Writing Advice

Why “Start Your Novel Is With Action” is Bad Advice

The cliché "start your novel with action" has a flaw—and it's a major one: What good is the action if it isn't grounded in context that’s important to the story or draws you to the main character? It's much, much better to start your story with tension, like a character conflict...

How Do I Juggle Story Ideas?

Q: I have a hard time staying with my stories. Every time I start one, I think of another story plot and I never get back to the other one. What should I do? —Rachel T. A: Buy some index cards, and keep them next to you while you work on...

Can I Write for Multiple Genres?

Q: I’m interested in writing in many different categories: adult fiction, young adult fiction, picture books, poetry and, possibly, memoir. Do I need to choose just one to be successful? —Laurie B. A: Absolutely not. While there are clearly advantages to focusing on one genre—platform building, audience base, honing your skill...

What To Spec This Year…

Thanks to Sam for spotting Alex Epstein‘s link to Alex Freedman‘s study on what TV specs to write this year… and what not to.  Very interesting– and helpful!  Click HERE to check it out… You might also like:No Related Posts

How to Improve Your Writing Style

Q: How can I improve my writing style? —Lily S. A: Read, read, read and practice, practice, practice. When taking in a good book or article, home in on what resonates with you and then underline those parts. Ask yourself, What made that such a great read? Our style is generally...

Meet Rick Qualliotine, Co-EP

I’m writing this while sitting in the office of our Co-Executive Producer, Rick Qualliotine—the only person at The Wanda Sykes Show who has actually PAINTED HIS OFFICE… making this easiest the coolest office in the place (one wall is a bright warm orange-yellow).  Rick started his career in theater, producing plays...

Two and a Half Men: Giving Characters Tangible Wants & Conflicts

I often talk in my TV-writing classes about the importance of giving characters TANGIBLE wants, obstacles, conflicts, etc.  In other words, we sometimes give our characters internal objectives and obstacles– like the desire to find love, absolve guilt, give forgiveness, be at peace, etc.– but it’s important to find physical, tangible,...