I’m reporting live from New York City, where I’m accompanying our annual competitions winners Alegra Clarke and Mary Feuer.
So Alegra and Mary and me are making the rounds to meet literary agents. This is part of their prize for winning our annual competition for the past two years. I was so happy to meet these two great ladies, really I couldn’t imagine this happening to two nicer, more deserving, talented writers.
Even though she won the contest in 2006, Mary has been tied up as a screenwriter on location in Hawaii for the TV series “Dante’s Cove.” Mary’s working on a novel length work stemming from the great “House on Fire” she won our competition with two years ago.
Alegra, who won our competition in the memoir category for her “Salamander Prayer” has completed a novel since she found out she won our competition less than a year ago, and she’s already working with a L.A. based screenplay agent Joel Gotler on the screen rights.
We have two days of meetings with literary agents lined up. Yesterday we met with Annelise Robey of the Jane Rotrosen Agency and Mollie Glick of the Jean V. Naggar Agency.
Both Annelise and Mollie were so enthusiastic and positive about the prospect of finding new talent, the meetings were really delightful; I got quite a charge from it.
A lot came out of these meetings and I learned quite a lot about the current state of the market. I don’t have time for a full report but here’s a bit of what each had to say.
Annelise Robey says literary fiction is selling, especially if it’s accessible, not overly intellectual and has crossover appeal.
Mollie Glick had each writer give her “elevator pitch.” She told Mary if you have a choice between writing the book as a series of linked short stories and a novel, definitely go with the novel as short story collections, even linked short stories, are incredibly difficult to sell.
We have four more meetings lined up today so I have to run, but I’ll report back tomorrow, with visual aids!