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    <title>Screen/Stage</title>
    <description><![CDATA[Screen/Stage]]></description>
    <link>http://www.writersdigest.com/rss.aspx?p_PageAlias=ScreenStage</link>
    <language>en-us</language>
    <pubDate>Fri, 20 Nov 2009 07:04:33 GMT</pubDate>
    <lastBuildDate>Fri, 20 Nov 2009 07:04:33 GMT</lastBuildDate>
    <item>
      <title>Does Your Screenplay Need a Treatment or a Synopsis?</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=8055</link>
      <description><![CDATA[A treatment or a synopsis can be an indispensable tool, both for writing and marketing a screenplay. In this article, we&rsquo;ll look at the relationship between the treatment, synopsis, summary, logline, scene cards and coverage. A synopsis can be a story guide for writing your screenplay, or be written afterwards as part of your film&rsquo;s press kit. So, how do you write a good synopsis? First you have to know the basics.<br />
<br />
<em>by Robin Rowe</em>]]></description>
      <pubDate>Mon, 30 Jun 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=8055</guid>
    </item>
    <item>
      <title>Television Showrunners</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=8529</link>
      <description><![CDATA[Not all television executive producers are showrunners. The title isn&rsquo;t even listed on credits. What does a showrunner do and how do you become one? <br />
<br />
<em>by Robin Rowe</em>]]></description>
      <pubDate>Mon, 28 Jul 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=8529</guid>
    </item>
    <item>
      <title>Screenplay Checklist</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=5771</link>
      <description><![CDATA[<b>Six questions to ask to determine if your story has the basic ingredients for a great script.</b>]]></description>
      <pubDate>Mon, 11 Feb 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=5771</guid>
    </item>
    <item>
      <title>77th Annual Writer&amp;rsquo;s Digest Writing Competition Winners</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=10527</link>
      <description><![CDATA[Grand-prize winner Jacob M. Appel&rsquo;s comedic stage play puts a wife and a mistress at odds over one man, but for very different reasons. <br />
<br />
<em>by Jessie Gridley</em>]]></description>
      <pubDate>Mon, 03 Nov 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=10527</guid>
    </item>
    <item>
      <title>Script CPR: Cut, Polish, Revise</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=5663</link>
      <description><![CDATA[<i>You don't have to be a script doctor to know how to fix a script that isn't working. Here's some first aid for scriptwriters.</i>]]></description>
      <pubDate>Mon, 11 Feb 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=5663</guid>
    </item>
    <item>
      <title>10 Final Draft Shortcuts</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=5339</link>
      <description><![CDATA[<b>Get the most out of the best-selling software for screenwriters with these tips and tricks for unlocking the power of Final Draft</b>]]></description>
      <pubDate>Mon, 11 Feb 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=5339</guid>
    </item>
    <item>
      <title>An Insider's Peek at Breaking Into Hollywood</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=5276</link>
      <description><![CDATA[<b>Have you dreamed of writing movie scripts? Listen to award-winning author and Tinseltown insider <b>John Morgan Wilson</b>]]></description>
      <pubDate>Mon, 11 Feb 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=5276</guid>
    </item>
    <item>
      <title>The WD Interview: Diablo Cody</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=7953</link>
      <description><![CDATA[After taking home the Oscar for her very first screenplay, stripper- turned- memoirist- turned- screenwriter Diablo Cody is ready for her close-up. <br />
<br />
<em>By Chad Gervich</em>]]></description>
      <pubDate>Tue, 24 Jun 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=7953</guid>
    </item>
    <item>
      <title>Turning a Novel into a Screenplay</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=8209</link>
      <description><![CDATA[Let&rsquo;s face it: A novel and a screenplay are two very different creatures. It&rsquo;s like comparing a housecat with a bobcat&mdash;both are cats, but one you want curled up on your lap and the other, not so much.<br />
<br />
<em>by John Folsom</em>]]></description>
      <pubDate>Wed, 09 Jul 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=8209</guid>
    </item>
    <item>
      <title>The WD Interview: George Pelecanos</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=9026</link>
      <description><![CDATA[Having scribed detective novels and written for HBO&rsquo;s &ldquo;The Wire,&rdquo; George Pelecanos knows what it takes to get down and dirty for his own brand of social crime fiction.<br />
<em><br />
by Jordan E. Rosenfeld</em>]]></description>
      <pubDate>Mon, 25 Aug 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=9026</guid>
