Timeless & Core Writing Knowledge: 3 Strengths for Success

As I prepare curriculum for my writing class (for e-media majors), I’ve been thinking about the core strengths that every writer needs no matter what medium they’re working in.

I came up with the following.

  1. Storytelling prowess [plot & structure]. There’s a reason that knowledge of plot and structure, from Aristotle’s Poetics, is regurgitated or renewed across virtually every writing instruction book. It works. I often recommend, for a more contemporary take, listening to Ira Glass discuss storytelling. Even though he speaks about radio storytelling, the lessons are valid in all mediums. Side note: Many writers, especially those in scriptwriting, are fans of The Writer’s Journey by Chris Vogler, which is a slant (for writers) of Joseph Campbell’s work on myth.
  2. Knowing your audience & writing for the reader. We are all motivated to write for different reasons, or have unique passions that inform what we write about (or how!). Some people question whether the true artist should think of his/her reader at all. But for me, writing without an ideal reader in mind is akin to sailing a ship without a compass. There is no destination, we have no guide. Can we work at our best when we act only on our own desires, and care only about fulfilling ourselves?
  3. Economy and skillfulness with words [or: rewriting/revising]. Whether you write long or short, fiction or nonfiction, online or offline, there is nothing more admirable than the writer who can express a complex and beautiful thought in a few exact words. It’s the long-winded writer who frustrates, confuses, and bores. Focus, discipline, tightness: these are qualities that can be taught. As Hemingway once alluded to, getting the words right is the challenge (and pain) of every writer. Rewriting and revising is a skill that’s sharpened over a lifetime.

So, what have I missed? What other core knowledge does a writer need, regardless of medium?

P.S. Recent articles suggest that job growth for new communication/media grads is in social media and online community management, which sheds a very interesting light on how tight messaging and knowledge of audience play a role in how successful our communication is.

Photo credit: Diogo A. Figueira

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About Ben Sobieck

Benjamin Sobieck is a Wattpad Star and 2016 Watty Award winner. He’s best known on Wattpad for Glass Eye: Confessions of a Fake Psychic Detective, the Watty Award–winning sequel Black Eye, and When the Black-Eyed Children Knock & Other Stories. Four of his titles have appeared on Wattpad Top 100 Hot Lists, all at the same time.

3 thoughts on “Timeless & Core Writing Knowledge: 3 Strengths for Success

  1. DazyDayWriter

    Hello, Jane! Interesting post, thank you. Core knowledge, core abilities … for writers. Hmmm. You’ve picked out 3 good ones. I would merely mention the importance of letting personality shine through the work. Unique voice. Compelling style. Without that, even brevity will dull the mind. I also like intelligence to shine through; too often writing strikes me as generic or overly simplified to suit the demands of mainstream readers. Alas, it can be challenging to find the right balance when writing. I’m glad you’re the teacher, not myself! Best wishes from Sunny Room Studio!

  2. Darrelyn Saloom

    I think there are many common denominators we share as human beings. When I write, I don’t envision a certain audience as much as focus on the the inner world, emotions, flaws, yearnings, and mistakes, we all experience. A writer’s perspective (and voice) is what makes a story unique, and years of practice to cajole the words into the right place.

  3. Dana

    Good post, Jane. Thank you for the heads up about Chris Vogler.

    While I agree that economy and skill with words are important, I don’t think I would group them together exclusively with rewriting and revising. If anything, rewriting and revising could be grouped equally well with both number one and number two. For example, when revising, even doing surface level revising, a very common technique is for the writer to imagine a reader in her mind, looking at the piece for the first time.

    And while I think that an artist shouldn’t write FOR another, I do agree that the interaction between the individual writer and the group consciousness is supremely important. I believe many writers are secretly exploring the interaction of the self and the infinite cultural narratives embodied in the language(s) she has adopted.

    My two cents. Thanks for the post and for making me think early on a Thursday morning. 🙂



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