Without giving away too much of the book, I can explain some of the choices I made in crafting Narby as a credible, effective, even sympathetic protagonist, despite the gaping flaws in his character.
Recognizing the subtle differences in writing emotion and writing feeling can help render both more powerfully on the page.
BY MEGAN KRUSE I was eighteen when I met my friend Katie at a summer camp in Washington. I must have been doing some work then, but even now it seems that my main occupation was trying to romance the other counselors, to grow friends and loves like wildflowers around me. The day we...
BY ELIZABETH SIMS What’s in a character’s name? Everything. Here’s how you, the writer, can master the neglected art of moniker-making.
According to bestselling authors JT Ellison, Alex Kava and Erica Spindler, there are 5 key ways to make your heroine shine. Here they are.
by Jessica Strawser, reporting from ThrillerFest 2010 (New York City)