    </item>
    <item>
      <title>And the Oscar Goes To...</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=5665</link>
      <description><![CDATA[<b>Get the inside word on how three scriptwriting programs measure up.</b>]]></description>
      <pubDate>Mon, 11 Feb 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=5665</guid>
    </item>
    <item>
      <title>Being an Author in Hollywood</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=7548</link>
      <description><![CDATA[Trying to make a living writing books is difficult, so a word of advice to anyone who&rsquo;s planning a move to Los Angeles: Stay right where you are.<br />
<br />
<em>by Marc Weingarten</em>]]></description>
      <pubDate>Tue, 03 Jun 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=7548</guid>
    </item>
    <item>
      <title>Aaron Sorkin</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=5118</link>
      <description><![CDATA[<b><I>The West Wing</I>'s Emmy-winning writer explains the "barometer of artistic integrity."</b>]]></description>
      <pubDate>Mon, 11 Feb 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=5118</guid>
    </item>
    <item>
      <title>The Ins and Outs of Hollywood</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=5434</link>
      <description><![CDATA[<b>Are you a screenwriting rookie trying to make the movies major leagues? Be a hit in Hollywood with these 15 ins and outs of the industry.</b>]]></description>
      <pubDate>Mon, 11 Feb 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=5434</guid>
    </item>
    <item>
      <title>From Idea To Script</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=8154</link>
      <description><![CDATA[Here&rsquo;s how to turn your promising concept into a screen-worthy script.<br />
<br />
<em>by Jurgen Wolff</em>]]></description>
      <pubDate>Tue, 08 Jul 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=8154</guid>
    </item>
    <item>
      <title>Landing a Hollywood Script Agent</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=5424</link>
      <description><![CDATA[<b>Agents of any stripe are tough to catch, but if you want to get the best deal for your script, you'll need a script agent. Here's how you can reel one in. </b>]]></description>
      <pubDate>Mon, 11 Feb 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=5424</guid>
    </item>
    <item>
      <title>The Mistress of Wholesome</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=10117</link>
      <description><![CDATA[Jacob M. Appel's &quot;The Mistress of Wholesome&quot; by&nbsp; took the grand prize in our 77th Annual Writer's Digest Writing Competition. Read his winning entry here.]]></description>
      <pubDate>Fri, 10 Oct 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=10117</guid>
    </item>
    <item>
      <title>Interview With An Author: Moving From Scripts to Novels</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=5515</link>
      <description><![CDATA[<b>James Manos Jr. shares his experiences with the ups and downs of writing his first novel, <i>Little Ellie Claus</i> (Pocket Books; $15.95). Manos, who won a 1999 Emmy Award for writing for a dramatic series for the "College" episode of <i>The Sopranos</i>, also discusses the differences between writing a novel and penning a screenplay.</b>]]></description>
      <pubDate>Mon, 11 Feb 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=5515</guid>
    </item>
    <item>
      <title>Script Submissions: What One Producer Wants</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=5726</link>
      <description><![CDATA[<b>Producer Jonathan Treisman talks about his Hollywood experience.</b>]]></description>
      <pubDate>Mon, 11 Feb 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=5726</guid>
    </item>
    <item>
      <title>The Secret to Your Script''s Success</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=5666</link>
      <description><![CDATA[The Secret to Your Script''s Success]]></description>
      <pubDate>Mon, 11 Feb 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=5666</guid>
    </item>
    <item>
      <title>First Success: Gigi Levangie Grazer's Rescue Me</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=5394</link>
      <description><![CDATA[<b>Gigi Levangie Grazer, a screenwriter whose original screenplay <i>Stepmom</i> became a movie starring Julia Roberts and Susan Sarandon, is celebrating the release of her first novel Rescue Me (Simon & Schuster). Grazer talks to <i>Writer's Digest</i> about her inspiration, plans for her next project and her various writing habits and rituals.</b>]]></description>
      <pubDate>Mon, 11 Feb 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=5394</guid>
    </item>
    <item>
      <title>Book-To-Film Adaptation Tips</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=8208</link>
      <description><![CDATA[Douglas Preston, who frequently collaborates with Lincoln Child (they've penned 11 novels together and are best known for their Agent Pendergast series), recently shared his thoughts on adaptations, specifically the 1997 movie adaptation of their first Pendergast novel, <em>Relic</em>.<br />
