagination through any character, no matter how different he (or she) is from you.
17 ways to add surprise to each page of your novel and keep your readers hooked.
A short story about a mother''s revenge wins grand prize in the 2003 Writer''s Digest Annual Writing Competition.
These big-picture writing errors might make you cringe with recognition. But shake it off: Bestselling novelist Jerry B. Jenkins will help you fix them.
by Jerry B. Jenkins
Craft vicious villains with this psychiatrist's guide to writing bad guys with real problems.
Mary Feuer's short story follows an obsession that's dark, detailed and devastatingand worthy of this year's grand prize.
Capture your readers' interest at the very first paragraph.
Dean Koontz has kept a lot of people turning a lot of pages. How? Most would respond that his plots, characters and storytelling all contribute, and indeed they do. But a fourth element keeps those pages turning, an element all writers can learn from. Koontz explains to interviewer Brad Crawford about the power of...
Award-winning author Orson Scott Card explains in depth the techniques of inventing, developing, and presenting characters and of handling viewpoint in novels and short stories. Here are some general thoughts all writers can benefit from.
Writing a bestselling, Oprah-endorsed novel doesn't necessarily prepare you for the world of children's literature, as Jacquelyn Mitchard discovered.
Exclusive interview with four-time Edgar Award nominee, Jeffery Deaver.
"In large measure, you do this work because you need to do it ... you're inventing material that makes your experience somehow both accessible to you and reasonable to you so that you understand where you have been in your life."