How to Write What You Know – And Then Change the Story

A popular school of thought in writing is to write what you know. This adage can ignite fear in the most ingenious writer. What if your life story isn’t nearly exciting enough to create an entire novel, let alone hope to sell thousands of copies of it? Having lost my childhood to domestic violence, I hesitated to follow this doctrine for my own reasons. Not only was I unwilling to share my history with the world but I abhorred the thought of filling pages with gratuitous violence. My good friend and editor, Benee, convinced me otherwise. She insisted it was a story I could tell.


SejalBadani_Headshot-featuredThis guest post is by Sejal Badani. A former attorney, Badani left the law to pursue writing full time. She was an ABC/Disney Writing Fellowship and CBS Writing Fellowship Finalist.

When not writing, she loves reading, biking along the ocean, traveling and trying to teach her teacup Morkie not to hide socks under the bed (so far she has been completely unsuccessful).

Bruce Springsteen, Beyonce, and Ed Sheeran are always playing in the background.


 

Persuaded by her words, I re-purposed the emotions of my past and created a story. Fact surrounded by fiction. Dialogue intermingled with emotional charge. Characters I had never met but knew so well filled the pages. I walked a fine balance between truth and the tale. It was both cathartic and frightening to spill my secrets in a story in which the characters were hiding theirs. It was a story about what I knew. Trail of Broken Wings went on to be my first published novel.

1. Take an event or moment in your life as the starting point for a new story.

[Like tip #1? Click here to Tweet and share it!]

Focus on the action and then your reaction. The reactions – fear, jealousy, compassion, love, etc. – are the universal threads that will connect you to readers.

2. Give yourself the freedom to create.

Build a new world around the one you already know. For example, if your event is a life-changing miracle surgery, then transport the physician and patient to another country. Put the characters in a village with no medical supplies or hope for survival. Build a cast of personalities that become both allies and antagonists on the hero’s journey. The emotions are heightened and every reaction significant. One event – the surgery – takes on a new life when transplanted to a unique world.

[Here Are 9 Practical Tricks for Writing Your First Novel]

3. If the characters feel too personal, change them up.

Give them a habit or personality trait that defies the norm. An astronaut who hates to fly. A nervous tick or obsessive-compulsive behavior. When I began writing Trail of Broken Wings my editor Benee asked me to write a five page biography of each character in detail. From their habits to their mannerisms. Worried they were too close to home I started playing around and gave them unique traits. Soon enough I had four new protagonists who were familiar but distinctive.

12days-640

4. Don’t be afraid if the story ventures too close to the truth or very far from it.

Rely on the character’s journey and story arc to weed out events that don’t move the story forward. If a scene or interaction from your own life adds to the richness of the tale, don’t hesitate to include it.

5. Don’t try to recreate the complete event on paper.

Stick to one idea or concept learned and then develop the rest of the story. Use your imagination to transcend the event you are writing about. Call on all your skills as a writer to build a story around the moment. Paula Hawkins, author of the bestselling thriller Girl On The Train said in interviews that her inspiration for the story was her daily commute to London and seeing the backs of homes from the train.

[3 Kick-in-the-Pants Tips to Unleash Your Creative Awesomeness]

6. Use the emotion from the event to energize your story.

Use your emotion as a guidepost. Hesitant to fill my story with repeated scenes of violence, I chose to focus on the aftermath of the abuse. The emotions – from acceptance to heartbreak – allowed the readers to extrapolate what the protagonists went through without me having to perseverate on the acts of cruelty.

7. Discover yourself in the process and then lose yourself in the tale.

First and foremost you are a writer and this is your story. Enjoy it.

Other writing/publishing articles & links for you:

Thanks for visiting The Writer’s Dig blog. For more great writing advice, click here.

brian-klems-2013


Brian A. Klems is the editor of this blog, online editor of Writer’s Digest and author of the popular gift book Oh Boy, You’re Having a Girl: A Dad’s Survival Guide to Raising Daughters.

Follow Brian on Twitter: @BrianKlems
Sign up for Brian’s free Writer’s Digest eNewsletter: WD Newsletter

 

You might also like:

One thought on “How to Write What You Know – And Then Change the Story

  1. jezebellydancer

    Hmm. This is good advice if you are writing contemporary fiction. However, if you change the setting to another country, you are right back to not writing what you know. If you don’t know that country, or town, etc., readers familiar with it will know unless you do your research.

    I think research is the key to writing what you know. Someone who was a Medieval Studies major in college has a lot of background knowledge to write a historical novel. Others would have to do extensive research. If you aren’t willing to do the research–find another way to write your story.

    I do a lot of editing for newbie writers. I worked on one where the author had two gay characters. It was clear from how cliche they were that she had no real knowledge of what gay men are like. Hers were stereotypical and frankly, offensive. She put them into her novel because she wanted to have a more diverse cast of characters. 🙁 She wasn’t writing what she knew and didn’t do any research to make the characters real.

    I am working on a fantasy novel with Celtic faeries in it. I’ve had to do extensive research on Celtic mythology to decide what to use. I’ve also had to research fiddle playing and how to take care of said fiddle. I’ve had to research mead making and taking care of and riding horses. I’m writing about an Irish-American family–that I already know about because that’s the family I was raised in and many of the characters are based on extended family members. But the research is key for a novel like mine.

COMMENT