<br />
<em>By John Folsom</em>]]></description>
      <pubDate>Wed, 09 Jul 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=8208</guid>
    </item>
    <item>
      <title>Screenplay Checklist</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=5662</link>
      <description><![CDATA[<b>Use these 12 questions to see if your story could make it as a script</b>]]></description>
      <pubDate>Mon, 11 Feb 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=5662</guid>
    </item>
    <item>
      <title>What Producers Want</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=8207</link>
      <description><![CDATA[Producer Lynda Obst loves literature. She&rsquo;s shepherded five novels to the big screen with more in the works. So, what does the producer of films like <em>Contact</em>, <em>How Lose A Guy in Ten Days</em>, and <em>The Fisher King</em>, look for when reading a book or article?<br />
<br />
<em>By John Folsom </em>]]></description>
      <pubDate>Wed, 09 Jul 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=8207</guid>
    </item>
    <item>
      <title>The Dirty Dozen</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=5305</link>
      <description><![CDATA[<b>Scripts columnist Cynthia Whitcomb explains the "dirty dozen" of producer/director Tony Bill. These 12 easy-to-follow rules could make the difference between a script sold or scrapped.</b>]]></description>
      <pubDate>Mon, 11 Feb 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=5305</guid>
    </item>
    <item>
      <title>Donald P. Bellisario</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=5177</link>
      <description><![CDATA[<b>Even after suceeding with old favorites such as <I>Magnum P.I.</I> 
					and <I>Quantum Leap</I>, this writer and producer is flying to new heights with <I>JAG</I>.</b>]]></description>
      <pubDate>Mon, 11 Feb 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=5177</guid>
    </item>
    <item>
      <title>Online Exclusive: An Interview with Indiana Jones Scribe David Koepp</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=7857</link>
      <description><![CDATA[With blockbusters like <em>Spider-Man</em>, <em>Jurassic Park</em>, <em>Mission: Impossible</em> and the newest installment of Indiana Jones under his belt, you'd think scriptwriter David Koepp holds the secret to Hollywood success. And in some ways, he does. <br />
<br />
by Patrick McGilligan]]></description>
      <pubDate>Tue, 17 Jun 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=7857</guid>
    </item>
    <item>
      <title>Excerpt of "The Snowmen"</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=5695</link>
      <description><![CDATA[Excerpt of "The Snowmen"]]></description>
      <pubDate>Mon, 11 Feb 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=5695</guid>
    </item>
    <item>
      <title>Mobisode Writing Could Put Extra Cash in Your Pocket</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=7863</link>
      <description><![CDATA[Looking around at the proliferation of TV shows and movies, you might not think there&rsquo;s anywhere entertainment vendors could squeeze in their products. But there is&mdash;and they&rsquo;re looking for writers to help.<br />
<br />
<em>by John Scott Lewinski</em>]]></description>
      <pubDate>Mon, 23 Jun 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=7863</guid>
    </item>
    <item>
      <title>Anita M. Busch: Hollywood Reporter Editor</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=5216</link>
      <description><![CDATA[<b>The words "writer in Hollywood" conjure images of screenwriters accepting Academy Awards and hobnobbing with movie stars. But to Anita M. Busch, editor of <i>The Hollywood Reporter</i>, writing is as much about power plays as it is about screenplays.</b>]]></description>
      <pubDate>Mon, 11 Feb 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=5216</guid>
    </item>
    <item>
      <title>Interview with Amy Sherman-Palladino</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=5680</link>
      <description><![CDATA[<b>The executive producer and writer for <i>Gilmore Girls</i>, Amy Sherman-Palladino explains the ins and outs of being a television writer. Here's a little of what this award-winning scriptwriter has to say.</b>]]></description>
      <pubDate>Mon, 11 Feb 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=5680</guid>
    </item>
    <item>
      <title>Ask the Professor</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=5494</link>
      <description><![CDATA[<b>Want the inside scoop on submission protocol, finding an agent and other scriptwriting mysteries? The professor is in.</b>]]></description>
      <pubDate>Mon, 11 Feb 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=5494</guid>
    </item>
    <item>
      <title>Select the Perfect Script Software</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=5664</link>
      <description><![CDATA[<b>There are nine different script formatting programs available on the market today. 
