A Wordsmith Among Kingfish

Today’s guest post is by the lovely Darrelyn Saloom. Follow her on Twitter, or read one of her most popular posts on the memoir she’s writing with Deirdre Gogarty. Pictured above: Rick Bragg

On the third weekend of October 2009, writers and book lovers gathered at the Louisiana State Capitol in Baton Rouge to celebrate books. It seemed fitting for the festival to take place on the grounds of the 34-story limestone-clad building, the vision (and final resting place) of former governor Huey P. Long, a natural born storyteller.

As part of the festival, I attended an event called Writing in Color, a full-day workshop presented by author and Pulitzer-Prize winner Rick Bragg. I’ve been a fan of Bragg’s writing since his bestselling memoir All Over But the Shoutin’. But what astounded me was the author’s verbal storytelling ability. Not only did he capture my attention, he held it for seven hours. Not once did I drift into my grocery list or plan my escape.

Every word he uttered rose and stretched and then bloomed into the Southern syrup of his Alabama accent. He evoked every emotion with remarkable talent. Remarkable because not every storyteller can write, and not every writer can tell a good story. Rick Bragg can do both. And while I can’t share his voice or the stories he told that day (they are his tales to tell), you can glimpse his skill in the following excerpt from the prologue of his latest publication, The Most They Ever Had

In our boyhood, my big brother, Sam, dug pieces of coal and scrap lumber from the red mud so my mother could heat a borrowed house. In the 1970s, he quit school to load boxcars with one hundred-pound sacks of clay and lime. He shoveled gravel and sand into the backs of flatbed trucks, cut pulpwood, and broke down truck tires with a chisel and a five-pound sledge. Then, he gave me a running start away from all of it.

Bragg’s prose is a fine example of the first rule of writing: show, don’t tell. He doesn’t tell the reader his family is poor, he shows his brother at work to heat his mother’s “borrowed” house. And he doesn’t go on and on to describe how much he admires his older brother’s work ethic. He allows the details to tell the story. Because if the devil’s in the details, then so are the angels, the music, and the choir:   

A hundred times, it seemed, I slouched at the shoulder of some trash-strewn highway in northeastern Alabama, the hood up on a wore-out car, waiting for him to come and get me going again. I was always on my way to some writing job, some frivolous work, something you could do all day and not even get any grease under your nails.

He would pull up in his old Chevrolet pickup, hand me a flashlight—it always seemed I broke down in the dark—and go to work. He would pull wrenches and yank on alternators and water pumps till he peeled the skin off his knuckles, blood mixing with grime until I flipped my clip-on tie over one shoulder and reached in with my free hand, to help. “Quit,” he would hiss. “You’ll get dirty.”

Rick Bragg never told his audience how to write in color, he painted a picture with stories. A verbal wordsmith, he stood tall in faded jeans and a white long-sleeved shirt, shirtsleeves rolled up. The author wore Western boots and an antique watch. If he were a country music star, he’d be a combination of Hank Williams and Johnny Cash. He was generous with his anecdotes but also his advice, “Be humble,” he said. “Just tell the damn story; don’t try to impress.”

As I drove away from the Louisiana State Capital, Governor Long’s manifested dream loomed in my rearview mirror. And then Rick Bragg’s Southern twang echoed in my brain, “Train your mind to think in color,” he sang. “Be the illustrator of your own words.” Fine advice delivered by a man whose knack for oral narrative matched the former governor’s. Words even The Kingfish would have approved.         

Below: Louisiana Book Festival poster (artist Lorraine Gendron)

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0 thoughts on “A Wordsmith Among Kingfish

  1. Debra Marrs

    So happy to land on this essay, Darrelyn. I, too, am a fan of Rick Bragg for his humble beginnings, the sweet flow of his storyteller’s prose, and his generosity as an instructor. It’s clear his words made an impression, and that you took them to heart. Your piece is a master in Writing in Color. Love it!

  2. Christian Allman

    Thanks to Darrelyn, I was honored to meet Mssr. Bragg. So strange, because I felt as if I knew him already. He gifted my late wife with two of his books and befriended her, in love, at an especially frightening point in her too-short life. Mr. Bragg is not only an amazing writer/story-teller, he is also a gentleman of the first order.

  3. Sally G

    "Be humble" "Just tell the damn story;don’t try to impress." Wow. Nothing grander than reading a story narrated in simple terms using words we can all understand. The turning of the phrases, the timing of the words, they all add the color to the story. The richness of the color depending upon the deepness of the writer’s vision. Darrelyn’s vision getting deeper with time. I will be buying his book.

  4. Jenny Kane

    Thank you for sharing these lessons Darrelyn! These are powerful examples of "show don’t tell." You continue to inspire me to make writing part of my everyday life & find events for writers in my local community. When I sit down to write today, I am going to practice thinking in color.

    Thank you!

  5. Indigo

    I’ve always had that mantra playing in the background of my mind as I write – "Show don’t tell". It’s a question of what do you see, what are you visualizing? Now let your readers see that same image. I swear I’m going to get a necklace engraved with the word ‘show’ on it.

    Now I have an even deeper perception on how to go about showing. Thank you for sharing Rick Bragg’s provocative words, "Train your mind to think in color."

    Whenever I learn something new in the writing process, I’m in awe at the creativity and dimensions the mind delves into for the sake of words not just written but felt. (Hugs)Indigo

  6. Christian Allman

    If you respect the art of writing and story-telling, Rick Bragg probably needs no introduction. But if you do not know Rick Bragg, you will want to very much after reading Darrelyn Saloom’s astonishing essay on Bragg’s writing workshop.

    To quote Saloom: "Bragg’s prose is a fine example of the first rule of writing: show, don’t tell. He doesn’t tell the reader his family is poor, he shows his brother at work to heat his mother’s “borrowed” house. And he doesn’t go on and on to describe how much he admires his older brother’s work ethic. He allows the details to tell the story. Because if the devil’s in the details, then so are the angels, the music, and the choir."

    In that one paragraph alone, Saloom not only "shows" Bragg’s genius, she literally paints a picture that is compelling it in its own right.

  7. cynthia newberry martin

    Lovely details and arc to this piece, Darrelyn. I feel as if I had been there, sitting at the table with my water and taking notes in my steno pad.

    Loved this quote: “Train your mind to think in color,” he sang. “Be the illustrator of your own words.”

    And the beautiful and colorful poster for the LBF.

  8. Jonathan

    Amazing. The excerpts from The Most They Ever Had blew me away. Maybe I’m particularly fragile today (dull, gray, rain and snow), but I thought I might break down myself. Thanks for your post.

  9. Jennifer Kemzuro

    You really did show (not tell) Rick Bragg to me.
    So many words to live by in this piece:
    "show, don’t tell"
    “Train your mind to think in color”
    “Be the illustrator of your own words.”
    All of these are the best quotes and universal not just for writers. Great advise for life for all of us.

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