Acclaimed comic book and graphic novel writer, columnist, and filmmaker Alex de Campi shares her secrets for getting into writing comics, working with comics artists, tackling multidisciplinary creative projects, and more.
The Potpourri for the Pen column in the September 2018 issue of Writer’s Digest featured a game in which you had to match the famous authors to their unexpected day jobs. Take the quiz here (and find the answers from the magazine).
The Incredibles 2, the sequel to Pixar's iconic superhero film, offers writers the oportunity to enhance our understanding of effective character development. Here are a few lessons from the movie that you can apply in your fiction.
In this interview, screenwriter Michael Zam offers screenwriting tips for beginners and veterans, and discusses his success with the Emmy award-winning FX series Feud: Bette and Joan, starring Susan Sarandon, Jessica Lange, Stanley Tucci and more.
Attending writing conferences is a great way to learn about the craft, stay up to date on the publishing industry and meet new people. If you are introvert, this can seem intimidating, but with a little preparation and a shift in your mindset, a conference can be an incredible, life-changing experience.
Many writers are paralyzed at the prospect of pitching their stories, but Script's editor, Jeanne Veillette Bowerman, wants to push you past those fears with concrete tips on how to successfully pitch agents at pitching events.
Not all writers can afford to spend their whole day in front of the computer, typing out their next great script. Learn effective time management techniques on how to plan ahead and make writing a fixed part of your life.
Jeff VanderMeer, the NYT bestselling author behind Annihilation, Borne, Wonderbook and more, will present the closing keynote at the Writer's Digest Annual Conference.
Author, playwright and screenwriter Wendy Whitbeck delves into the unique underwater characters of the box-office hit Finding Nemo to explore how combining this particular mix of characters melded to create a totally memorable movie with strong character development.
Kellye Garrett discusses her years as a Hollywood screenwriter (with the CBS drama Cold Case among her credits) and the representation of black women in the mystery genre.
Screenwriters Michael Weber and Scott Neustadter describe their creative process and the decisions that went into writing their Oscar-nominated comedy, The Disaster Artist.
Screenwriters Michael Weber and Scott Neustadter dig into details about the development and writing behind their Oscar-nominated comedy, The Disaster Artist.
We're thrilled to announce that Script Magazine and the Writers Store will be joining Writer's Digest on an all-new, fully redesigned website at writersdigest.com in 2018.
David Goyer, who co-wrote Batman Begins with director Christopher Nolan, reflects on the creative choices he and Nolan made in bringing the darkest of the DC Comics’ characters to life.
Is your story falling flat? Jeanne Veillette Bowerman shares tips on how to elevate your story by literally, or not so literally, pushing them off a wall. Time to have one of those raw, brutal, hit-you-upside-your-head moments about your writing. You might want to get comfortable. Maybe lay down on my...
The success of NBC's The Good Place relies on its flawed but lovable characters, charming humor and, especially, its game-changing twists. Here are some hands-on lessons you can learn from the show’s terrific writing.
You may have the most intriguing story ever printed on a page, but ultimately we will care about the story because we care about the players in it and their journeys. In order to do that, you the writer must first create that emotional journey for each character.
Whether the relationship is healthy, codependent or even antagonistic, established relationships have a few unique things in common.
Using emotion to create strong, emotional characters and move a plot is critical for any writer in any type of genre. Knowing what kind of emotion to use and how to use it is a different matter, however. And while our fictional characters experience the same wide range of emotions that we...
Before submitting your manuscript to an agent or editor, it’s important to make sure your submission package is in the best possible shape it can be. Here’s a checklist that can help you troubleshoot your manuscript and improve your chances of success: How strong is your first line? Make sure you...
Hey, folks— As you’ve probably noticed, it’s been a loooong time since my last post. Sorry about that– between The Wanda Sykes Show wrapping (and, sadly, getting canceled), the tumult of staffing season, and starting a new script deal, the past few months have been total chaos. Also… and this is...
I’ll be honest, folks… for weeks, I haven’t been sure what the big deal about the iPad is. But having seen it and played with a little, I gotta admit… it’s pretty freakin’ cool. Having said that, one of the drawbacks for screenwriters is that there isn’t (yet) any professional screenwriting...
Thanks to Sam for spotting Alex Epstein‘s link to Alex Freedman‘s study on what TV specs to write this year… and what not to. Very interesting– and helpful! Click HERE to check it out… You might also like:No Related Posts
Hey, folks– Today’s question comes from Denise, who recently asked a question about preparing a “one-sheet“ for a TV pitch, a one-page description of her show idea to take into a pitch. While I gave her some pointers, I was also careful to articulate that I never… repeat: NEVER… take a...
Hey, folks– Just wanted to pass on a terrific piece, “Confessions of a 90210 Addict,” from yesterday’s Daily Beast. This was written by my good friend Taffy Brodesser-Akner, who’s a terrific writer and has this wonderful piece on why she’s addicted to teen soaps. Enjoy!… http://www.thedailybeast.com/blogs-and-stories/2010-03-08/confessions-of-a-90210-addict/?cid=bsa:topnav:sxyb You might also like:No Related...