					Use our guide to discover which one is right for you.</b>]]></description>
      <pubDate>Mon, 11 Feb 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=5664</guid>
    </item>
    <item>
      <title>Interview: Pay It Forward's Leslie Dixon</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=5307</link>
      <description><![CDATA[<b>Prolific, yet humble, Leslie Dixon continues to make her mark.</b>]]></description>
      <pubDate>Mon, 11 Feb 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=5307</guid>
    </item>
    <item>
      <title>Scripting Unscripted Television</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=5372</link>
      <description><![CDATA[<b>While reality TV shows don't require scripts, it doesn't mean they don't have storytelling. Here's how writers function in a reality genre that, in theory, doesn't need writers.</b>]]></description>
      <pubDate>Mon, 11 Feb 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=5372</guid>
    </item>
    <item>
      <title>Great Endings</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=5395</link>
      <description><![CDATA[<b>You can craft all the Oscar-winning dialogue you want, but if your last scene isn't up to snuff, your movie won't make it.</b>]]></description>
      <pubDate>Mon, 11 Feb 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=5395</guid>
    </item>
    <item>
      <title>Collision Course</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=5403</link>
      <description><![CDATA[<b>Layer plot lines and characters to give your play the substance it needs to be a full-length production. </b>]]></description>
      <pubDate>Mon, 11 Feb 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=5403</guid>
    </item>
    <item>
      <title>Bill Lawrence</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=5501</link>
      <description><![CDATA[<b>From politicians to doctors, the co-creator of <I>Spin City</I> starts up his newest sitcom, 
					<I>Scrubs</I>, under the spotlight of Thursday prime time.</b>]]></description>
      <pubDate>Mon, 11 Feb 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=5501</guid>
    </item>
    <item>
      <title>THIS WRITER'S LIFE: The Not-So-Silver Screen</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=5596</link>
      <description><![CDATA[<b>Our bestselling author reveals what it's really like to have a book adapted into a film, and why she continues to sign away her rights.</b>]]></description>
      <pubDate>Mon, 11 Feb 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=5596</guid>
    </item>
    <item>
      <title>And the Winner Is ...</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=5538</link>
      <description><![CDATA[<i>The grand-prize winner of the 2003 American Screenwriters Association/             </i>Writer''s Digest<i> International Screenplay Competition talks about teaching herself how to write a winning script.</i>]]></description>
      <pubDate>Mon, 11 Feb 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=5538</guid>
    </item>
    <item>
      <title>Alfred Gough</title>
      <link>http://www.writersdigest.com//article/?p_ArticleId=5392</link>
      <description><![CDATA[<b>Al Gough and Miles Miller have written some super shows and movies. 
					Now they expand their talents to their own TV series, <I>Smallville.</I></b>]]></description>
      <pubDate>Mon, 11 Feb 2008 00:00:00 GMT</pubDate>
      <guid>http://www.writersdigest.com//article/?p_ArticleId=5392</guid>
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