Landis Wade shares 47 tips about writing fiction that he learned in a writing workshop with Craig Johnson, author of the Longmire series that was adapted into a popular TV series.
Funny You Should Ask is a humorous and handy column by literary agent Barbara Poelle. In this edition, she answers a reader's question about the best times to query a literary agent.
Jennifer Haupt discusses why it's sometimes beneficial to stop writing—that is, to step back from your work-in-progress in order to maintain your motivation and find a more productive path forward.
In this excerpt from the book Writing Fantasy and Science Fiction, Orson Scott Card explains why exposition can present particular challenges when you're writing science fiction, and tips for overcoming those challenges.
One piece of advice that seems good but can do a lot of harm is the old classic "write every day." Jeff Somers explains why.
When we last spoke to Nic Stone, her poignant and timely debut novel, Dear Martin was newly launched. Mentored by Jodi Picoult, Stone shares what she's learned along the path to best-selling novelist, as well as her best writing tips.
Four successful authors share their top daily writing habits that help them stay motivated when they need to get through that work in progress.
Author Boston Teran discusses his new novel, A Child Went Forth, his choice to use a pseudonym, upcoming film adaptations of his work, and the unique considerations of blending genres including historical fiction, mystery, crime and more.
Writing from multiple POVs allows you to zip around to new settings, cut away from scenes, leave cliffhangers unresolved for longer in ways that don’t work as well if you’re following one character’s perspective through the whole thing. Here are a few tips for getting started.
The following article is the first in a five-part series of articles by Jennifer Haupt. In this installment, she discusses how to maintain your writing motivation by rethinking what "success" means as a writer.
One piece of advice that seems good but can do a lot of harm is the old classic "show, don't tell." Jeff Somers explains why.
Sloane Crosley can coax humor from the unlikeliest of depths, whether it’s a good line from your locksmith or avenging a childhood slight during a pride parade.
Whether you're an outliner or an organic writer (a plotter or a pantser), the solution to almost every plot problem can be found by answering three simple questions.
Not all writers can afford to spend their whole day in front of the computer, typing out their next great script. Learn effective time management techniques on how to plan ahead and make writing a fixed part of your life.
Sometimes, working closely with a friend means that you’ll see both their genius and their foibles more distinctly. With all that in mind, here are five tips for world-building collaboratively and successfully.
One piece of advice that seems good but can do a lot of harm is the old classic write what you know. Jeff Somers explains why.
Declaring that you’re planning on writing a trilogy and crafting a successful one are not quite the same thing. Having just completed his own fantasy trilogy, Dan Koboldt shares what he learned in the process, book by book.
The path to being a professional writer can be harder when you become your biggest obstacle. Jeanne Veillette Bowerman dishes out tough-love advice to help you achieve your writing dreams.
Writers can work from just about anywhere, so why not work from everywhere? Meet some “digital nomads” who are making a living while exploring the world—and find out how you could become one of them.
As major media outlets raise the question of whether sensitivity readers represent censorship, Anna Hecker offers her experience working with one.
New York Times bestselling author Lisa Genova writes novels chronicling the fate of ordinary people who are diagnosed with extraordinary and often fatal neurological diseases.
Accurately portraying the complexities of different religions is no easy task. Here are a few debunked myths to keep your characters from becoming caricatures.
The cliché "start your novel with action" has a flaw—and it's a major one: What good is the action if it isn't grounded in context that’s important to the story or draws you to the main character? It's much, much better to start your story with tension, like a character conflict...
Q: I plan to write a series of prank letters to politicians, celebrities and manufacturing firms, and then publish my letters and the replies in a book of humor. Do the replies to my letters become my property to publish in my book? —Gene M. A: Letters sent to you aren’t...